5326. Queen Street, York

ATM, Queen Street, York, June 2023
ATM, Queen Street, York, June 2023

A week ago, I travelled up to the North of England for a conference in Harrogate on Thursday, but stayed the night before in York. On the walk from the station to the hotel, I passed this magnificent beetle piece by ATM. I have to say it was the last thing I expected to see in York, and I think it might be one of the few pieces of street art in the city, but somehow I got lucky and found it.

ATM, Queen Street, York, June 2023
ATM, Queen Street, York, June 2023

ATM is a bit of a specialist in wildlife and conservation murals, and this tansy beetle piece is no exception. It is painted on Tansy House, and highlights the plight of this once widespread beetle in the UK that is now restricted to a few pockets of wetlands, including the area around York. The tansy beetle is named after the plant, which is associated with wetland habitats.

When we hear stories about the decline in wildlife in the UK, this is exactly what we are talking about. The UK is one of the most nature-depleted countries in the world, and much of the loss is due to habitat loss, and the emergence of intensive agriculture after the second world war. A better balance between farming and nature needs to be achieved, if we want to see nature thrive once again. We are nothing without the natural systems around us that support our life and wellbeing.

4468. Queen Street (1)

This magnificent collaboration between Paul Monsters and Tom Miller was painted a little while back, but I couldn’t work out where it was. I found it by accident when returning from a trip to Greenbank. Although it is a large piece, it is easy to miss if you are not looking out, and is pretty much invisible if driving in the opposite direction.

Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022
Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022

I’m glad that I did find it though, because it is a truly spectacular collaboration from a pair of artists who are unafraid of using a ton of colour in their work. The two styles, one geometric and the other surreal, are a perfect match because of the blending of colour palette. The elaborate geometric pattern is by Paul Monsters and is as complex as I have seen from him. The frenetic explosion of objects spilling out of a portrait is by Tom Miller, whose work I have been following closely and admiring for several years.

Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022
Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022

A closer look at Tom Miller’s piece gives us a small window into the busy mind of the artist, with at least three portraits, a car, a rubber duck and some crystals. Heaven only knows what it all means, but it matters not, it is the work of an enormously talented artist. This is as fine a collaboration as I have seen this year.