893. Lower Approach Road (5)

Another fine piece at this relatively new location at Temple Meads station. This is a lovely work from Kid Crayon featuring a group of people and their obsessions with their mobile phones. Possibly representative of the crowds of people departing from and arriving at the station each and every day.

Kid Crayon, Lower Approach road, Bristol, June 2017
Kid Crayon, Lower Approach road, Bristol, June 2017

I am not sure if any of these characters are based on real people, but the fellow on the right eating his phone has an uncanny resemblance to Paul Monsters (Paul Roberts) who painted a collaboration with Copyright just around the corner.

Kid Crayon, Lower Approach road, Bristol, June 2017
Kid Crayon, Lower Approach road, Bristol, June 2017

Somehow no Kid Crayon piece feels complete without purple or blue-faced people, and here he offers lashings of them. The young girl actually looks quite sinister, reminiscent of the character from The Addams Family played by Christina Ricci.

Kid Crayon, Lower Approach road, Bristol, June 2017
Kid Crayon, Lower Approach road, Bristol, June 2017

Quite who the pretty lady with the squinty eye at the centre of the picture is I don’t know, but I love the detail of her necklace and freckled nose. All in all this is a superb piece from Kid Crayon…full of stories and beautifully executed.

Kid Crayon, Lower Approach Road, Bristol, June 2017
Kid Crayon, Lower Approach Road, Bristol, June 2017

889. Lower Approach Road (4)

This is a magnificent piece down on the black hoardings beside Temple Meads station by Lokey. His work is really beautiful and the 3D writing that he creates is so very easy on the eye.

Lokey, Lower Approach Road, Bristol, July 2017
Lokey, Lower Approach Road, Bristol, July 2017

A different take on wildstyle writing, Lokey never fails to impress. In this particular piece his colour selections work really well with the black background, and the way he has shaded the letters with graded greens adds another level of texture to the piece.

Lokey, Lower Approach Road, Bristol, July 2017
Lokey, Lower Approach Road, Bristol, July 2017

As with so many writers, he has included a little character to the right of the writing. The character is a beautifully sprayed robot whose edges are highlighted by the ‘glow’ coming from the letters. Masterful work.

Lokey, Lower Approach Road, Bristol, July 2017
Lokey, Lower Approach Road, Bristol, July 2017

Taking a close up look at his lettering gives a real appreciation of the technical skills needed to create the 3D effect. A lovely piece.

866. Lower Approach Road (3)

The third piece from this site down by Temple Meads Station. The day I first went to take pictures here, Copyright and Paul Monsters were just finishing off their magnificent piece. To their left, working hard was Loch Ness diligent in his work on this piece.

Loch Ness, Lower Approach Road, Bristol, May/June 2017
Loch Ness, Lower Approach Road, Bristol, May/June 2017

Unfortunately for him, I broke his concentration for a little while. The piece is quite unusual and full of details and little stories. The main figure looks like it is a reindeer – unusual for this time of year.

Loch Ness, Lower Approach Road, Bristol, May/June 2017
Loch Ness, Lower Approach Road, Bristol, May/June 2017

To the left of the reindeer is what I would describe as a burst of nature, and this was the part Loch Ness was working on when I photographed the work (first time).

Loch Ness, Lower Approach Road, Bristol, May/June 2017
Loch Ness, Lower Approach Road, Bristol, May/June 2017

As he was working it looked very much like he was working to a plan, and he was almost ‘painting by numbers’. Of course one has to recognise that he designed the plan and has the incredible skill to execute it, I am not suggesting for a moment that the process he uses is any easier than any other.

Loch Ness, Lower Approach Road, Bristol, May/June 2017
Loch Ness, Lower Approach Road, Bristol, May/June 2017

776. Lower Approach Road (1)

I had a recent tip-off via Instagram that Copyright and Paul Monsters were going to be collaborating again, this time on the slip road adjacent to Bristol Temple Meads station. I managed to wangle a moment of time and whizzed down to the station to see what was going on.

Copyright and Paul Monsters, Lower Approach Road, Bristol, May 2017
Copyright and Paul Monsters, Lower Approach Road, Bristol, May 2017

I arrived just as they were completing the piece, and it is another real beauty, just like their previous collaboration on North Street. Their styles really do work well together, with the geometric colour patterning of Monsters, providing a perfect foil for Copyright’s figures.

Copyright and Paul Monsters, Lower Approach Road, Bristol, May 2017
Copyright and Paul Monsters, Lower Approach Road, Bristol, May 2017

I spent a little while chatting with both artists and picking up on more of how the street/graffiti art scene works in Bristol, and a little about the work Paul Monsters does at Upfest. Such gents, and patient with my questions and observations.

Copyright and Paul Monsters, Lower Approach Road, Bristol, May 2017
Copyright and Paul Monsters, Lower Approach Road, Bristol, May 2017

What a wonderful welcome for visitors to Bristol and joyous sight for those coming home. I will post about the other two pieces at this location soon.