A gallery of wonderful paste-ups from Abbie Laura Smith, one of Bristol’s only wheatpasters. Thoughtful and full of emotion.
Instagram: @abbielaurasmith.art
All photographs by Scooj
Abbie Laura Smith
Tag: Abbie Laura Smith
6564. Cumberland Basin
Abbie Laura Smith has pushed the creative boat out a little with this symmetrical wheatpaste stuck on a utility box in Cumberland Basin. Rather than being bilaterally symmetrical, the twin portraits are rotationally symmetrical, which I think might be a first on Natural Adventures.
I love the way that Abbie Laura Smith has introduced some colour into this paste-up, which features a portrait of a woman looking a little fed up, and perhaps sad. ALS has a wonderful way of representing hair, which almost looks like it is from a lino-cut that has been scored and printed. There are some subtle differences in the application of colour between the two portraits, such as the lips and distribution of pinks and reds in the hair. This is a wonderfully creative piece from our resident wheatpaster.
6551. Cumberland Basin
This is the second paste-up that I managed to find in Abbie Laura Smith’s latest blitz, and although I only found three pieces, I am sure that there would have been more. A little bit bedraggled, reflecting the damp conditions when I photographed this piece, the paste-up features a black and white image of a woman, reversed out in this instance, with writing incorporated throughout.
As with the last of her pieces that I posted, I can’t quite make out all the writing, but can pick up the odd line here or there, such as “The only chance left was goodbye” and “Keep that…”. Once again these might be sad or morose, but out of context it is difficult to know. Poignant pieces printed off on paper and pasted up in special places for the curious to look at.
6538. Cumberland Basin
I was aware that Abbie Laura Smith had pasted up some new artwork recently because she told me via Instagram messenger, so of course, I had to get out and try and find them. I managed to find three, of which this is the first. I expect there are more that I didn’t locate.
This wheatpaste was looking a little forlorn as the top half had become unstuck in the damp weather and folded over itself. I had to try and replace it and quickly photograph it before it peeled down… it took me several attempts. The style and content of the piece fits snugly into Abbie Laura Smith’s repertoire with a black and white portrait of a woman with words woven into her hair.
If I spent a little longer, I could probably pick out all the words, but I think it is a sorrowful piece, as I can see the words ‘grief’ and ‘the loss’. More to come from our resident paste up specialist soon.
6360. Cumberland Basin
I am getting close to the end of the latest batch of wonderful paste-ups by Abbie Laura Smith, and genuinely can’t wait for her next release, which might not be for a while as I imagine it probably takes quite a lot of time to draft and assemble her wheatpaste pieces, and to find suitable locations for them too.
This is another amazing portrait piece in black and white, where large parts of the face and hair are taken up with words, which might be lyrics to a song, but I haven’t yet deciphered them. I can read some of the phrases, but when I Google them I don’t get anything that makes sense. I will keep trying. This is the skill of ALS’ pieces, they ask questions and create curiosity. Clever and beautiful stuff.
6354. Brunel Way (287)
The game of hide and seek, hunting down wheatpastes from Abbie Laura Smith, continues with this moody piece on one of the skate ramps under Brunel Way. I really love this one, that offers more than her customary face portrait pieces. In this piece, the attitude and pose of the subject add so much more to the story, proving that body language makes up a large proportion of our signal communications. The drips add so much more to the ink work, creating interest. Still one or two more from this recent batch to come.
6346. Cumberland Basin
In my view, wheatpasting is a much underrated branch of street art, perhaps because the artwork itself is usually created in a studio and the street art bit comes into the placement of the piece. I, however, embrace the art form because it is often quite meaningful or challenging, and the skill of placement is as significant as the art itself.
Abbie Laura Smith is Bristol’s only active wheatpaster at present, so when she releases a batch of her work, it is always an exciting time trying to track them down. This is classic Abbie Laura Smith… a black and white portrait of a woman (slightly moody) with long, flowing hair. The piece almost looks like a woodcut, although I think it is an ink drawing. I’ll need to find out more about her technique. I can comment on the composition, though, which I think is wonderful. More from this batch to come.
6335. Cumberland Basin
Hurrah! this is the second paste up in a new batch from Abbie Laura Smith dotted around the Cumberland Basin area. I would say that this one is by quite some considerable margin the largest that I have seen yet from Abbie Laura Smith.
The piece is different also in that it is a fuller portrait piece from the waist upwards, rather than the customary head portraits that ALS usually creates. The torso is covered in writing, which I haven’t had time to reconstruct fully, but I can see the phrase “Nope, you are lucky enough to tell the tale that those before you…” running down the arm. The piece as a whole feels more ambitious than previous works, and I sense that ALS is pushing a few boundaries, which is so good to see. More coming soon.
6320. Cumberland Basin
This is an absolutely wonderful new paste up from Abbie Laura Smith, the first of a new batch she recently pasted up all over the Cumberland Basin area. It is such a treat having a wheatpaster in the city, and every time she releases and new collection, I am filled with excitement, and the hunt is on. Of course I always seem to miss one or two, but each one found is like a trophy.
Abbie Laura Smith’s trademark work usually centres around an ink portrait of a woman, frequently with words or lyrics concealed within the work. The words ‘I wish I could buy back the woman you stole, out of control, out of control, you walk, walk, walk, walk, walk my winners’ are lyrics from a song ‘Y Control’ by Yeah Yeah Yeahs. I particularly like the incorporation of a dark blue colour around the eyes, which breaks up the two-tone look of the piece. The placement of the wheatpaste is on a utility box that Abbie Laura Smith has used before, with a remnant from her previous piece still visible. Wonderful stuff.
6181. Brunel Way (275)
This is another wonderful paste-up from Abbie Laura Smith on one of the columns under Brunel Way. The portrait piece is an intricate ink-style piece in black and white, with words concealed in the girl’s hair and lips.
The piece has been pasted on a colourful column, creating great contrast and focus on the portrait. I have a feeling that this might be the last photograph I have from this recent batch of wheatpastes from Abbie Laura Smith, so I will be hoping that she has been prepping some more in the studio to release another batch soon.
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