6120. M32 Cycle path (268)

 

Hemper, M32 Cycle path, Bristol, June 2024
Hemper, M32 Cycle path, Bristol, June 2024

In Bristol we are spoilt and have become accustomed to seeing extraordinary wildstyle graffiti writing from Hemper on a regular basis. This wonderful organic piece is simply the latest in an outstanding series from the talented artist.

Hemper, M32 Cycle path, Bristol, June 2024
Hemper, M32 Cycle path, Bristol, June 2024

The letters spell out HEMS and have remarkable depth to them created through both incredible design and technique using light and shade. The whole thing almost looks like a metal plate or buckle slapped onto the wall. Subtle colours, shiny light and a cool drippy border all contribute to the overall 3D effect. What a beauty.

4000. Upfest 2021 75×75 (70)

This morning’s post is something of a landmark for me. It is my 4,000th street/graffiti art post on Natural Adventures, not something that I planned all those years ago with this first post.

Insane51, Tobacco Factory, Bristol, July 2021, Upfest 21
Insane51, Tobacco Factory, Bristol, July 2021, Upfest 21

It is fitting, I think, that one of the most impactful street artists to hit the walls of Bristol is the subject of this milestone post – Insane51. This is probably ‘the’ feature wall for Upfest and gets an awful lot of footfall and exposure. You might recall the Greta Thunberg piece by Jody that preceded this one.

Insane51, Tobacco Factory, Bristol, July 2021, Upfest 21
Insane51, Tobacco Factory, Bristol, July 2021, Upfest 21

Apart from being visually stunning as it is, Insane 51’s work is designed to be viewed through 3D colour filter glasses that allow you to see the two pictures that combine to make the one mural. You can see what I mean if you look at this article from the the Bristol Post.

Insane51, Tobacco Factory, Bristol, July 2021, Upfest 21
Insane51, Tobacco Factory, Bristol, July 2021, Upfest 21

The artwork itself is best described by the artist, taken from his Instagram feed:

🔴 ‘DREAM” 🔵

⚫ NYX holding SELENE 🌕

⚫ Nyx is the Greek goddess of the night. A shadowy figure, Nyx stood at or near the beginning of creation and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty that she is feared by Zeus himself.

🌕 Selene is the goddess of the Moon. She is the daughter of the Titans Hyperion and Theia, and sister of the sun god Helios and the dawn goddess Eos. She drives her moon chariot across the heavens.

An extraordinary piece by a world-class artist. On to the next 4,000 posts.

3649. M32 roundabout J3 (315)

There are so many outstanding artists in Bristol, which is a bit of a contradiction in terms, because if there are lots of them, then by definition they are not outstanding, but I think you probably know what I mean. One of them who seems to be at the top of his game at the moment is Acer One.

Acer One, M32 roundabout, Bristol, April 2021
Acer One, M32 roundabout, Bristol, April 2021

This relatively recent piece (gone already) is in his two-tone 3D geometric lettering style and appears to spell out ‘CLEO 4PCC’ although I am not certain about that, nor what it means. These pieces create a dazzling effect, and to some passers-by may not be seen as letters, but simply shapes and patterns. So wonderfully distinctive. I need to catch him painting one of these so I can watch how he does it.

3461. Brunel Way bridge (88)

Of all the ‘masters’ of Bristol graffiti writing, I think that Hemper is probably the least represented on Natural Adventures. I am not entirely sure why that might be. Perhaps it is the modest approach he takes to his highly technical freestyle work, or to the fact that he normally paints with other artists, which might take the attention away. I don’t know. Anyhow, I really ought to address this imbalance – perhaps with a gallery.

Hemper, Brunel Way, Bristol, January 2021
Hemper, Brunel Way, Bristol, January 2021

In this piece under Brunel Way, Hemper spells out HEMS with some glorious curvy letters filled with a couple of shade of purple and embellished in a way that gives it a shiny 3D effect – how does he achieve that shiny thing? Some very clever white additions that give it a reflective quality. This is a real technical banger.

2306. Waterloo Place (4)

This wall at the back of Sofa Project has played host to some of the tightest street art in Bristol, and it is most pleasing to see that tradition continuing with this new collaboration between Paul Monsters and Soker.

Paul Monsters and Soker, Waterloo Place, Bristol, June 2019
Paul Monsters and Soker, Waterloo Place, Bristol, June 2019

when I spoke to Paul Monsters about it, he was full of compliments for his collaboration partner and explained how Soker had worked the horizontal shade in his writing to match up with Paul’s geometric design with complete ease. Looking at it knowing this adds context and insight into the strength and thoughtfulness of this piece.

