In have held on to this piece in my archive for way too long, and spurred on by the surge of recent pieces by Acer One, I wanted to share this geometric piece that is quite different from his more recent stuff, but still carries that heavily designed feel to it.
The hoardings on Temple Way around a huge development will in time be removed, but at least the developers had the foresight to commission some pieces which have not only brightened up this very dull bit of road, but have also gone a long way to keeping taggers at bay. This design is not only beautiful but has been meticulously painted by Acer One. I am becoming a very big fan.
I love coming back to photographs that I have in my archive, just waiting there for an artist identification. It is so fulfilling and closes a circle – a great feeling, like a detective solving a case. I was struck by this piece along the River Avon back in November last year and a little bit peeved that I couldn’t place the artist at all. I discovered the artist’s identity recently after I found another piece at Purdown and started investigating Instagram accounts of other artists who had painted up there – eventually I tracked down Antikki. All I needed to do was look at the signature… d’oh!
This is a lovely wholesome design piece and has a feel good factor about it – dancing figures bouncing bums in beautiful colours, what’s not to like? Antikki’s style is one that works equally well on walls or in smaller studio designs. I love it when designers and artists hit the streets, it kind of lends legitimacy to street art in a curious way. More to come soon.
I fear that Mr Penfold is an artist who is probably a little bit under represented in Natural Adventures, not because I don’t like his work, but more that as a designer who works mostly on commissions his work can be spread about the city and is rarely to be found in the more common spots that I visit.
It would seem that Mr Penfold has a repeat commission for painting this particular archway because I have seen other designs of his here before. Unmistakably the work of the artist this is a little different from many of his pieces. The shapes have solid fills rather than patterns, but it is the straight lines and the shadows they cast that are a bit of a give away. This is a really classy design from a classy designer.
Cheltenham is home to a small number of artists, but thanks in large part to Dice67 and his Cheltenham Paint Festival, it is firmly on the street art map of the UK. One of those local artists (although he might be from Gloucester, I can never quite remember) is Flava136 whose piece for this year’s festival was simply beautiful.
It is just such a pity that we don’t see more of his work in Bristol. His monster character is becoming more and more stylised and the design elements becoming more prominent. This piece is so clean and tidy and is a great showcase of his fine work. Flava136 is an artist I’ve yet to meet, but I’m sure it will happen soon enough.
He doesn’t visit Bristol often (enough) but when he does he always leaves us something special and on a recent visit Kleiner Shames painted this stunning piece which is a slight departure from his more recognisable FOIS letters that we are more familiar with.
Using colours that KleinerShames favours, and that help with identification, and a couple of designer block letters, the piece spells out the artist’s initials K S. I have missed seeing his work since he left for London, but we are blessed in Bristol that he makes these occasional trips to his old home.
I think that this might just be my favourite mural from Mr Penfold to date. I like everything about it. The proportions seem to work really well, the colours, the balance the designs and the shadows come together perfectly in this bright abstract piece.
Because Mr Penfold generally works to commissions, we don’t get to see nearly enough of his distinctive brand of abstract work on the streets, but for him to do so would probably erode his strong commercial brand. I really love this piece.
Doors 96 – A selection of doors from the Orchard Street/Lane area of Bristol
Just a quick one this week. A few doors that I photographed back in December just round the back of the Bristol Hippodrome. The houses around here survived the Blitz, unlike many others in the centre of town.
So, a set of period doors all of which I rather like in one of the older bits of the centre of Bristol.
If you have made it this far, you probably like doors and you ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
Well, well, well, this piece by Paul Monsters only goes to show that it is always worth making the effort to go off the beaten track from time to time, rather than only visit the ‘sure things’.
Last week I only had a short lunch break so rather than strolling off to Bedminster I took a quick butcher’s at Leonard Lane. This was my reward, a large colourful geometric design piece by Paul Monsters.
It is rare to see such large ‘commissiony’ type pieces in Leonard Lane, rather it is well known for tagging and practice pieces. I am guessing that it was permitted by Centrespace, the owners of the wall. What is most interesting about this excellent piece is that it is the first I have seen by Paul Monsters that is in such a narrow street. It works extremely well and seems to bring extra light to this dark and dingy place. A great find.