This is the first of two recent works by Voyder that mark him out as one of the truly outstanding graffiti writers in Bristol. This piece of writing, set to his typical hand-writing style, shows off his incredible use of colours, providing an effect that makes the whole thing look like it is illuminated.

I have said before when writing about Voyder that it is great to see his work in an accessible setting, as many of his grand pieces are sprayed in derelict buildings where one requires more guts than I have to enter such places. I love this work.
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