2267. Dean Lane skate park (221)

I think that the first piece of street art by Copyright that I became conscious of was a wheatpaste somewhere in the Stokes Croft area a few years ago, I have since seen so much more of his work, and like it very much. It was nice to find this paste up, in Dean Lane skatepark recently, still pretty much in mint condition.

Copyright, Dean Lane, Bristol, June 2019
Copyright, Dean Lane, Bristol, June 2019

Things have slowed a little on the street art scene in Bristol over the past ten days or so because of the dismal weather we have been having, but it has allowed me to catch up (the tiniest amount) on my posts.

There is something a little sinister in this piece, and I think it might be the lack of pupils in the eyes, and this edgy nature cuts slightly across the grain with the title ‘Love’. The spots read-across really well from the dress and onto the background providing a continuity to the whole. Fabulous to see another Copyright wheatpaste (or anything for that matter… it has been a while).

Advertisements

2266. Stokes Croft

A few more striking wheatpastes from Frenchman Tian on the streets of Stokes Croft. Unfortunately with all the rain we’ve been having, several of these have started to peel off and disapppear, but I guess that is the ephemeral nature of street art.

Tian, Stokes Croft, Bristol, May 2019
Tian, Stokes Croft, Bristol, May 2019

There appear to be two colour variants of this stencil piece of an oriental woman looking so beautiful with flowers in her hair, this blue one, and a slightly less colourful sepia one.

Tian, Stokes Croft, Bristol, May 2019
Tian, Stokes Croft, Bristol, May 2019

I am so full of admiration for the way Tian works his art – first sourcing a great photograph, then creating a stencil from it, then printing off and cutting out paste ups and finally finding the precise and thought-out locations for each of them. He is a true master of his craft and I am an enormous fan.

 

2216. Stokes Croft

Wow, just wow, another wonderful paste up from Tian down in Stokes Croft. This one features a boxer, but I fear I don’t know which one. I have Googled Muhammad Ali, it might be him; Apollo Creed, it’s not him; Joe Foreman, it might be him when he had hair; Joe Frazier, I don’t think it’s him. And there my knowledge of boxers dries up… any ideas?

Tian, Stokes Croft, Bristol, May 2019
Tian, Stokes Croft, Bristol, May 2019

The wheatpaste itself is a beautiful stencil using his preferred yellow/sepia tones, I just don’t think I can get enough of his work and rather joyfully I have a whole load more to post over the coming weeks.

2210. Stokes Croft

I can’t express how excited I was to see this last week, but it appears that Tian has been on another tour of Bristol and has left dozens of paste ups in the Stokes Croft area. Although He came for Upfest 2016, his last wheatpasting drop was in April 2016 so it has been some time, but how utterly worth the wait.

Tian, Stokes Croft, Bristol, May 2019
Tian, Stokes Croft, Bristol, May 2019

Over the next few weeks I will post more of his pieces. Once again he presents us with stencil work that has been printed and pasted up and this first design appears to be a Japanese scene with a geisha. If any of his past work is a guide, the piece is probably taken from a famous film, but I don’t know for sure.

Tian, Stokes Croft, Bristol, May 2019
Tian, Stokes Croft, Bristol, May 2019

Unusually for the work of Tian that I have seen, this piece diverges from his normal sepia-toned pieces and in fact if you look carefully there are two different tones of orange used in the versions of this wheatpaste.

Tian, Stokes Croft, Bristol, May 2019
Tian, Stokes Croft, Bristol, May 2019

These four paste ups were from various spots on my way to work… what a walk that was. I seem to remember it was raining quite hard but it simply didn’t matter I was in street art appreciation mode.

Tian, Stokes Croft, Bristol, May 2019
Tian, Stokes Croft, Bristol, May 2019

Loads more to come from this fabulous French artist.

 

 

2207. Shoreditch, London (31)

My visit to Shoreditch, London, back in November last year reminded me of a significant difference between the London and Bristol street art scenes. In London, there is a strong wheatpaste movement, and in some places there is barely a square inch of a wall that isn’t covered with a paste up. In Bristol on the other hand, wheatpastes are a rarity, and are normally provided by visitors to the city such as Face the Strange, D7606, Tian, Losthills and of course qWeRT. The last frequent Bristol-based wheatpaster was Kid Crayon, but he has moved on to spray-painting now. I think Kedals might be the only one doing it at the moment – room for some new entrants?

qWeRT, Shoreditch, London, November 2018
qWeRT, Shoreditch, London, November 2018

This is a little collection of wonderful googly-eyed paste ups by qWeRT which are dotted all over the place in Shoreditch.

qWeRT, Shoreditch, London, November 2018
qWeRT, Shoreditch, London, November 2018

qWeRT’s pieces are always rather cute (a word I rarely use) and endearing, like this one holding up a banner saying simply ‘need more love’.

qWeRT, Shoreditch, London, November 2018
qWeRT, Shoreditch, London, November 2018

I have always liked this form of street art and qWeRT’s work in particular.

2136. Prince Street (2)

A new artist for me, Kedals, is one I know precious little about other than that he is a Bristol-based wheatpaster. This is great news, because not too long ago I was bemoaning the lack of wheatpasting in the city. If you go to other cities, there is much more (sometimes too much), but in Bristol it seems to be limited to visiting artists like Tian or qWeRT or Face the Strange or D7606.

Kedals, Prince Street, Bristol, March 2019
Kedals, Prince Street, Bristol, March 2019

This wonderful duo of paste ups shows that the artist is hard working, in that the base drawing is the same, but the rest of the piece is hand drawn, and each one although similar is unique. I have seen this technique used by other wheatpasters, and I really like it. For me it demonstrates love and attention to every piece that is pasted up, rather than doing a print-run of the same thing and posting it everywhere.

The style is quirky and there is a story going on here. I have seen one or two more pieces by Kedals and will be keeping my eyes peeled from now on. Very nice.

2108. Upfest 2018 (135)

At the launch of the ‘Cannon Fodder’ show last Friday I was lamenting the lack of wheatpaste artists in Bristol with Jimmer Willmott. It was Kid Crayon’s brilliant wheatpastes dotted around the city that inspired me to write about street art in the first place, but he has moved away from the form. However, what was very exciting was that Jimmer said he was thinking about doing some… now that would be amazing.

The exception to the rule occurs during upfest, when wheatpasters descend on North Street and festoon walls and lamp posts with their paste ups. One of the frequent visitors I look forward to each year is Face the Strange, and who can blame me with pieces like this one?

Face the Strange, Upfest, Bristol, July 2018
Face the Strange, Upfest, Bristol, July 2018

Face the Strange challenges the viewer by presenting ordinary images, often models from magazines, that have had major head surgery. This bizarre piece combines a suited worker with a seahorse… but of course why not? I am a big fan of this kind of distortion, particularly when combined with marine life. Fun.