A wonderful collaboration between Paul Monsters and Loch Ness that has been hiding away in my archive for such a very long time. Too good to leave there, especially as I owe my debut piece to these two, Paul for all his unvelievable work on Upfest and Loch Ness for giving me my lesson in spray painting.
It is rare to see a piece by Paul Monsters these days that isn’t some kind of geometric design, and Loch Ness too has developed his technique and is favouring larger pieces these days. The two still collaborate, and I expect to see them both hard at work at Upfest.
I am writing this in advance, but by my estimate this post should be out the day before Upfest begins.
Europe’s largest street art festival begins in Bristol tomorrow, and I am (will be) beside myself with excitement. Time to prep cameras and make sure all batteries are powered up to the max. I’ll start to post images from the festival as soon as I am able, but regular followers will know that it take me about 9 months or so to work through them.
Just across the road from South Street Park in a school yard the fabulous combination of Paul Monsters and Loch Ness were busy at work. I’m not sure that many people got to see the final piece, which had been slow to finish due to the weather combined with the fact that after Upfest, access to the school yard has been restricted.
Two fine bristol artists who use bright colours in their work, but with very different styles. Paul Monsters works with geometric patterns creating 3D shapes and shadows that draw the eye in to examine in detail what is happening.
Loch Ness, who also uses lots of colour in his work tends to spray monsters or animals with pieces that tell a story.
The whole piece is a major asset for the pupils of the school, who probably don’t appreciate how lucky they are to have such a beautiful piece adorning this playground building. I got lucky, and managed to take these pictures when the gates were opened for the contractors to remove a cherry picker (which had been used by Nol in the same yard).
I had a recent tip-off via Instagram that Copyright and Paul Monsters were going to be collaborating again, this time on the slip road adjacent to Bristol Temple Meads station. I managed to wangle a moment of time and whizzed down to the station to see what was going on.
I arrived just as they were completing the piece, and it is another real beauty, just like their previous collaboration on North Street. Their styles really do work well together, with the geometric colour patterning of Monsters, providing a perfect foil for Copyright’s figures.
I spent a little while chatting with both artists and picking up on more of how the street/graffiti art scene works in Bristol, and a little about the work Paul Monsters does at Upfest. Such gents, and patient with my questions and observations.
What a wonderful welcome for visitors to Bristol and joyous sight for those coming home. I will post about the other two pieces at this location soon.
Whenever I go out looking for street art and graffiti I always live in hope that I might find an artist at work, and this meeting with Copyright and Paul Monsters and indeed Gemma Compton who was just there (she and Copyright are married), signalled the start of something of a purple patch for me meeting artists. I don’t know if it is luck or what, but it is always great to stop and have a chat.
This is a really amazing collaboration between the two, Copyright’s beautiful women’s faces and the geometry of Paul Monster’s colourful patterns complement each other perfectly. I happen to know at the time of writing that they have worked together again since, because I found them again…more on this one some other time.
Paul doesn’t get out to spray much these days because he is working flat out with Upfest the organising team in their office in North Street. If you take a look at the list of artists for the 2017 festival, you have Paul to thank, as he put it all together.