4510. Porto (2)

Although I am well aware of the incredibly innovative work of Vhils, I have only ever seen one of his works before and that, rather weirdly, is in Exeter, which I wrote about a few years ago. Vhils has a rather interesting technique, which is to chip away at a rendered wall and ‘etch’ a portrait into the wall, providing enormous texture and depth. Some of his pieces almost look like something printed off using a dot matrix printer (remember those?).

Vhils, Porto, Portugal, June 2022
Vhils, Porto, Portugal, June 2022

My daughter and I stumbled across this piece quite by accident while strolling along the north bank of the River Douro. At first inspection, I thought that the piece was in some way damaged on the left-hand side, but then realised it was meant to look like a tree blending with a portrait. I always wonder whether this method of ‘sculpting’ does any damage to the building, but I guess it isn’t really my concern. I believe it was created in April 2016, and has barely changed at all since then.

613. High Street, Exeter

In late January I had a meeting in Exeter for which I had arrived a little early. I decided to head for the High Street to see if I could grab a bite to eat. What a great decision that was. I am not familiar with Exeter, especially the central shopping area, so the last thing I was expecting to find was this very impressive piece etched into a wall by the Portuguese artist Alexandre Farto, who works under the name Vhils.

Vhils , High Street, Exeter, January 2016
Vhils , High Street, Exeter, January 2016

Exeter is not a city known for its street art culture, and this piece is a grand statement  in the main shopping area, rather isolated and alone, but very, very impressive. I have seen work by Vhils on the Interweb many times, but seeing it up close like this was a genuine treat.

Vhils , High Street, Exeter, January 2016
Vhils , High Street, Exeter, January 2016

His unique approach to creative street art, is to etch or scratch away the rendered surface of a wall back to the brickwork to create his large portraits. The overall effect is to carve something with a bit of depth and texture, albeit in binary colour schemes.

Vhils , High Street, Exeter, January 2016
Vhils , High Street, Exeter, January 2016

I must say that I was really surprised to find something like this in Exeter and praise the authorities who commissioned the work. I am sure it is a constant talking point for residents and visitors alike. Happy days.