It is always great to see pieces in Bristol by DFC1848, whose work over the last three years has just gone from strength to strength. His cartoon character pieces have developed from two rather basic forms into a wide portfolio of different animals and monsters, all with a element of goodness about them.
This is a particularly creative monster on one of the concrete walls of the Purdown Battery. DFC1848 tends to do solid fills in hie pieces, but the incorporation of details is adding sophistication. I am really enjoying the progress of this artist whose footsteps I’d like to follow.
When you get to see the work of particular artists again and again it becomes incredibly easy to be complacent or even blazé and you need to stop, think and take stock of what is in front of you. I am guilty of this day in day out because we are so spoilt with talent in Bristol. This lovely Elvs piece in St Werburghs tunnel is a case in point.
Elvs is one of those artists whose work I like to post every time, and to date I don’t think I have failed to post any of his pieces that I have photographed. This is a lovely piece, beautifully painted with his customary unique style and a lovely blend of horizontal fills from blue to white. The cartoon character is a mystery to me, but probably featured on TV during the 1990s I would guess. Altogether another outstanding work from Elvs.
Slakarts has been ever so busy in recent months and I have enjoyed meeting him a couple of times lately. I think it says so much about my age that street artists, like doctors and teachers, seem to be so very young. In my mind’s eye I expect them to be so much older and am always surprised when I meet them. DFC1848 is a rare exception to this perception.
In this piece in the tunnel, Slakarts has reverted to his front face projection rather than three-quarter profile that he has been painting a lot lately. This character has crazy hair, maybe he is waiting for the barber’s to reopen, and rather dodgy teeth. Not the most attractive, but nicely done.
Anyone over a certain age will probably remember the cartoon series Hong Kong Phooey, I certainly do, but what is incredible is that there were only 16 episodes made. How is that possible, at one point in my life, I would have been about 10 years old, this cartoon seemed to be on all the time? Inkie has breathed new life into this hapless undercover crime solver in this breathtaking new piece in St Paul’s.
Painted on a new hoarding, this piece is in the very good company of Soker and Sepr (to follow). This is a beautifully finished high-quality piece from Inkie set on a blue star background with bright orange and red lettering to match the skin tones and costume worn by our hero. Great to see Spot the cat making an appearance too.
Street art in Bristol seems to have undergone a renaissance over the last few months, something that I suspect will calm down a little as artists return to their day jobs and a form of normality resumes. If not, then I am in big trouble because I simply can’t cope with the amount of new art being produced each and every day.
On one of my favourite and rather tatty doors alongside the M32 is this newish piece from Slakarts in his newly perfected style of a three-quarter portrait in cartoon style. This particular version has a kind of melting head effect to the right-hand side.
I think that Slakarts had a long weekend with a little bit of time on his hands and a new concept he wanted to try out, because four or five of these characters appeared around Bristol at about the same time. It is a pity that some idiot got to the piece before I did and inserted a K on each eye, but in this game, you snooze, you lose.
This is the second recent piece from Taboo, the other one was in Dean Lane skate park. A feature of both of these superb pieces is the use of lots of colour, which is noteworthy simply because many of his pieces can be based around two or three colours. Perhaps he has been on a recent spending spree.
Taboo has stuck to his usual tradition of writing his name followed with a character piece, which will be familiar to most of you as Tom cat from Tom and Jerry. In addition there is an appearance from his Kilroy (was here) character in yellow peering out from one of the ‘O’s.
The Tom is superbly painted and the story being told here would indicate that Taboo considers his work to have been 19 years in the making and combines a mixed up style underpinned by no talent and painting big. I fear this is a modest story, and I consider this piece to demonstrate his obvious talents for all to see. Unusual yes, but nonetheless skilled and creative.
The Agent is well known in Bristol not only for his Minion stencils, but also for being the father of another significant street artist in Bristol, Angus. At the Cheltenham Paint Festival this September he knocked himself out with this sequence of stencils on the inner panels of an iron railway bridge, along the course of the old Honeybourne Line.
In his single layered stencils The Agent appears to get most of his inspiration from TV or movie cartoons. There don’t appear to be any hidden messages or politics in his pieces, just a whole lot of fun.
Even creating these ‘simple’ stencils is not quite as easy as it might seem, and taking that step from ‘I could do that’ to actually doing it is the key to achieving many things in life. I am not preaching, far from it, I am perhaps reminding myself to pull my finger out and do stuff.
No The Agent wall would be complete without a minions piece, and here he delights us with a fine ‘bananas’ piece. And finally a rainbow flag…
Mr Penfold is well known in Bristol for his abstract murals and commissions dotted about the city, and also for his studio work. He is a fine designer with a very distinct style. Every now and again he lets his hair down with a fun cartoon piece like this one in Dean Lane.
This dog Is a happy dog and is brilliantly clean. All the lines are perfect and all the fills solid. Sometimes less is more and this is a perfect example of that. The splashes of white on the nose and tongue are rather special. I love this piece and others like it by Mr Penfold.
One of the nicest walls in Bristol has just had a makeover. The whole wall in Cowmead Walk in St Werburghs is quite awkward to photograph, so I have split the collaboration by 3Dom, Sepr and Feek into three separate posts of which this is the first. Painted in deep rich colours, this 3Dom piece is truly outstanding.
3Dom’s character is perched on the edge of a hamster wheel in the corner of a room with some strange pink and green plants growing up from the carpet and a Swiss cheese plant thrown in for good measure. The character is, in 3dom style, a composition of shapes and forms assembled in a surreal way into ‘human’ form. Typically the character’s legs are clad with stripey trousers. The tubes coming out of the cube head have a smiley and a sad face on them, although I’m not sure what this is depicting. There is so much detail in here that you could spend a long time looking at it – feel free to go right ahead. Such quality.
The journey through my archives continues with this amazing (yes another one) cartoon piece by Deamze. A short while ago I wrote about the Asterix piece on this wall by the same artist, which I photographed in 2018. This one photographed in January 2018 features a similar wildstyle writing mash up of Scooby Doo.
Those pesky kids appear in the writing (spelling out DEAMZ) as recognisable body parts. From left to right we have Velma Dinkley and Shaggy Rogers (is there a hidden adult gag in his name?).
Next in line we have Scooby Doo and thank goodness without the dreadful spin-off Scrappy Doo, with the ’70s hunk Fred Jones next in line – what was that red scarf all about?
Finally the lovely but slightly boring Daphne Blake and to her right the iconic Mystery Machine. As a group the characters were known as Mystery Incorporated. Scooby Doo was required viewing for my generation, and the cartoon series appears to have had an extraordinarily long shelf-life. Amazing really for a story line that is pretty much identical in every episode.
Deamze is utterly amazing in the way he creates these composite pieces with such accuracy and style. An outstanding piece, which might still be there, I haven’t been that way for a while.