Whether it is a large piece or a small one, Chinagirl Tile never ceases to amaze with her imaginative and often slightly subversive ceramic tiles. I think this must be one of my favourites and I loved it from the first second I saw it. Created for the Cheltenham Paint Festival 2018 this striking dinosaur piece takes centre stage in one of the town’s car parks.
The dinosaur is enormous and one of the larger pieces I have seen by Chinagirl Tile. It is genuinely a fabulous work of art and Cheltenham are lucky to have it as a piece of public artwork. I cannot imagine how long this might have taken Chinagirl to design, fashion, glaze and fire, let alone bringing it over here from Austria where she is based, but it was definitely worth it.
An additional part of the overall piece is a ceramic listing of ‘rules for girls who want to become street artists’ with the words ‘BRING A DINOSAUR’ written over the top of it. Skill, charm, wit, placement, patience, dedication… this piece has it all. Bravo.
With collaborations in Bristol, there are few that are finer than those between Gemma Compton and Copyright. This particular mural is a triumph, and for me, what makes it really special is the backdrop of blue and white tiles. This is a gorgeous piece, and is at great odds with the busy road and traffic adjacent to it. An oasis of calm.
The central stencil of a girl with butterfly wings is by Copyright and provides a focal point in the centre of the piece with the warm colours contrasting with the blue and white surrounds.
I think that Gemma Compton may have done the girls wings, and certainly the other blue and white butterflies that adorn the mural.
As for the blue and white tiles, I am not too sure who did these, but I have seen tiles feature a lot in Gemma’s work before. I suspect they both worked on these. The overall effect is stunning, and I hope that we see more of these collaborations in 2018.
Angus was a very busy fellow at Upfest last year. Not only did he create this magnificent mosaic, but he also found time to collaborate with Chinagirl Tile and also lay down several other mosaics dotted about the place. Added to all of that business, he still had time to schmooze and chat with visitors over the two days.
This piece will be familiar to anyone who has played Street Fighter – I do not count myself amongst this happy crew – specifically it is move called ‘hadouken’…now go and consider yourself educated. Writing about street art really does take you on many new discoveries, tapping into the popular culture that influences the artists.
Moon Street has an ecclectic hotchpotch of tags, throw ups, stencils, tiles, paste ups and pieces, which is probably why I like it so much. Sometimes you have to look quite hard for things and this is a good example of that. This tile by RIP is secured quite high up on a wall, and could be easily missed.
The tile is of a stencil piece of a woman’s face looking like she is from the 1920s or 1930s. Unfortunately there is a bit of light reflection on the tile, but it is a fun piece nonetheless. I think the tile went up around the time of Upfest, when RIP was in town.
I love surprises, and this was one hell of a surprise. I took a lunchtime stroll down North Street, because I knew there were some new pieces, but only caught sight of this one on my way back. What a find.
Of course, it is a bunny with a grenade by the amazing Chinagirl Tile – I have always wanted to find one of these, but to have one in Bristol is simply amazing. The new piece is only a street away from the amazing foxes and soup tin she installed for Upfest 2016.
Chinagirl Tile is always a very welcome visitor to Bristol, and I hope very much she will be returning soon. Let’s hear it for the wabbits.
I am a huge fan of China Girl Tile, and was so excited to hear that she would be at Upfest 2016. I had seen lots of her work on social media, but nothing in the flesh, so it was a real treat not only to see her at work, but to be able to say hello and stop for a quick chat.
I caught up with China Girl Tile while she was finishing off her work in the drizzle on the second day of the festival. The wall she was working on is in the back yard of the Hen and Chicken and in really great company (Fake, Cosmo Sarson…and others).
I am glad she chose foxes for this installation, because as many of you may know Bristol is famous for its urban foxes. In fact some research a few years ago showed that the most densely populated group of foxes on record were in and around my allotment. Their numbers fell due to mange and the introduction of wheelie bins with strong lids. I digress. I love foxes.
Her reference to the Campbells soup tin is not only witty but is incorporated so very well into the unfolding story.
Her work is unusual and refreshing and executed with such skill and dedication. The tiles are really beautiful and enchanting. Please can we get more China Girl Tile work in Bristol.