This piece fills me with inspiration and belief, and there is a very good reason for that, it was painted by a street art hunter just like me, and better still, I caught him at it. Some readers will know that I am trying to learn the great art of spray painting and have aspirations to paint a wall or two when I am ready. It is great for me to know that it can be done and this piece by DFC1848 proves it.
I have met DFC1848 several times either at Upfest or just wandering arount the street art hotspots in Bristol. We always stop for a chat, but the chat we had when he was painting this lasted a little longer than usual. I am full of admiration for the fact that he has just got on with it and it fills me with courage and purpose for getting my act together.
I don’t know what his character is called, but it is a rather splendid cartoon-style bear thing. I rather like the ‘f’ too and wonder if it has anything to do with the f in DFC. I might try and copy this on my boards in the garden and see if I can replicate it. Great work from a man with a fantastic beard.
In recent days, The Bearpit has been shut off and there is no access. Bristol City Council stealthily went in to evict a group of rough sleepers who had made themselves at home in a bus (formerly a cafe) and some container units. In forcing the eviction they have completely closed down the space. This was an not an inevitable conclusion to the problems caused by homelessness, addiction, antisocial behaviour in The Bearpit but a terrible failure in ‘upstream’ thinking about how to tackle the issue.
As a result of this intervention, all the good things about this public space have been closed down, possibly permanently. In my view this has been really poorly managed by Bristol City Council, but I would concede that they are grossly underfunded and what we are witnessing is the result of years of austerity and public sector funding cuts, and this in one of the wealthiest construes in the world. Disgraceful.
I say all of this because this lovely piece by Panskaribas is likely to be one of the last I will be posting from The Bearpit for some time.
Panskaribas is probably the easiest artist to identify in Bristol on account of his kind of cubist-doodle style and this is a wonderful example of his work. The other outstanding thing about this artist is his incredible energy, he seems to be the most prolific artist in Bristol currently. RIP The Bearpit.
Always lighthearted, the work of Nevla is instantly recognisable by his cartoon style and minimal use of colours. Often although not always, his pieces are on the small side and generally speaking are simply sprayed ove other stuff, a bit like a throw up really. To give the piece a bit of defiition he goes round the whole thing with a thick colour line, in this example it is a blue line.
I don’t know if his caption ‘soul contact’ is a wordplay on ‘sole contact’ or not, but it kind of works. His whole style feels very free, and looks like it would be equally at home on the page of a sketch pad as it is on The Bearpit wall. Great to see that some artists are still painting this spot, in spite of a council clampdown.
Well here’s a whole box of fun from Boaster… a little bit too much fun perhaps. I love the style of this piece, and it reminds me a little of the imaginative creations that 3Dom produces from time to time. A wild cartoon-style reimagining of a crate.
No stranger to Upfest, Boaster produced a posh monocle-wearing blue whale in 2017, and he obviously enjoys stretching the things we see around us and giving them new identities or personalities. A really enjoyable and humorous piece, definitely one for the quirky surrealists.
More cubist doodling from Panskaribas in The Bearpit. In this piece we see one of his characters at a record deck on a magnificent red pink and white swirly background. I really like his work, especially as it is quite original and unlike anything else in Bristol at the moment.
There is a quirkiness and humour in his pieces and a kind of movement too. Because his characters are not instantly obvious, you have to work quite hard to make out the features which keeps your eyes busy dancing around the whole piece to make sense of it. Loving the work of Panskaribas.
Well what a lovely surprise from a few days ago. I took a quick trip to St Werburghs tunnel and right next to one of the Fiva (Fiver) pieces was this fabulous Robot face by Snub23.
I have only known Snub23 to come to Bristol for Upfest, so it was extra special to find a piece here at this time of year. Snub23 adopts two instantly recognisable styles… this one of cartoon-style robots and sci-fi scenes and his geometric patterning which is similar to the work of Bristol’s Paul Monsters. Sometimes he combines both styles in a single piece. Brilliant to find this nice piece.
Possibly the most distinctive style in Bristol belongs to Atchue and his ultra pink cartoon faces, such as this one from a little while back in St Werburghs tunnel. As with the work of Stupid Stupid Meathole there is something a little grotesque in these gurning characters.
It is impossible to ignore a piece like this and it stands out from the plethora of burners and throw-ups that adorn the walls of this tunnel. A simple idea which is nicely painted that picks you up and slaps you around the face just to make sure you are paying attention. Nice work.