Well here’s a whole box of fun from Boaster… a little bit too much fun perhaps. I love the style of this piece, and it reminds me a little of the imaginative creations that 3Dom produces from time to time. A wild cartoon-style reimagining of a crate.
No stranger to Upfest, Boaster produced a posh monocle-wearing blue whale in 2017, and he obviously enjoys stretching the things we see around us and giving them new identities or personalities. A really enjoyable and humorous piece, definitely one for the quirky surrealists.
More cubist doodling from Panskaribas in The Bearpit. In this piece we see one of his characters at a record deck on a magnificent red pink and white swirly background. I really like his work, especially as it is quite original and unlike anything else in Bristol at the moment.
There is a quirkiness and humour in his pieces and a kind of movement too. Because his characters are not instantly obvious, you have to work quite hard to make out the features which keeps your eyes busy dancing around the whole piece to make sense of it. Loving the work of Panskaribas.
Well what a lovely surprise from a few days ago. I took a quick trip to St Werburghs tunnel and right next to one of the Fiva (Fiver) pieces was this fabulous Robot face by Snub23.
I have only known Snub23 to come to Bristol for Upfest, so it was extra special to find a piece here at this time of year. Snub23 adopts two instantly recognisable styles… this one of cartoon-style robots and sci-fi scenes and his geometric patterning which is similar to the work of Bristol’s Paul Monsters. Sometimes he combines both styles in a single piece. Brilliant to find this nice piece.
Possibly the most distinctive style in Bristol belongs to Atchue and his ultra pink cartoon faces, such as this one from a little while back in St Werburghs tunnel. As with the work of Stupid Stupid Meathole there is something a little grotesque in these gurning characters.
It is impossible to ignore a piece like this and it stands out from the plethora of burners and throw-ups that adorn the walls of this tunnel. A simple idea which is nicely painted that picks you up and slaps you around the face just to make sure you are paying attention. Nice work.
Panskaribas is my favourite ‘discovery’ so far this year, and this piece is slap bang next door to the first piece of his that I found, in fact you can just see the edge of it to the right of the picture.
His pieces have what I would call a sophisticated doodle style to them that feel like a mash-up between a cartoonist and a cubist… cuboonist maybe. I have absolutely no idea whatsoever is going on in this piece, but I am intrigued by the hand on the piano keyboard and by the main character’s facial features. So much more to come from Panskaribas.
The big news for 2019 is that there will be no Upfest this year, the organisers have decided to have a fallow year to regroup and hit 2020 with renewed vigour. What this means is that I might be able to catch up a little on Upfest pieces passim that still need writing up. I am starting this batch of 2016 pieces with work from, I think, Douglas Trodge.
I have looked all over the Interweb, but I cannot find a Douglas Trodge, so am unable to write anything further of any use here. The two cartoon portraits are rather unusual and certainly memorable… way too good to sit in my archive forever.
I might have to do a little more research on this piece.
Street art is a mysterious beast and manages to catch me out consistently. I don’t know how long Panskaribas has been spraying in Bristol, but having not been aware of his work only a few months ago, I now seem to come across it on a really regular basis. Either there has been a mental block or gap on my part, or Panskaribas has only recently moved to Bristol or started spraying walls.
Whatever the reason for this heightened presence of Panskaribas, in my view, it is a good thing. I like his characters with faces sketched out in a cartoon doodle style. There is a simplicity to his work that is oddly sophisticated and I am looking forward to learning more.