3824. Upfest 2021 75×75 (21)

One of the most dazzling pieces of Upfest 2021 is this magnificent Little Miss Sunshine with a touch of the Insane51 treatment, by Will Blood. I haven’t come across the artist before but it would seem that his USP is drawing/painting pictures/walls with a visible skeleton lurking beneath a superimposed character, you can find out much more on his excellent website The Book of Bare Bones.

Will Blood, North Street, Bristol, June 2021, Upfest 21
Will Blood, North Street, Bristol, June 2021, Upfest 21

This particular wall outside The Spotted Cow is among the best walls to photograph in Bedminster because there is no parking in front of it. This piece is definitely one of the most popular of the festival so far, and the bar is very high indeed. So good to be able to welcome Will Blood to Bristol, I hope he will find the time to visit again.

3818. Upfest 2021 75×75 (19)

This enormous mural was one of the first to be completed for the Upfest 75×75 event and is by Emotional Waterfall Art. The piece is a colourful abstract explosion of shapes on a white background – a confetti mural, which is an absolute bugger to photograph and can’t have been all that easy to paint.

Emotional Waterfall Art, Smyth Road, Bristol, June 2021, Upfest 21
Emotional Waterfall Art, Smyth Road, Bristol, June 2021, Upfest 21

Emotional Waterfall Art is a Bristol-based outfit run an artist who plays hard to get on her website and doesn’t disclose her name, simply that she is the creator of Emotional Waterfall Art. I’m not sure how many murals she has painted before, and I am not familiar with her work, but this is a very impressive introduction.

3810. Upfest 2021 75×75 (17)

Although we might not have seen as many international artists joining in with Upfest’s 75 walls in 75 days event as we might have expected in a non-COVID year we have seen a lot of artists from all over the UK come to Bristol and brighten up our walls with their extraordinary talent. Fem Sorcell is a Cumbrian artist based in Sheffield whose arrival on the street art scene has come via textile design, illustration, art directing, prosthetics and makeup for film.

Fem Sorcell, North Street Standard, Bristol, June 2021, Upfest 21
Fem Sorcell, North Street Standard, Bristol, June 2021, Upfest 21

This unusual piece is beautifully designed and crafted to fit the space perfectly and contains some great colours and details that demand more than a cursory glance. There are one or two elements that remind me a little of our own Bex Glover, particularly the red, yellow and white petals.

Sadly this was one of the dozen or so Upfest pieces that was vandalised earlier this week by some absolute idiot. There really are no words.

3808. Upfest 2021 75×75 (16)

The quality of artists and their artwork for the Upfest 75 walls in 75 days event has been astonishingly high, and Bristolians are blessed and privileged to have so much free art to enjoy. It is sad therefore, to report that a couple of days ago several of the pieces were badly tagged by some idiot who bears a grudge against Upfest. Don’t think for one second that the irony is lost on me, but the Upfest guest list is of the highest order and their work should be respected. One or two pieces have been repaired, and I hope the others will too. Fortunately this one was too high for the grubby vandal to deface.

TEAone, West Street, Bristol, June 2021, Upfest21
TEAone, West Street, Bristol, June 2021, Upfest21

This work by TEAone AKA Gavin Renshaw is truly outstanding and has a relaxed rural feel about it. What could be nicer than a musician strumming away in a café scene such as this? I had thought of talking to the artist while he was working on it, but at the moment I was there he didn’t look in the right space for a chat, so I left him to it.

TEAone, West Street, Bristol, June 2021, Upfest21
TEAone, West Street, Bristol, June 2021, Upfest21

The writing spells TONE, TEAone, geddit? And the overall composition has a strong 1950/60s look both in design and colours. Those little iron café chairs are exquisite, and the piece is rounded off perfectly with some clever shading, especially around the hat and face of the musician. This is a superb addition to the 75 walls.

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What a terrific way to mark my 3,800th street art post with this magnificent mural tucked away just off North Street in a miniature park called Ebenezer gate pocket park, by Hampshire artist Sian Storey.

Sian Storey, Ebeneezer Pocket Park, Bristol, June 2021, Upfest 21
Sian Storey, Ebeneezer Pocket Park, Bristol, June 2021, Upfest 21

The park is so small that it is quite quite difficult to get a full shot of the wall, so it is best visited in the flesh where you can soak up all the beauty and detail from the comfort of a bench. The watercolour effect of the piece brings a light and delicate touch to the wall, and the composition of two hummingbirds surrounded by flowers over a central patterned circle is delightful.

Sian Storey, Ebeneezer Pocket Park, Bristol, June 2021, Upfest 21
Sian Storey, Ebeneezer Pocket Park, Bristol, June 2021, Upfest 21

This is a skilfully painted piece that typifies the high standard of murals at this year’s Upfest event, and although things haven’t quite turned out as expected this year, the 75 walls in 75 days initiative has really captured the imagination and will leave a legacy of stunning artwork for both Bristol citizens and visitors alike.

3796. Upfest 2021 75×75 (13)

What a treat it was to meet Ant Carver while he was painting this beauty, not once or twice, but three times. Perhaps this was because I visited the area quite a few times but also because he took his time completing the piece. It is funny how some artists can fly in and out in a day while others take considerably longer.

Ant Carver, Lime Road, Bristol, June 2021, Upfest 21
Ant Carver, Lime Road, Bristol, June 2021, Upfest 21

Ant Carver used a technique called a doodle grid to paint this magnificent portrait piece. The way it works is a little bit like a combination of grid squares and tracing paper. The wall is painted with squiggles and patterns that act as reference points. The doodle is photographed and then the desired design superimposed onto the photograph of the doodle and made slightly transparent, so that the doodle comes through. The artist is then able to look at the photograph composite on their phone and use it to get all the lines and detail in exactly the right place on the wall. Worth checking out on the Interweb if you are interested.