Paul Monsters and Soker, Waterloo Place, Bristol, June 2019
Paul Monsters and Soker, Waterloo Place, Bristol, June 2019

The geometric backdrop by Paul Monsters is in my view masterful work and creates a most extraordinary illusion that the wall is made of coloured blocks that have bevelled peaks that jut out, and no matter how hard you look at it it is difficult to see it as flat.

Genuinely, this is one of the most enjoyable collaborations I have seen in quite a while. Classy and diverse.

2239. Upfest 2018 (141)

So it has been a while, and since there isn’t an Upfest festival this year, I am going to have to post another series of pictures from Upfest 2018 (there are still so many more waiting) starting with this utterly awesome piece by Insane51.

Insane51, Upfest, Bristol, July 2018
Insane51, Upfest, Bristol, July 2018

This extraordinary artist from Greece specialises in 3D street art and has created dozens of huge pieces which look fuzzy because they are double images, but when viewed through the red and blue specs stand out from the wall in good old-fashioned 3D.

Insane51, Upfest, Bristol, July 2018
Insane51, Upfest, Bristol, July 2018

This particular piece went up over about three or four days and was impressive enough in its halfway stage when the female portrait was complete. Insane51 then added the blue skeleton layer to the piece. The magic really happens when you view the whole thing through 3D specs one eye at a time. Rather helpfully, Insane51 did the job for us on his Instagram feed.

Insane51, Upfest, Bristol, July 2018
Insane51, Upfest, Bristol, July 2018

Definitely one of the finest walls at last year’s festival and a real crowd-pleaser. I got rather lucky and managed to grab a few words with him and during the course of our conversation he gave me a little goody bag of some stickers and the essential cardboard specs. It would be great to see him return again and wow us with his extraordinary talents.

 

 

1903. St Werburghs tunnel (55)

What a wonderfully clever piece this is from Fiva, who has used his trademark block letters to spell out his name but has repeated the word in a different font through the letters in a way that gives the whole thing a 3D look. This piece uses techniques that are used by Pref ID who is a master of this kind of visual wordplay.

Fiva, St Werburghs, Bristol, December 2018
Fiva, St Werburghs, Bristol, December 2018

As is often the case with Fiva’s work, he leaves us a character as additional interest in the piece. I really like his work and only wish he did more but realise that he, like many other street artists, is likely to have a real job and maybe family and can only get out to play when time and circumstance permit.

1878. Upfest 2018 (97)

I think that this Paul Monsters piece counts as an Upfest work, even though it was completed a few days before the festival itself. Upfest simply wouldn’t be the same without Paul Monsters, and I mean that quite literally, as he is at the core of the organising work and biography gathering for the festival and works in the Upfest shop in North Street.

Paul Monsters, Upfest, Bristol, July 2018
Paul Monsters, Upfest, Bristol, July 2018

Paul Monsters is a master of creating these geometric 3D patterns which he does both as small prints or enormous walls like this one. What was preciously a bland and unremarkable wall has been transformed into a thing of beauty which lifts the mood of the area and those that look upon it.

Paul Monsters, Upfest, Bristol, July 2018
Paul Monsters, Upfest, Bristol, July 2018

In this piece he uses his trademark colours of orange, brown, purple, green and blue using shades of these colours to create the 3D effect. A remarkable wall from a lovely chap.

1857. M32 roundabout J3 (101)

This is an absolutely stunning piece of 3D writing by one of Bristol’s most talented young artists, Sikoh. There are only two other artists I know of in Bristol who can form 3D lettering as well as this and they are Zase and Lokey, so he is in very good company indeed.

Sikoh, M32 roundabout, Bristol, November 2018
Sikoh, M32 roundabout, Bristol, November 2018

The letters spell out ‘Inspectah Deck’ and it is a tribute to the rapper/producer/actor. It is at this point that I have to disclose that my knowledge of rap and hip hop are not good, and despite an eclectic taste in music and good education, I know little of this genre…a major disadvantage for a street/graffiti art rapporteur. So I’ll focus on the art rather than the subject of the art. I’ll not say too much about this piece, because its quality is evident. Take a while to marvel at the shadows and accents. This is a beauty.

1789. Upfest 2018 (65)

What a wonderful clean and colourful piece by Bristol-based Zase. There is rather a nice little story going on in this piece, and I love the sketch on the floor of the 3D writing of the artist’s name that appears on the right hand side of the piece.

Zase and Dekor, Upfest, Bristol, July 2018
Zase and Dekor, Upfest, Bristol, July 2018

Zase has been painting solo for a little bit as his collaborator Dekor returned to his homeland for a while. It looks like this is by both of them, or at least it is signed by both on the bottom left-hand side of the piece, so maybe Dekor is back on the scene again. There is a serenity and maybe sadness about the piece, which is certainly one of my favourites of the festival. Oh yeah, and if you wanted evidence of the rain we had, the picture above is a little on the watery side…grrrrr.