hoots heard in urban gardens
a call from the wild
hoots heard in urban gardens
a call from the wild
Another one from my archive, but the piece, by Kin Dose is somewhat older than my photograph of it. Positioned in a bricked up gateway this stencil is perfectly framed, and is sited in an area without much street art itself, but the surrounding areas are awash with it.
I have seen this owl stencil a few times in Bristol, but each one has a different background of colours and swirls, this one with a big bright hunter’s moon. This is what Kin Dose brings to his stencil work, each piece is distinct and different even though at it’s heart is the same core piece. A nice find.
I love it when you start to see the work of an artist who has previously been off the radar, and recently I have become aware of a couple of stencils by Yoshi of which this owl at St Werburghs is one. Actually it is a cat owl, and if you look carefully at the face you’ll see why.
It would seem that Yoshi is reasonably new to the street art scene and is very much in a discovery phase of his work with sencils, trying out different materials and ideas. Yoshi has a good Instagram feed that offers a little bit of narrative and insight into his work, which is great, I also have noticed that there a couple more stencils I need to go out and find. Looking forward to seeing more work from Yoshi.
I have just taken a good long hard look at this piece by Harpoart prior to writing about it and the thing that screamed out at me was how much this looks like a stained-glass window study. It turns out on doing a little research on the Interweb that he is not only a street artist, but is also a stained glass maker.
Harpoart has created this stunning owl, at least I think it is an owl, on an approach, set on a wonderfully textured blue background. There is a lovely sense of movement about the piece.
I’m not sure that I have seen any of this Brighton artist’s work before, I don’t think so, but perhaps I should make a mental note to make a trip to Brighton some day.
I took a rather more extensive walk than I usually do around the M32 Spot recently, and found some walls and artwork I have not been aware of before, which goes to show that it is always worth looking round that next corner or through that next underpass.
This is a lovely stencil piece from Kin Dose, whose work occasionally appears on the streets of Bristol and never fails to grab your attention. His owl is on one of the columns under the M32, and probably goes unnoticed by many who are marching head down crossing from one side of the motorway to the other.
Other amazing work by Kin Dose includes a scary clown and cat, both of which were painted at the Carriageworks in Stokes Croft.
One of the real pleasures of Upfest is the way in which it brings together artists from all different disciplines and from all over the world giving us the opportunity to witness the huge spectrum of talent. Side by side we have graffiti writers and fine artists and graphic designers and illustrators equally respected and admired.
This is a beautiful piece from Cai Burton who is an illustrator and designer and is based in Bristol. You can see more about him and his work on his excellent website. Owls seem to work very well in street art – I’m not sure why, but they crop up reasonably frequently. Note to self – do an Owl special. This was a popular piece at the festival.
You’ve got to be slightly crazy not to love an owl…I think I might have said this before somewhere in this blog. It took me a long time to post this piece, it has been sitting in my archives, because I wanted to be sure who the artist was. It is by the French artist Braga Last1 and was sprayed during a visit to Bristol in September 2016.
I love it when artists from all over Europe, and indeed, the world come to visit Bristol and leave pieces for our citizens to enjoy. It certainly validates Bristol’s claim to being a world class street/graffiti art destination, something that is becoming a bit of a USP for the city.
This is a beautiful piece and captures the form of the owl so well. The eyes are absolutely amazing. Despite being in Dean Lane, the piece stood in place unmarked for a couple of months before eventually being painted over – a mark of respect from other artists.
It is always really nice when artists who come to Upfest leave additional works dotted around Bristol. These ‘extras’ range from commissions to ‘naughty’ pieces, but as far as I am concerned they are always welcome.
This amazing owl by Angerami will have been missed by most visitors to Upfest, and indeed to North Street, because it is in an alleyway with a huge iron gate in front of it. I didn’t notice it at first, but of course, I am always on the look out for such things.
The owl is beautiful, but I can’t help thinking it was done as a special request, because it really isn’t very accessible for anyone other than the owner of the alleyway. You might recall from an earlier post his incredible fish. I love street artists who paint wildlife and Angerami is right up there with the best.
This stylised owl seems to have occupied this little corner for ever – I can’t remember it not being here, but having said that my skills of ‘street art awareness’ have only been in full operation for about a year now, so it might not be all that old.
It is a work by 45RPM, the very same who created the corporate commission for the Body Shop in Hotwell Road. This owl is special, and you will note, completely unmarked by taggers. A lovely work that could do with a bit of a wash.