Doors 106 – Some more archive street/graffiti art doors
Although I did manage to snap a few doors over the last week, I haven’t yet had time to download them from my camera, so for today’s Thursday doors I am trawling through images I have previously posted on Natural Adventures of street/graffiti art that feature doors. Up-cycling if you like.
Most of these doors have not appeared in Thursday doors before, so unless you read my street art posts as well, most will be new to you. These ones are from 2016 (so expect plenty more to come for future posts).
That’s it for another lock down week. Look after yourselves and keep posting those doors.
If you have made it this far, you probably like doors and you really ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
I cannot think how many times I have driven past this amazing pizza piece by Feek at the bottom of Ashley Hill, but I have never taken a moment to photograph it. This particular picture is pretty terrible… not only is is rather shaded, but I took it from the car window because I am lazy. Not ideal.
Shutter pieces are not easy so this crystal clear and fun piece by Feek is a bit of a triumph. It is pieces like this one that Bristolians take completely for granted. It is there, it has always been there, that is the way of things. Personally I think that this is rather special, the vegetables are amazing and the animated pizza character is brilliantly painted. At last I get to post it!
This is a lovely new shutter piece by The Hass on North Street. Unfortunately there is a bit missing on the left hand side which rolls down over the door, but shutters are difficult to get at the best of times so I was pleased to get this shot. The Hass paints under another name in Bristol, but those that know, know and those that don’t, don’t need to.
As a marine biologist I need little encouragement to marvel at this wonderful marlin swimming in waters close to a paradise island, looking a little bit like the island set in the Disney Pixar film The Incredibles. This time though the gorgeous waters are polluted with plastic bottles in amongst the fish. Nice piece combining abstract elements with realism and a great story.
In the last six months or so, I don’t recall seeing very much work by Ryder. It might be that I just haven’t been at the right place at the right time, it sometimes goes like that.
This shutter piece is in Stokes Croft and although I have passed it many times, I haven’t had the presence of mind to photograph it until recently. I think it has probably seen better days, but represents beautifully the graffiti scene in this little stretch of road. One of the upsides to painting a shutter (and there can’t be many) is that horizontal lines are easy to paint and the colour shifts in this piece are neatly done by following the lines on the shutter. Ryder rarely disappoints.
I think that this piece by DNT was specially comissioned for this year’s St Paul’s carnival, and it is a gentle reminder to us all that knife crime in the UK is on the rise, and is not welcome at the carnival. In years gone by, there has been trouble at the carnival, and St Paul’s, when I first arrived in Bristol 28 years ago was a bit of a ‘no-go’ area. Things are much improved these days, but there is still a bit of edge to the place.
The piece itself demonstrates that DNT can turn his talents to pretty much anything, and stylistically, this piece is quite different from the kinds of things we are more used to sdeeing in the Stokes Croft area. Nice one, great message.
Sweet Toof is a London artist who has always had strong links with Bristol especially through his long-standing friendship with Rowdy. Even now, there are several toothy pieces dotted around the city. It is funny, but I have always thought of him as a Bristol artist, because of his legacy here.
It was extra special to find this triptych of shutters, that look rather recent, when in London last weekend walking in the Brick Lane area with my sister. It doesn’t seem to matter where I pitch up in the world, there always seems to be a Sweet Toof piece close by.
These three are really rather special, and have a feel of ‘see no evil, speak no evil, hear no evil’ about them. It is nice to see the three different aspects of the skulls. Obviously that Master’s degree from the Royal Academy of Arts was not wasted.
I do like Sweet Toof’s work very much indeed, always blending mortality with humour in his incredibly distinctive style. Great find.
Anyone reading this will know that I am a big fan of Kid Crayon. His bright and unusual pieces always contain an element of wit, charm or mischief and this pink crocodile demonstrates this sense of fun with a commmentary on the rain that fell throughout the Upfest festival.
This shutter piece was the second that he did at the festival, both using this colour scheme, so I am guessing that he got a job lot of these colours especially for the weekend. There is something really endearing about this crocodile and there is a gentleness to the way he is holding the little umbrella. A lovely piece.