Nips

7341. River Avon (104)

Nips, River Avon, Bristol, November 2025

I have always liked Nips’ pieces and as a rule her work is getting better and better. This is a gorgeous and uplifting piece of graffiti writing alongside the river, which certainly catches the eye. Impossible to walk past without a quick glance at the very least.

Nips is known for her imaginative and well executed fills, and this piece is no exception the fill colours are so well blended, and the wibbly blue midline is inspired. The little character replacing the tittle (dot on the i) looks to be a nod to Halloween. This is a truly enjoyable piece.

7275. St Werburghs tunnel (535)

Nips and Redeye, St Werburghs, Bristol, October 2025

Although I have posted many pieces by Nips, I think that this is a first on Natural Adventures from Redeye, in spite of having dozens of his pieces in my archive. I perhaps ought to put that right. I believe that the artists might be partners, although they might simply be painting buddies. Redeye, on the right here, tends to write variants of the letters of his name and in this instance has written Ryde – not to be confused in any way with Ryder. His letters here are filled with a concoction of red, yellow and white in lovely patterns and formations, bound by a strong black line.

Nips, St Werburghs, Bristol, October 2025

Nips presents her letters with growing confidence, and this piece is beautifully presented in all aspects. Her strength is in her variety of fills and here she brings together a superb blend of warm and comforting oranges and purples, including some subtle reversed out spots. The drop shadow and white border to enough to define the letters and the little white highlight lines add significant depth. A fine piece from Nips.

7232. Greenbank (173)

Nips, Greenbank, Bristol, September 2025

For a long while I have feared that this hoarding in Greenbank would be removed on completion of the development behind it, but for one reason or another (I just checked on the Interweb, and it appears that the original developer went bankrupt) work has stalled, giving the spot a stay of execution.

This is a lovely piece by Nips, a rather underrated graffiti writer in my opinion, whose work is notable for the wonderful fills she incorporates into her work. The letters ‘NIPS’ are bounded with three borders, white, yellow and orange, that provide a great buffer between her work and the piece she overwrote, without the need for any buffing. The light conditions can be difficult in this spot, and the photographs are a little mottled with light and shade, perhaps not doing the piece justice.

6836. M32 roundabout J3 (669)

Nips, M32 roundabout, Bristol, March 2025

When I come across any pieces by Nips, I know I am I for a fill treat, it is pretty much a sure thing and I like that about her work. This one was painted in quick succession with another, I guess it was a painting weekend or something like that.

In this piece her customary NIPS letters are filled with a nicely blended palette of blue, turquoise, pink and red and some reversed out spots for a little bit of decoration. The white accent lines do their job well, creating a fine 3D effect. The selection of a yellow background contrasts well with the letters and brings focus to them. A sound piece from Nips.

A gallery of wonderful writing and sensational fills from Bristol graffiti writer Nips, AKA Betty Poop.

Instagram: @nips_and_drips

All images by Scooj

Nips, River Avon, Bristol, December 2024

Nips, St Werburghs, Bristol, November 2024

Nips, Sparke Evans Park, Bristol, November 2024

Nips, M32 Cycle path, Bristol, October 2024

Nips, Greenbank, Bristol, September 2024

Nips, St Werburghs, Bristol, August 2024

Nips, M32 Cycle path, Bristol, July 2024

Nips, Cumberland Basin, Bristol, April 2024

Nips, M32 roundabout J2, Bristol, January 2023

Nips, Sparke Evans Park, Bristol, December 2023

Nips, St Werburghs, Bristol, October 2023

6808. St Werburghs tunnel (483)

Aha! There is a certain consistency and reliability with Nips’ pieces that I am really attracted to. Her letters tend to be similar in shape from piece to piece, but it is in her fills where she really excels and shows off what she can do.

Set on a fairly elementary yellow backdrop, the letters NIPS are filled with a stunning patterned mix of pinks and blues, with some great designs and reversed out spots. The eye is drawn to the female symbol in the dot of the ‘i’, which is assertive and proud. Nips has included a couple of nice shout-outs to Basik and Roma too. I hope we see plenty more of Nips in 2025.

6697. Frome Side (49)

Regular readers will know that I have a special liking for the work of Nips. It is difficult to pin down exactly what it is about her writing that I like, but it just somehow appeals to me. This chrome piece was painted under the M32, on the far bank of the River Frome, which involves crossing the river on a slender concrete beam, not one for the feint-hearted.

In this piece, Nips’ usual creative fills have given way to something much simpler (which is often the way with chrome writing). I like the double border, which creates just enough separation between the letters and the graffiti wall. The lasting thought though is I really want to know who ‘Evil David’ is.

6621. River Avon (71)

I am happy to include a piece by Nips before we see the year out, as her work has been a highlight for me in 2024. Her letters have a strong identity, and an assuredness about them, being a vehicle for her brilliant and dynamic fills.

As ever, her colour selection for this piece of graffiti writing shows her highly developed skills in crafting something that works well and looks beautiful. I am very much looking forward to a repeat in 2025.

6605. St Werburghs tunnel (446)

These pictures are proof that it is always worth taking pictures (however bad the conditions might be) of street/graffiti art if you can, because the next time you swing by the piece might have gone. There was a van parked in front of this writing by Nips when I passed by, but I thought I’d try to photograph the piece, even from rather weird angles, just in case it didn’t last. It didn’t, so the strategy worked, and I get to share the graffiti writing, even if the pictures aren’t the best.

Nips is one of my favourite artists in Bristol at the moment. Her simple and no-nonsense approach to her letters and her creative fills, in this case nicely worked blue and grey blended colours and spots, tick my boxes and make me happy. She is one of a handful of artists that always bring a smile to my face when I find their work.

6537. Sparke Evans Park (104)

Regular readers will know that I have a bit of a thing for Nips’ work. Her letters are uncomplicated and unpretentious and what sets her apart from other letter writers is her constantly evolving and creative fills.

Whether intentional or not, Nips has created a perfect autumnal piece. The blue background speaks of those wonderful high-pressure blue sky days (we have had a few of those lately) and the gold of the letter fills picks up the autumn leaves scattered at the base of the wall. The fills are a beautifully blended palette of four brown and yellow shades, and are further augmented with some complementary squiggles and dots. The tittle (dot on the i) is a little character face, something Nips does with most of her pieces. The whole thing is nicely finished with white highlights to help the letters pop. This is a fine piece of work from Nips.

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	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…

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