Gent48, Smallbrook Queensway, Birmingham, September 2026
More quick ones today, there is fishing to be done. This is another piece by Gent48 in Birmingham. It is quite an old portrait piece, but the artist is clearly respected, because the piece is still here and untagged.
Gent48, Smallbrook Queensway, Birmingham, September 2026
The cartoon-style character is painted with a sepia tint, making it look like an old photograph. I’m not too sure what the back story is, but it is a nice piece.
Gent48, Smallbrook Queensway, Birmingham, September 2026
Back to the unfamiliar streets of Birmingham and the work of Gent48. This is a humdinger of a piece full of intrigue and creepy stories. It would seem that Gent48 ‘owns’ this area of boarded up shopfronts with several of his awesome pieces in quick succession.
Gent48, Smallbrook Queensway, Birmingham, September 2026
A seated character appears to be on the receiving end of an attack by ghoulish forces or something of that nature. Brilliantly designed and executed.
Zinzinahh and Gent48, Smallbrook Queensway, Birmingham, September 2026
I have mentioned in previous posts that on a recent work trip to Birmingham, I was lucky enough to pass by some street art spots on my way back to the station, after the workshop I led. One area, Smallbrook Queensway and the Ringway Centre appears to be in decline, with most of the shops and commercial spaces in this 1960s building boarded up. Needless to say that most if not all of the boards have been painted, and I would say some years ago – possibly an artefact of the impacts of Covid lock downs.
Zinzinahh and Gent48, Smallbrook Queensway, Birmingham, September 2026
One artist in particular, Gent48, appears to have exploited this ‘canvas opportunity’ more than most, with several pieces, including this collaboration with graffiti writer Zinzinahh. The collaboration is a good one, dating back to 2023, and still in fairly good condition. The character by by Gent has an eye in the palm of his hand – there is a story there I am sure. The writing is beautifully executed, but I am not particularly familiar with either artist and can’t provide much background or context, preferring to enjoy the collaboration as a visitor.