Ant Carver, Lime Road, Bristol, June 2021, Upfest 21
Ant Carver, Lime Road, Bristol, June 2021, Upfest 21

This portrait has been painted on a new wall for Upfest, adding capacity, which is great because you can never have enough walls.

Ant Carver, Lime Road, Bristol, June 2021, Upfest 21
Ant Carver, Lime Road, Bristol, June 2021, Upfest 21

The piece is called ‘The Hand We’re Dealt’ and can best be described using the artist’s own words from his Instagram account:

‘‘The Hand We’re Dealt’ is the latest piece in my series of work exploring loss. Over the past few months I’ve been using my paintings as a way to reflect on my experience with grief. This is the latest painting in that series. Each element of the painting can be interpreted differently by the viewer, but to me the candle represents the passing of time and the luxury it is for that to happen. The skull symbolises life and death, and the cards reference the lottery of life and the hand we’re dealt.’

Ant Carver, Lime Road, Bristol, June 2021, Upfest 21
Ant Carver, Lime Road, Bristol, June 2021, Upfest 21

This is another superb piece from the London-based artist. I only wish my photographs could do it justice.

3795. Upfest 2021 75×75 (12)

This little gateway at the back of The Malago was until recently home to a lovely mural by Alex Lucas featuring two white rabbits hares on the phone. Now it has been re-painted as one of Upfest’s 75 new walls in 75 days by Natasha Kirby.

Natasha Kirby, Greville Road, Bristol, June 2021, Upfest 21
Natasha Kirby, Greville Road, Bristol, June 2021, Upfest 21

The new mural is very beautiful indeed, bursting with colourful flowers on a deep blue background and creating a little bit of summertime in this otherwise sunless summer. Natasha is a self-confessed flower obsessive and flowers are at the heart of her design and print work which can be seen on her website. You can see that the mural has a very strong design element and has such balance making it very easy on the eye. This spot is a devil to photograph, because there is nearly always a car parked in front of it. 

This is another Upfest classic.

Alex Lucas, Upfest, Bristol, July 2018
Alex Lucas, Upfest, Bristol, July 2018

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We, the citizens of Bristol, have been spoilt by Steve, Emma and the whole Upfest team. In the most trying of circumstances they have pulled off a most remarkable event, or show, lasting 75 days and the painting of 75 walls. As if that wasn’t enough, the legacy of this monumental effort will bring joy to the hearts of many for months and years to come.

Hixxy, North Street, Bristol, June 2021, Upfest 21
Hixxy, North Street, Bristol, June 2021, Upfest 21

This wonderful facade mural is by Hixxy, an artist I have not come across before. As far as I can make out, she is based in London and Liverpool and she describes her work as ‘pop botanical murals’ which looking at this piece makes total sense. This modernist painting features pear blossom and a face that Hixxy dug out from a 1950s archive. It is amazing how much information you can get from Instagram!

The whole piece works really well over the shop front of Kask wine, and Hixxy has very cleverly incorporated the windows into the darker parts of the design so that you hardly notice them. A fine Upfest piece.

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What an absolute beauty from Irony. I want this post to be about the outstanding art and not the difficult light conditions, so I will get my apology in early. The sun was bright and behind the wall, so the artwork is a little on the dark side. This wall needs to be photographed on a dull day probably to get the full weight and beauty of the piece.

Irony, Greville Street, Bristol, June 2021, Upfest 21
Irony, Greville Street, Bristol, June 2021, Upfest 21

Irony is known for his incredibly detailed high-end murals and has appeared at many festivals around the UK, but he also paints walls all over London and he is far from a ‘pop star’ celebrity, preferring to keep his anonymity as far as that is possible. He is a modest talent.

Irony, Greville Street, Bristol, June 2021, Upfest 21
Irony, Greville Street, Bristol, June 2021, Upfest 21

These giant rooftop pigeons, painted on the rear wall of The Hen and Chicken, are close to perfect. Their fluffed up ruffles so accurately portrayed and their general demeanour is so life-like. Irony has gifted Bristol yet another classic piece. But one that you have to look out for as it could easily be missed.

Irony, Greville Street, Bristol, June 2021, Upfest 21
Irony, Greville Street, Bristol, June 2021, Upfest 21

Upfest has definitely triumphed this year with its 75×75 event, and this is only the eighth one I have posted… so much more to come.

3772. Upfest 2021 75×75 (7)

Our household self-isolation is about half done now and it is getting a bit boring. When you can’t leave the front door for anything, the fear of missing out (FOMO) starts to build, and for me, this is manifested in how many new pieces of art I might never get to see, such is the high turnover. I confess, it really gets to me, but on the other side of this, it exposes my obsession, which probably needs moderating. A time for introspection.

Meanwhile, I have got a vast reserve of unpublished photographs that could keep me posting for a couple of years at least. Upfest pieces will always get prominence on Natural Adventures, and this astonishing piece from Peter Sheridan is really absolutely stunning.

Peter Sheridan, North Street, Bristol, June 2021, Upfest 21
Peter Sheridan, North Street, Bristol, June 2021, Upfest 21

This one seemed to creep under everyone’s radar, and I don’t think I have seen any work in progress shots on social media. The finished piece was suddenly there, appearing as if by magic. The character piece creates an extraordinary atmosphere and sensation of being locked up, one I can utterly relate to at the moment, and one that probably reflects the past 18 months or so.

It is so good, I’ll just pause and leave you to enjoy it.