There doesn’t seem to be any letting up from Klashwhensober, and you have to admire his grit and determination. Added to that, you also have to admire the constant improvement and development of his bright pieces, as he becomes one of the more prominent writers in the city.
This bright SOBER writing is accompanied by a rather sinister gun-toting character, whose shooting has peppered the writing with bullet holes and bleeding. What marks this piece out, and indeed is a bit of a signature feature from the artist, is the objects and splashes bursting out of the middle of the writing. A fine grey-3D drop shadow and day glow green border (with drips) and cloudy background finish the piece nicely.
There was a time when I could barely step outside my house without bumping into Klashwhensober, but I have not seen him now for a few months. I guess our body clocks are out of sync. Sometimes not meeting artists regularly is a sign that they are going through a fallow period, but that is certainly not the case with Klashwhensober, who appears to be as prolific as ever.
This reasonably recent piece, on one of my favourite walls, is a scorcher. There is a lot to like about this one. The piece is an explosion of colour, with the SOBER letters in green and blue and the background in orange and yellow. The fabulous thing that Klashwhensober is adding to his pieces these days is a feature aspect emanating out of the letters, and in this example is is a green cloudy element spreading out from the centre. A classy Klash piece.
I struggle to keep up with Klashwhensober’s work, especially when there is so much new work appearing on the streets of Bristol every day, but I couldn’t let this one remain in the wings for too long, it is just too good.
I guess that for anyone not used to reading Klashwhensober’s writing, it can be a little tricky to decipher, but a tip is that he usually writes Klash, Sober or Soba… here it says Sober. The letters are thin, almost in a Logoe script style, but it is the two decorations that catch the eye, looking like little blue and red molecular models that you used to see in school. An absorbing and animated piece – really good.
Here he is again with some more bright and striking pieces of graffiti writing. I am of course talking about the prolific Klashwhensober. It is strange, but there was a time a few months ago when I was bumping into Klashwhensober at least once a week, and our clocks were in sync… however, I haven’t seen him for quite a while now. The same thing happened with Werm.
Both of these pieces are at Greenbank, and a feast for the eyes. The first, spelling SOBER is really eye-catching and is notable for the smorgasbord of fills transitioning horizontally through the piece with interest through every layer, truly a thing of beauty.
The second piece is slightly more muted, but still beautifully presented. Spelling KLASH, this piece again offers some exquisite fill patterns and colours, complemented with a beautifully painted 3D shadow with a central disappearing point. Both pieces are top notch and a real celebration of Klashwhensober’s workmanship. Bravo!
Today’s posts are the last of my holiday posts, and then tomorrow, I am back to work and the humdrum routine until our next break. First up today are a couple of pieces from Klashwhensober (surely a gallery coming up soon…) from Greenbank.
The first is a nice black-lettered SOBER with a yellow and green blotchy 3D shadow. There is a pink string running about the piece with some rather nice bubbles in various places.
The second piece, possibly painted around the same time, is a stunning, energetic piece in orange and red, also spelling out SOBER, and the composition and colour choices really work for me. The fills and use of colours in them are some of his finest, and the letters lifted with the very tidy light blue 3D shadow. The stars and lines around the perimeter are the icing on the cake of a first-class piece. An excellent bit of writing from Klashwhensober.
Very short of time today, so this write-up will be relatively brief. Klashwhensober is a lovely guy who is smashing out pieces all over the place, and I find it quite hard to keep up with them, so I have started to gather them up, writing about more than one per post. If I didn’t do this, I wouldn’t be able to share them all.
This selection are all recent pieces along the M32 Cycle path, each very different, but in the Klashwhensober style. This first one spells out KLASH in lovely 3D letters with a colourful and imaginative array of fills and given a bit of pink splat treatment for good measure.
The second piece, pretty much opposite the first, is once again full of colour and dynamism, spelling out SOBA, some patterns in the lower half of the letters are similar to those in the first piece. I rather like the explosion in the middle of the letters, which has contrasting effects above and below the transition line.
The final piece is a few yards further along the path, spelling SOBER, and is once again a tidy piece with a nice 3D effect and central vanishing point. The theme with all three of these seems to be around explosions of some kind or another, bright lights and colour emanating from a central point and radiating outwards. I suspect there is some deep conscious or unconscious meaning here – I shall have to ask him next time I see him.
This is definitely one of those occasions when you get more for your money, to loosely use an expression, because as we already know, street/graffiti art is completely free… imagine that, completely free art for all to enjoy, no entrance fee required. A double helping from Klashwhensober, which is surely a treat to savour. In this double act, we have two of his monikers, ‘Klash’ and ‘Sober’.
To the left is Klash written in his long slim lettering and a gorgeous transition fill from blue to pink, with some lovely patterns spanning the letters. The whole thing is coated in a kind of green goo, that Face 1st would approve of.
To the right of the pair of the work is the word Sober which again has lovely slim curvy letters and a superb red/orange 3D shadow shared across both words – with regard to the 3D shadow, Klashwhensober has a vanishing point somewhere behind the piece and the shadows work in both directions. The imaginative patterns and fills are a joy to behold, and a specialism that Klashwhensober works really hard on.
I met Klashwhensober again yesterday on the M32 cycle path, and it was another pleasurable experience. We chewed the fat for a little while, and discussed different pieces and styles, amongst other things. I think that we must have similar body clocks, as we keep meeting – three times now in just over a week.
I can’t quite work something out. I have only been aware of Klashwhensober for a couple of months, and although I have seen some of his ‘Sober’, ‘Soba’, ‘Klash’ and ‘Flash’ pieces for a little while longer, he seems to be everywhere I look at the moment. Did I miss something before, or has he gone completely nuts. I think I have photographed at least ten of his pieces in my last three or four trips out.
This Sober piece is a bit of a beauty on the M32 roundabout. The letters are unmistakably Klashwhensober’s, but it is the fills that are superb, with the red and blue ‘sprinkles’ transitioning along the horizontal divide of colour. The white highlights help the piece to ‘pop’ out giving it the 3D effect. And the whole thing is beautifully finished. There is a lot to like about this piece of writing.