I love it when visiting wheatpasters come to town because during their short stay they tend to paste up several pieces, often in locations slightly off the beaten track. This is a magnificent one from qWeRT continuing the theme of love, with our little googly-eyed character standing at a podium and pointing at a chart. Look a little closer and the chart tells us that there is a growth of love on the streets. A wonderful sentiment, but optimistic at best I would say.
I often wonder if people who are not interested in street art ever look at things like this, even if only out of curiosity, or whether they simply walk on by without so much as a glimpse. Surely people must wonder what this thing is or why is this here or something, but perhaps not. The next obvious thought is why do wheatpasters do this, as surely they will rarely see the enjoyment/confusion their little contributions make.
Knowing that qWeRT was in the area, I have been looking out for little googly-eye and found five from this session, but there are sure to be more out there. Love this one a lot.
Guess who has been back in town… yes it’s qWeRT and this is the first of a few new wheatpastes I have found dotted about the place. I actually took this picture from the car window (I was in a traffic queue for lights) because I am inherently lazy and also because I was sitting right next to it and the opportunity was too good to miss.
I am really liking qWeRT’s theme at the moment which is centered around love, something we could all do with a little more of these days. I travel along this road often enough to guess that qWeRT’s visit to Bristol was within the last fortnight or so. I’m keeping my eyes peeled for more of this googly eyed sprite… watch this space.
More from Upfest 2018 with this fine trio of paste up balloons by D7606, each one with a face of Twiggy on them. D7606 pasted up 10 of these balloons (complete with string) to celebrate the tenth anniversary of Upfest.
I have a feeling that they are still intact after almost eighteen months, probably because they were secured high up and out of the reach. These three take my total posted up to six. Did I find them all? Actually I’m not sure, as I still have so many pictures in my Upfest folder yet to post. Keep watching this space. Always a pleasure to find D7606’s work.
Only a matter of a few days ago I posted a fine piece by Kedals at the Cheltenham Paint Festival, then on rifling through some old folders in my archive, I came across these two fabulous wheatpastes in March this year. Kedals has such a unique style that comes through in his larger murals as well as his wheatpastes.
The first of this pair of striking posters features a portrait of a rather portly man sporting what looks like a straw or canvas hat and smoking a rather large cigar. The whole thing is decorated with bright colours and shapes and is st for the eyes.
The second of these portraits looks like it might be called ‘booze cruise’ although with a Kedals piece who knows what the title or sub-text is? There is a lady smoking (smoking seems to be a bit of a theme) puff, puff, looking up at a vintage car with the words ‘gear 4 gas’. Curious and compelling stuff. I’ll keep looking out for the work of this unusual Bristol artist.
I’m on a roll now with another wheatpaste to share with you, this one from a session about a month ago is by Jimmer Willmott who went out on a spree with Kid Crayon. Jimmer’s surreal style is instantly recognisable and obviously influenced by great artists such as Magritte.
I think that this might be an original hand drawing that he has pasted up, rather than a print which is what many wheatpasters do. If it is, it makes the piece all the more valuable to me at least. Earlier on in the year at a small art event I remember talking to Jimmer Willmott and Kid Crayon expressing my thoughts that there was not enough wheatpaste work in Bristol and that it was a bit of a neglected art. I would like to think that in my small way I might have in part influenced this paste up session. I probably didn’t though.
Yay! more wheatpaste antics from Kid Crayon, following a quick binge with Jimmer Willmott pasting up sketches around Bedminster. I really appreciate wheatpaste art and in my book its status is as high as spray can art. One of the big advantages for wheatpasters is that they can place their art in all sorts of places where spraying simply isn’t an option because in a matter of minutes the dirty deed is done and there is little chance of being caught. Because of this most wheatpaste art can be placed in illegal spots – having said that, the long-term impacts are far less damaging than spray paint… a bit of tired old paper here and there, that’s all.
A funny character wearing a silly party hat and a crayon floating in front of his mouth. What could be more fun than that? The crayon thing is part of Kid Crayon’s USP, and used to be the key identifier or signature on his early work, it is not seen so often these days. So pleased that he has had this little retrospective binge.
I have waited a very long time for this, so I will enjoy it while it lasts. It was the wheatpastes of Kid Crayon that first drew me in to the world of Bristol street art some five years ago, but then he moved on to spraying and left his paper days behind him, until a week or so ago. This was a little trip down memory lane with his partner in crime Jimmer Willmott.
These two got together and pasted up some rather fun greyscale pieces. Jimmer Willmott opting for a sketch of one of his figures with a ring doughnut for a head. Surreal, quirky and fun, I could ask for no more.
Alongside doughnut head Kid Crayon has pasted a party animal who doesn’t look too much like he is enjoying the party. Great also to see the Crayon making a comeback. Hurrah for this little foray into wheatpasting from these two… more to come from this session. Please don’t leave it quite so long before the next batch.