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A city’s life blood
pan out only a little
Tesco, motorway
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by Scooj
The philosophical pondering of #DFTE is a constantly refreshing aspect of his work, indeed a central one too. It is only a few years ago when his small framed musings started appearing in spots all around the city, becoming something of a street art hunter’s ‘pot of gold’. More recently he has taken to upscaling his work into large walls, adopting the same font, and managing not to lose the unique proportions and sentiment that typifies his earlier work. You can see the transition of his work in this gallery.
I guess that #DFTE is stating the obvious here with his “if you change, you will be different” statement. I imagine that this prompts the clichéd response “well, it makes you think… doesn’t it?”. Whether it makes you think or not, this is another wonderful piece of stylised writing and words from the Bristol-based artist.
This extraordinary mural by Serbian artist Artez is one of the most iconic pieces to emerge from the incredible Upfest 2024, which was staged over three weekends in May and June. Although there wasn’t a street ‘festival’ this year in one of the south Bristol Parks, the organisers triumphed with finding a host of new walls to feature some of the best artists in the world.
I was not familiar with Artez, as I don’t believe he has visited Bristol before, but after seeing this piece I will most definitely be keeping an eye on him. There is a wonderful connection in this piece with the space it is painted on and the subject, whose tummy aligns with the vertical wall and bent knees reflect the pitch of the roof. Clever stuff.
I could spend hours looking at this piece, which gives off an incredible sense of calm and peacefulness. The unusual position that the woman is in adds interest, and the large empty spaces around her draw attention to her face, her body and the folds of material in her clothes. A masterpiece from Artez.
Cock Dicks is a Bristol-Based artist who occasionally transfers her skills to the walls in Bristol alongside the Bristol Mural Collective. In this piece for Upfest 2024, up at the Greville Smyth Park Bowling Club, she has painted a mural containing the most iconic emblem of Bristol, some hot air balloons.
I was lucky enough to meet Cock Dicks, whose mischievous name is derived from her surname (Dicks) combined with her mother’s maiden name (Cock), while she was painting this piece and told her that I had written about her art on Natural Adventures before, and she seemed to be surprised that I knew that she had painted with the Bristol Mural Collective occasionally.
Using brushes rather than spray cans, Cock Dicks has created a rather loveable collection of balloons, each with big eyes and differing expressions cleverly portrayed by the shape of the eyebrows and mouth and angle of the eyes. This is a piece for all the family, and captures the spirit of Bristol and Upfest perfectly.
Doors 267 – Doors from Cheltenham, July 2023 (Part II)
I don’t have a great deal to say about the selection of doors this week, except that I took the photographs during a visit to last year’s Cheltenham Paint Festival, and of course, whenever I visit a town or city, for whatever reason, you will find me collecting doors or taking doorscursions. On that subject, I am off to York again next week and I am hoping to find some time to wander around York Minster and the surrounding area… watch this space (in about a year – my archive of doors is swelling).
There is no theme to these doors, but I hope you enjoy the collection nonetheless:
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One more week of Cheltenham doors to come, and then possibly a return to Italy. Have a great weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj
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An oxeye daisy
a slender beetle rests up
feasting on nectar
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by Scooj
Liam Bononi is right up there with some of the best street artists in the country and beyond, and it is a great privilege that he has returned to Bristol and Upfest with this outstanding portrait piece in Lime Road. I got a little lucky with these pictures, because there is usually a car parked in the bay, partially obscuring this wall.
The portrait piece is different from work I have seen before by the artist, in that usually he distorts the image in some way through ‘cracks’ or obscured features and so on, but here he appears to have gone with a straightforward portrait. His photorealistic work is outstanding and manages to convey more than simply an accurate portrayal by capturing both emotion and movement in the subject.
There is one nod to obscurity in this piece in the form of the golden violin bow, which is lacking in any detail. I am not too sure what to read into this deliberate mechanism, and may have to do a little research. One of the highlights of Upfest this year.
This piece by Zoe Power would be equally at home in my street art posts or as part of the Thursday doors series (watch this space, because it will eventually appear in the latter). Zoe Power is a successful artist i Bristol, whose commissions can be found on walls all over the city. Her style is clear and simple and overtones of the Fauvist school of art which was known for its bold use of colours and expressive brushwork. Henri Matisse, I am convinced, is an inspiration behind some of Zoe Power’s work.
This door is an absolute beauty which blends colours and shapes seamlessly. There are plenty of recognisable icons and motifs, such as an eye, a pencil, a mouth, a heart and a plant all presented in an abstract format. The colour palette works well and the door is surely one of the prettiest in the area. A fine commission from Zoe Power.
When you see the title ‘various locations’ you can be fairly sure that the post is likely to feature Bristol’s most prolific graffiti writer, Klashwhensober, and you wouldn’t be wrong. This is a roundup of ‘SOBER’ pieces by the artist from May 2024 – by bunching them together I am able to continue to post other artists’ work, at the expense of not commentating on each of the pieces by Klashwhensober.
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You can tell from this mini-gallery, that Klashwhensober has a recognisable style of writing, but what brings out his work as special is the uniqueness of each piece with regard to colours and fill patterns and the occasional accompaniment of a character. What is also clear is that the artist has good days, and less good days when the finishing can appear a little rushed.
I believe that this is the best way to post Klashwhensober’s work without compromising my desire to share the full spectrum of street/graffiti art in Bristol.
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Resilient fig
unlikely urban foothold
nature will prevail
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by Scooj
Natural adventures 