5861. Greenbank (107)

Knife, Greenbank, Bristol, February 2024
Knife, Greenbank, Bristol, February 2024

I have a very busy week ahead, so apologise in advance for any disruption to my usual rhythm. I start with a trip to Nottingham today and tomorrow and am in London on Thursday, delivering workshops, which is both time-intensive and exhausting. Managing expectations.

A graffiti writer, who has emerged over the last year or so is Knife, I don’t yet know they are or if they use social media, so for the time being I shall use their writing moniker.

Knife, Greenbank, Bristol, February 2024
Knife, Greenbank, Bristol, February 2024

I have seen Knife’s work in quite a few of the spots I visit, and felt it was about time I posted a piece.  I think that Knife paints solo, at least I haven’t yet noticed any patterns of painting with anyone else, which makes me think that the artist is fairly new to Bristol. This is a really nicely executed piece, clean and tidy letters with a straightforward three colour fill, nothing too fancy or pretentious. Even though the wall hasn’t been buffed, the graffiti writing is eye-catching, and this is a solid debut piece (on Natural Adventures) from Knife. Expect more to follow.

3115. Frogmore Street (11)

It would seem that JPS has been visiting Bristol and his home, Weston-super-Mare recently if his Instagram account is anything to go by. On a wall that has been home to a JPS piece for a long time now, this new, and rather fantastic stencil arrived about week or two ago.

JPS, Frogmore Street, Bristol, August 2020
JPS, Frogmore Street, Bristol, August 2020

The piece features two little boys, one of them pulling a knife out on the other, both encircled in a ‘don’t do it’ sign. The slightly taller boy is gently restraining the one with the knife. This is a poignant anti knife crime piece and conveys the message sensitively.

JPS, Frogmore Street, Bristol, August 2020
JPS, Frogmore Street, Bristol, August 2020

This is JPS at his absolute best. A strong message conveyed with tenderness and love but not avoiding the hard issue in hand. Using children to depict such foolishness is clever because it helps us to see how stupid violence is and how it looks utterly out of context in these youngsters – shouldn’t it be so for everyone?

JPS, Frogmore Street, Bristol, July 2015
JPS, Frogmore Street, Bristol, July 2015

2355. Grosvenor Road (2)


I think that this piece by DNT was specially comissioned for this year’s St Paul’s carnival, and it is a gentle reminder to us all that knife crime in the UK is on the rise, and is not welcome at the carnival. In years gone by, there has been trouble at the carnival, and St Paul’s, when I first arrived in Bristol 28 years ago was a bit of a ‘no-go’ area. Things are much improved these days, but there is still a bit of edge to the place.

DNT, Grosvenor Road, Bristol, July 2019
DNT, Grosvenor Road, Bristol, July 2019

The piece itself demonstrates that DNT can turn his talents to pretty much anything, and stylistically, this piece is quite different from the kinds of things we are more used to sdeeing in the Stokes Croft area. Nice one, great message.

The Silence of the Pumpkin

 

Slice open your head

scramble and scoop out your brain

then coerce a smile.

 

by Scooj

Visit The Poet Rummager to read and join in the Monster Masquerade