7893. M32 roundabout J3 (791)

Bloem, M32 roundabout, Bristol, August 2026
Bloem, M32 roundabout, Bristol, August 2026

Photographing this piece by Bloem, even with the shadows cast across it was a smart move, because the next time I visited to get some better pictures, it had been over-painted – which was a great pity. I have noticed that quite often, fresh pieces get painted over not because of any vindictive mission on the part of another artist, but because they genuinely have no idea how long a piece might have been on a wall for. People like me, who visit spots regularly have a much better idea of what is new and what is old.

Bloem, M32 roundabout, Bristol, August 2026
Bloem, M32 roundabout, Bristol, August 2026

Bloem’s work is really quite exceptional. She has in a relatively short space of time learned her craft and clearly has a great gift for spray painting walls. The gift is twofold though, her can-control is one thing, but combined her worderfully creative mind allows her to paint her outstanding artwork with confidence and ease. These letters, spelling BLOEM, are painted in her favoured blue tones and are beautifully designed and decorated. Another triumph from Bloem. If only the sun had drifted behind a cloud, just for a minute.

7812. Cumberland Basin

Sled One, Cumberland Basin, Bristol, June 2026
Sled One, Cumberland Basin, Bristol, June 2026

This is an amazing cartoon portrait piece that not only shows off Sled One’s technical skills, but also reveals his extraordinary imagination and creativity. The piece is set on a pink background and the grass in front of the wall is still green, which dates this piece to before July.

Sled One, Cumberland Basin, Bristol, June 2026
Sled One, Cumberland Basin, Bristol, June 2026

The blue-faced man in a green jacket with beautiful folds, is having a lightbulb moment. But this lightbulb moment is more literal than usual, with his scalp tilted upwards revealing a characterful lightbulb where his brain should be. There is so much detail in the piece, and those sunglasses simply have to be admired. Surreal creativity at its best.

 

7581. Cumberland Basin

Noise, Cumberland Basin, Bristol, March 2026
Noise, Cumberland Basin, Bristol, March 2026

I hadn’t seen much activity from Noise over the winter months, so much so that I wondered whether he might have moved away. I needn’t have worried as he is now painting regularly again, and with some outstanding results.

Noise, Cumberland Basin, Bristol, March 2026
Noise, Cumberland Basin, Bristol, March 2026

I love the colour combination of this piece of graffiti writing on the long wall at Cumberland Basin. Light blues and pinks always work so well together. His letters are a little less chunky than usual, leaving room for a strong drop shadow in a slightly contrasting blue. Set on a black wall, the piece stands out nicely. He finishes with some words “time for action” which could mean any number of things, but Noise knows what.

7398. Peel Street Green (59)

Bloem, Peel Street Green, Bristol, December 2025
Bloem, Peel Street Green, Bristol, December 2025

I can think of few artists I would rather post on my birthday than Bloem. I have enjoyed her emergence and development so much over the last couple of years and I genuinely can’t think of a much better birthday present.

Bloem, Peel Street Green, Bristol, December 2025
Bloem, Peel Street Green, Bristol, December 2025

This is a stunning mural piece, beautifully crafted, full of all the things you’d expect from Bloem… hands with long nails, chains and flowers. I suspect there is loads of conscious or unconscious symbolism here, but I’ll not attempt to analyse it. The split between the two colour schemes of pink and blue is expertly worked. All in all this is a stunner. Bravo!

Proper winter

.

Cold frosty morning

clear, cerulean blue skies

fleeting reversion

.

by Scooj

7364. M32 Cycle path (301)

Desi, M32 Cycle path, Bristol, December 2025
Desi, M32 Cycle path, Bristol, December 2025

Happy Christmas to one and all. It is a gorgeous cold crisp and sunny morning here in Bristol, the food is all prepped and ready to go for this afternoon and I have a moment to write a couple of posts. I am full of Christmas spirit and all is well. What better way to celebrate than to post this wonderful piece by Desi, a stalwart of Natural Adventures.

Desi, M32 Cycle path, Bristol, December 2025
Desi, M32 Cycle path, Bristol, December 2025

This upbeat piece which incorporates the winning combination of pink and blue, is a study in shades of grey, with five tones making up the fill in the letters VEIL. This is an attractive piece and the hearts have a feel-good factor about them. Wonderful.

7025. L Dub (69)

Vesar, L Dub, Bristol, June 2025
Vesar, L Dub, Bristol, June 2025

A graffiti artist who writes, and has been writing for some time in Bristol, is Vesar, and it is something of a mystery that in ten years of blogging about Bristol street art on Natural Adventures, this is the first time I have posted a piece by him. Shame on me. I have no explanation.

Vesar, L Dub, Bristol, June 2025
Vesar, L Dub, Bristol, June 2025

I would say that I have noticed a significant uptick in the quality of his work lately, and that might account for this post and I hope some more to come. Vesar has selected the winning combination of pink and blue tones, which is always going to get noticed by me at least. The writing is neat and tidy with three horizontal blue strips interfaced with bubbles. A yellow border separates the letters from the pink cloudy background, which itself has a darker pink border. Very nice work, and welcome to Natural Adventures.

6976. M32 roundabout J3 (689)

Hypo, M32 roundabout, Bristol, May 2025
Hypo, M32 roundabout, Bristol, May 2025

It barely needs repeating, but Hypo has been smashing it for at least a year now, and each of his pieces brings to the fore another aspect of his technical ability and creativity. This rhapsody in blue was one of a couple of recent pieces painted on this wall by Hypo.

Hypo, M32 roundabout, Bristol, May 2025
Hypo, M32 roundabout, Bristol, May 2025

To manage to get a piece to ‘pop’ when it is painted in the same colour as the background is a skilful thing to do and Hypo has managed to do it well here with a clever use of a deep 3D grey drop shadow and some deft white highlights and starbursts. The tones are really lovely and his fills intricate with blue stars and yellow spots. A very fine piece of graffiti writing.

6959. Brunel Way (396)

Subtle, Brunel Way, Bristol, May 2025
Subtle, Brunel Way, Bristol, May 2025

I think it is safe to say that Subtle is back, as this is the second of three recent pieces, although I have yet to locate the third. Seeing his large letters, which are anything but subtle, is like greeting an old friend, resuming the conversation where it was last cut off.

Subtle, Brunel Way, Bristol, May 2025
Subtle, Brunel Way, Bristol, May 2025

It is a welcome thing indeed, after so many brown shades dominating so many pieces recently, to see the good old bedfellows pink and light blue featured here. Subtle’s large blue letters, with modest decorations, are augmented perfectly with pink circles and spots surrounding. Set on a black-buffed wall, this is a splendid announcement of ‘I’m back’.

6558. M32 roundabout J3 (641)

Sub, M32 roundabout, Bristol, November 2024
Sub, M32 roundabout, Bristol, November 2024

Sub paints his large three letter pieces reasonably often, but I have been waiting for one that has the ‘wow’ factor, and with this enormous piece on the roundabout, I think he has pretty much got there. I first saw this piece on Instagram, before I photographed it, and was actually really keen to go and see it for myself.

Sub, M32 roundabout, Bristol, November 2024
Sub, M32 roundabout, Bristol, November 2024

I think that the buffed wall really helps in this instance, and the colour selection of orange and blue works really well. Sub has paid great attention to the dimensions of the drop shadow, which drifts off to the left. There is a fusion of his letters, through which the blue fill bleeds across the piece. The thing I like the most is the thin line patterning, which is just about right. Any more decoration and it would look fussy, any less and it would look bare. In my view, this is Sub’s best piece to date.