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Belting out a song
disproportionately loud
E. rubecula
.
by Scooj
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Belting out a song
disproportionately loud
E. rubecula
.
by Scooj

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Great intelligence
evolutionary star
World Octopus Day
.
by Scooj
A little bonus gallery of Octopus pieces to mark the day:










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The school boy in me
excited by these treasures
the smooth from the rough
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by Scooj

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Loitering unseen
an unnerving sense of threat
a predator waits
.
by Scooj

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Bathing in the sun
an afternoon-stretched shadow
dragonfly pauses
.
by Scooj

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Rose growth disruption
work of parasitic wasp
beguiling nature
.
by Scooj

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Natural woodland
hugs the riparian strip
planted pines look on
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by Scooj

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Yellow meadow ant
queens emerge nourished by sun
to mate and find homes
.
by Scooj

There were an awful lot of beautiful birds painted at the Cheltenham Paint Festival this year, whether by coincidence or design I simply don’t know, but it feels like the nature theme is running strongly through street art these days, perhaps as a subliminal or conscious response to the global biodiversity crisis we face.

This enormous piece by Sophie Tuttle on the side of a building on Devonshire Street features two owls, one in good health, the other a skeleton, joined together by a red thread that each is holding in its beak. There is symbolism here I’m sure, and perhaps it is the delicate line we walk between life and death.

Both of the owls are perfectly painted, and each has a halo behind with a floral design in subtle blues. Perfectly proportioned and anatomically correct these owns are as much a study of form as they are paintings of birds.

I don’t believe I have come across Sophie Tuttle before, but that is hardly surprising since she is Boston- based. Her commitment to free and accessible art is a great thing indeed, and what a privilege to see her amazing artwork at the Cheltenham Paint Festival. Perhaps we could entice her to visit Bristol some time.
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An unknown bird call
double screech from the tree top
but it’s a squirrel
.
by Scooj