748. The Bearpit (64)

Right next to the recent Georgie artist stencil ‘citizen of nowhere’ in The Bearpit steps (see previous post), is this magnificent Kid Crayon piece. I cannot tell you how much I love this. It has colour, humour, craziness and a blue face. Something about it reminds me of an upbeat Gaugin crossed with Picasso…know what I mean? With a touch of Jean de Brunhoff (creator of Barbar the elephant).

Kid Crayon, The Bearpit, Bristol, April 2017
Kid Crayon, The Bearpit, Bristol, April 2017

It is so raw and so good. I will stop there for fear of gushing too much. I like it…you got it?

Kid Crayon, The Bearpit, Bristol, April 2017
Kid Crayon, The Bearpit, Bristol, April 2017

It is with some disappointment that I am updating this post to report that this and many other great pieces in The Bearpit and elsewhere in Bristol have been tagged and dogged at the end of the Easter break. It is annoying when this happens. I think everyone accepts that it does happen, but it does seem really senseless and damages the reputation of street art and graffiti art in the City.

682. The Bearpit (47)

Following on then from the previous post, this is the piece that Kid Crayon created to cover up the one he had been unhappy with just a few days before. This is something more familiar altogether from the Bristol regular.

Kid Crayon, The Bearpit, Bristol, February 2017
Kid Crayon, The Bearpit, Bristol, February 2017

The piece that this replaced was had been sprayed at the same time as a piece on the adjacent wall by SPZero76, and it really does seem that these two do like painting together. I also note that he references the ‘EAT crew’. I am guessing that this is what these two artists call themselves when they spray together, and would explain a recent collaboration posted here a few days ago.

Kid Crayon, The Bearpit, Bristol, February 2017
Kid Crayon, The Bearpit, Bristol, February 2017

This is back to the familiar style of Kid Crayon, but it seems as though he has abandoned the floating crayon, which I think is a pity as it was part of his USP. I like this piece though.