Tag: EAT

1926. Millpond Street (5)

When Kid Crayon and SPZero76 get together as ‘EAT’ crew, there is almost always a creative explosion that follows. This brilliant piece, which is a kind of quasi commission, they get paid in paint, is on a wall favoured by these two.

Kid Crayon and SPZero76, Millpond Street, Bristol, December 2018
Kid Crayon and SPZero76, Millpond Street, Bristol, December 2018

The theme for the piece highlights plastic in our seas, something that thankfully is front of mind for so many of us at the moment. In Kid Crayon’s side of the piece, the king and queen of the sea look less than impressed with the amount of plastic in their domain, and the fish look pretty troubled too.

Kid Crayon and SPZero76, Millpond Street, Bristol, December 2018
Kid Crayon and SPZero76, Millpond Street, Bristol, December 2018

Although the styles of these two artists are strikingly different, they seem to work well together. SPZero76 gives us a couple of characters, a robot and swimmer in highly protective gear venturing out into the polluted sea for a surf. What is really clever about this piece is that they have incorporated bits of their previous work on this wall, such as the yellow VW Beetle, by leaving them partially exposed, thus becoming part of the pollution in this piece. Really clever work.

Kid Crayon and SPZero76, Millpond Street, Bristol, December 2018
Kid Crayon and SPZero76, Millpond Street, Bristol, December 2018

I always love a piece with a big story.

Update – I have since found out that the ‘special effect’ was not intentional but rather rain damage. The piece has been replaced already by the EAT crew.

 

 

1643. Upfest 2018 (5)

Kid crayon is a favourite Bristol artist of mine and his contribution to Upfest this year was straight forward and fun. I’m not too sure what the crocodile, triangle and cake are all about, but I’m sure they have some kind of meaning. The piece also carries birthday wishes for Meg.

Kid Crayon, Upfest, Bristol, July 2018
Kid Crayon, Upfest, Bristol, July 2018

I think Kid Crayon had seen the forecast for Sunday and had managed to complete his piece by early Saturday afternoon. I managed to swing by when he was painting and chatted for a short while. It is one of the great things about Upfest that you get to see works in progress and figure out how these artists go about their work.

1508. Millpond Street (4)

Here’s another EAT crew (SPZero76 and Kid Crayon) collaboration on the side wall of Domestic Drain Services. Maybe once or twice a year, this company invites artists to paint the walls in return for free paint – or so I understand.

SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018
SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018

One wall was painted by Paul Monsters and featured on this blog a little while ago. This wall has been crafted into a comic strip which was described by Keith Hopewell, AKA SPZero76 on his Instagram account as follows:

‘This comic tells the tale of a race to find the Holy Grail in a post apocolyptic giant robot wasteland. Biker woman vs the pigs of doom (and their herder). Who will find the treasure first?’

SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018
SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018

The biker woman and robot wasteland are by SPZero76 and the pigs and their hereder by Kid Crayon. I still find this pairing of artists a little unusual, because their styles are so different, but somehow they pull it off every time they work together.

SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018
SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018

I particularly like the book end characters – Biker woman and the pig herder who reminds me a little of Woody or Andy his owner from Toy Story. The whole piece is crazy, imaginative and inspiring. I love it when these two get together, you just never know what will happen.

1235. Upfest 2017 (119)

At the Ashton Gate Upfest site, which was opened up for the first time in 2017, there was a very long wall running down the entire side of the stadium. Certain sections of this wall were allocated to crews, who sprayed together to create their pieces. This one is by Kid Crayon who was joining up with the Lost Souls crew and Eat.

Kid Crayon, Upfest, Bristol, July 2017
Kid Crayon, Upfest, Bristol, July 2017

I am a big fan of Kid Crayon’s work, and it was his wheatpastes that originally stoked my interest in Bristol street art in the first place, so I have a lot to thank him for. This is a wonderful and colourful piece of a big fish in a sardine can. I don’t know the meaning of the piece, but I know I like it a lot.

Kid Crayon, Upfest, Bristol, July 2017
Kid Crayon, Upfest, Bristol, July 2017

Anything to do with fish tends to tick my box, so street art with a fish is a bit of a bonanza.

893. Lower Approach Road (5)

Another fine piece at this relatively new location at Temple Meads station. This is a lovely work from Kid Crayon featuring a group of people and their obsessions with their mobile phones. Possibly representative of the crowds of people departing from and arriving at the station each and every day.

Kid Crayon, Lower Approach road, Bristol, June 2017
Kid Crayon, Lower Approach road, Bristol, June 2017

I am not sure if any of these characters are based on real people, but the fellow on the right eating his phone has an uncanny resemblance to Paul Monsters (Paul Roberts) who painted a collaboration with Copyright just around the corner.

