I have had a few days away from Bristol, which came on the back of a period of self-isolation, and as a result have gone into a bit of blind panic. This is the 15th 75×75 Upfest piece that I have written about, and I understand that 50 have now been completed, so I have a lot of work to do to catch up on some of these. This piece from Sophie Mills was one of the first I photographed, and was lucky enough to be there when she was just finishing the piece off.
A rhinoceros wearing a party hat is certainly a fairly unusual theme, and the hat looks a little incongruous, not only in it being a hat, but also in the painting style, almost as if it had been added by someone else after the event. Another interesting thing which might have been deliberate or coincidental is that Sophie Mills Thomas’s trousers are a perfect colour match for the piece she is painting.
This is a small but impactful piece that is bang in the middle of North Street and next to an Inky/Cheo Mibsy tribute piece that has remained intact for several years. A fine addition to Upfest’s summer event.
You will know that I have a very large soft spot for the work of Kid Crayonm, and what makes it extra good is that he is a seriously nice bloke too. I managed to catch up with him while he was painting this trpical protrait piece at the M32 paint jam back in July.
We stopped for a while to chat and KC told me that this section of wall is a little tricky for him because of his height and he needs to stand on stuff to reach the top. I love the way that over the last couple of years, the party hat has become almost as much of a thing in his work as the crayon, both featured here.
I have enjoyed this little spate of pieces from KC and am looking forward to hunting down a collaboration piece he has just finished with SPZero76. There are some things that have been great about this summer and this is one of them.
The artist I miss the most when he hasn’t hit a wall for a while is Kid Crayon. There is something about his work and that it was seeing his wheatpastes in 2015 that drew me into appreciating street art in the first place that has created a special place in my heart for KC’s work.
This is a typically wonderful piece from a recent paint jam at the M32 roundabout. The big bold letters are interrupted with a pyramid and an all-seeing-eye for an A. This in itself is terrific, but the character’s face and hand emerging or sinking into flat calm water is pure magic.
The party hat, a signature element of KC’s recent works, is silly and fun, setting the whole thing off perfectly. Kid Crayon’s work is nearly always fun and engaging, bringing a smile to faces.