Morning rush over
cat, dog and chameleon
all fed and happy .
by Scooj
Morning rush over
cat, dog and chameleon
all fed and happy .
by Scooj
.
Puppy has taken
a liking to silver birch
white shreds everywhere.
.
by Scooj
Different focus
new pavement debris hazards;
walking the puppy.
by Scooj
Canine: dependent
the feline: indifferent
it’s what defines them.
by Scooj
Urban silhouette
golden sunrise with pink skies;
out walking the pup.
by Scooj
Still delving back into my archives, I have dug this piece out, because I met the artist a couple of weeks back, and now what I’m looking for and looking at. The artist is called Howl and often works in tandem with his collaborator Gumbo.

I met them at the M32 east side of the roundabout and enjoyed a long chat while they were waiting for paint to dry. I said at the time that I didn’t know who they were, but that I probably had unidentified photographs of their work, and I was right.

Both artists belong to the What crew, which includes 45RPM, but they said that the crew was fairly dispersed these days. This piece is in my view beautifully executed. It spells out Howl and incorporates some clever shading and filling. The colour selection works really well with the contrasts bringing the piece to life. I am guessing the ‘O’ is a dog howling, it would rather make sense. All good, and nice to publish this one at last.
I’m up with the larks
or should I say with the barks?
dog needs letting out.
by Scooj
Let sleeping dogs lie
no cat nap for the canine;
totally crashed out.
by Scooj
.
Under clean blue skies
the puppy and I share time
scouting the garden.
.
by Scooj
Now that I have recently broken the ice with Ugar I feel I can post another of his works, which pre-dates his collaboration with Kid Crayon. This is a large piece which he sprayed alongside NEVERGIVEUP back in October.

It is a piece of two sections. On the left is his name UGAR bookended with a cat? and a dog and on the right a little scene being sprayed by the dog. I have noticed that Ugar likes to fill his lettering with a marbled effect, which works well and is unusual and organic.

The scene in green shades on the right is mysterious and dreamy and quite unlike his writing to the left of it. The green skulls add a slightly dark tone to this lighthearted piece, but they are contiguous with the other green clouds surrounding the whole piece.

Finally, Ugar has thrown in a whole bunch of fish bones filling the empty spaces…I’m not sure what that is all about. There is a story in this piece somewhere. On the far right he has sprayed what looks like ‘I love cats’, but it might be something else. I am guessing he is being mischievous.