Kid Crayon, Lower Approach road, Bristol, June 2017
Kid Crayon, Lower Approach road, Bristol, June 2017

Somehow no Kid Crayon piece feels complete without purple or blue-faced people, and here he offers lashings of them. The young girl actually looks quite sinister, reminiscent of the character from The Addams Family played by Christina Ricci.

Kid Crayon, Lower Approach road, Bristol, June 2017
Kid Crayon, Lower Approach road, Bristol, June 2017

Quite who the pretty lady with the squinty eye at the centre of the picture is I don’t know, but I love the detail of her necklace and freckled nose. All in all this is a superb piece from Kid Crayon…full of stories and beautifully executed.

Kid Crayon, Lower Approach Road, Bristol, June 2017
Kid Crayon, Lower Approach Road, Bristol, June 2017

815. Millpond Street (2)

Aloha! Domestic Drain Services can be found just off the end of Millpond Street. I like the name of the street because it tells us something about the history of the area, I guess it all looked very different here a hundred years ago.

SPZero76, Millpond Street, Bristol, May 2017
SPZero76, Millpond Street, Bristol, May 2017

This is a wonderful collaborative curtain-raiser to Summer by SPZero76 and Kid Crayon of the EAT crew. The left hand side is characteristically SPZero76 and features a fine lady playing a ukulele next to one of his face masks that he paints a lot.

Kid Crayon, Millpond Street, Bristol, May 2017
Kid Crayon, Millpond Street, Bristol, May 2017

On the right hand side we have a fabulous ‘island life’ collection by Kid Crayon. I think the geography of the piece is a little confused however, Hawaii and Easter Island, but who cares about that, it is the cheery welcome and thoughts of Summer that appeal.

SPZero76 and Kid Crayon, Millpond Street, Bristol, May 2017
SPZero76 and Kid Crayon, Millpond Street, Bristol, May 2017

These two artists are working really well together at the moment, and I look forward to seeing more collaborations from the EAT crew.

808. Dean Lane skate park (50)

On 20 April each year, there is a legalise marijuana protest, or smoke-in if you like, where weed smokers will overtly disobey the law and rely on the theory of safety in numbers to avoid arrest or prosecution. In the UK, the main ‘celebration’ is held in Hyde Park, but in Bristol there is a parallel exercise held on the Downs.

Kid Crayon, Dean Lane, Bristol, April 2017
Kid Crayon, Dean Lane, Bristol, April 2017

This piece is dedicated to the 420 campaign and is unmistakably by Kid Crayon, who demonstrates his knowledge of marijuana admirably in this protest work.

Kid Crayon, Dean Lane, Bristol, April 2017
Kid Crayon, Dean Lane, Bristol, April 2017

I always like a good political or protest bit of street art, and this one ticks all the boxes. Colourful, illustrative and subversive. The piece remained untagged for a long period in an area where street art tends to have a very short lifespan, possibly indicating a general respect and support from taggers and other artists.

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

It has, of course, gone now.

748. The Bearpit (64)

Right next to the recent Georgie artist stencil ‘citizen of nowhere’ in The Bearpit steps (see previous post), is this magnificent Kid Crayon piece. I cannot tell you how much I love this. It has colour, humour, craziness and a blue face. Something about it reminds me of an upbeat Gaugin crossed with Picasso…know what I mean? With a touch of Jean de Brunhoff (creator of Barbar the elephant).

Kid Crayon, The Bearpit, Bristol, April 2017
Kid Crayon, The Bearpit, Bristol, April 2017

It is so raw and so good. I will stop there for fear of gushing too much. I like it…you got it?

Kid Crayon, The Bearpit, Bristol, April 2017
Kid Crayon, The Bearpit, Bristol, April 2017

It is with some disappointment that I am updating this post to report that this and many other great pieces in The Bearpit and elsewhere in Bristol have been tagged and dogged at the end of the Easter break. It is annoying when this happens. I think everyone accepts that it does happen, but it does seem really senseless and damages the reputation of street art and graffiti art in the City.

682. The Bearpit (47)

Following on then from the previous post, this is the piece that Kid Crayon created to cover up the one he had been unhappy with just a few days before. This is something more familiar altogether from the Bristol regular.

Kid Crayon, The Bearpit, Bristol, February 2017
Kid Crayon, The Bearpit, Bristol, February 2017

The piece that this replaced was had been sprayed at the same time as a piece on the adjacent wall by SPZero76, and it really does seem that these two do like painting together. I also note that he references the ‘EAT crew’. I am guessing that this is what these two artists call themselves when they spray together, and would explain a recent collaboration posted here a few days ago.

Kid Crayon, The Bearpit, Bristol, February 2017
Kid Crayon, The Bearpit, Bristol, February 2017

This is back to the familiar style of Kid Crayon, but it seems as though he has abandoned the floating crayon, which I think is a pity as it was part of his USP. I like this piece though.