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A convulsing mass
of tiny caterpillars;
great peril awaits.
.
by Scooj
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A convulsing mass
of tiny caterpillars;
great peril awaits.
.
by Scooj
I have been aware of the work of this Bristol artist for some while now, but didn’t know much else about him. Well a little stroke of luck…a delay to my usual bus…encouraged me to walk home after work and I decided to take a slightly different route. As I dropped down the steps from Park Street into Frogmore Street I saw this beautiful display of foil butterflies pressed into the road tarmac.

The gentleman in the pictute is actually the artist, Duncan McKellar, who likes to bring a smile to the citizens of Bristol with his unusual artistic displays that appear from time to time. I guess one might describe him as an installation artist, but what he does brilliantly is bring to life many of the things we fail to see around us, such as statues and trees and puts them front and centre of our consciousness with his art.

I particularly like this foil piece because it is an unusual experimental technique which Duncan was trialling. We stopped for a lengthy chat, and I will certainly be following his artistic adventures with great interest. More from Duncan to come soon.
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Frenetic flight path
grabs my attention and then
those orange wing tips.
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by Scooj
The funniest thing
a puppy chasing blossom
and a butterfly.
by Scooj
A warm Spring morning
punctuated only by
a passing comma.
by Scooj
With collaborations in Bristol, there are few that are finer than those between Gemma Compton and Copyright. This particular mural is a triumph, and for me, what makes it really special is the backdrop of blue and white tiles. This is a gorgeous piece, and is at great odds with the busy road and traffic adjacent to it. An oasis of calm.

The central stencil of a girl with butterfly wings is by Copyright and provides a focal point in the centre of the piece with the warm colours contrasting with the blue and white surrounds.

I think that Gemma Compton may have done the girls wings, and certainly the other blue and white butterflies that adorn the mural.

As for the blue and white tiles, I am not too sure who did these, but I have seen tiles feature a lot in Gemma’s work before. I suspect they both worked on these. The overall effect is stunning, and I hope that we see more of these collaborations in 2018.
Surely one of the most endearing and sympathetic partnerships is that between Copyright and Gemma Compton. At this year’s Upfest these two produced this beautiful collaboration in the very busy yard behind the Steam Crane.

I met them on the Friday, when they were able to make a really good start before the festival started on the Saturday – I think it ws a wise choice as this pub gets incredibly busy.

In this piece, so typical of their collaborations, Copyright stencilled the female figures and Gemma Compton created the intricate butterfly wings in her favoured blue tones. The piece as a whole fills this slightly awkward space brilliantly and the eye is drawn along from left to right and back, scrutinising the symmetry of the piece.

The couple managed to dodge the showers and the crowds to pull off one of the best pieces of the festival and one that screams out Bristol from every inch. Both of these artists produce wonderful artworks for sale, marginally outside my affordability although I might just have to save up – how great it would be to have some of their originals hanging up at home.

Not only do I like their work, but I like both of the artists. They are always happy to have a chat and don’t appear to mind me bothering them when they are at work. Probably my next interview targets.
Summer’s last hurrah
tardy, tatty butterfly
pauses in the sun.
by Scooj
Still for a moment,
frenetic journey frozen;
an angel in blue.
by Scooj
Catching the last of
the afternoon sun, your games
for the day, over.
by Scooj