It is all too easy to become a bit blasé about Voyder’s incredible writing as everything he does is of such a high standard and in a class of its own. One expects perfection and usually that is what he gives. This piece, in one of his favourite haunts is so crisp and clean and beautifully set off by the neon green flash.
Unfortunately, the true colours of the piece haven’t really come across very well as I took the pictures on a bright day, but the wall was in the shade. Nonetheless the quality of the piece shines through.
I really like the clever way he seems to be able to lift the neon squiggle from the writing by giving it a shadow that drops below the lettering, giving it a stunning 3D effect. Do I like this piece? Do you need to ask?
In a little pedestrian tunnel, under the M32 motorway are a couple of really great walls. Great for spraying that is…less great for photographing. This is yet another wonderful collaboration piece from Deamze and Voyder, who always seem to work with Deamze on the left and Voyder on the right. I don’t know if this is a deliberate or subconscious thing, but it is pretty much always the case.
What is particularly captivating about these pieces is the white subject on a pillarbox red background. Deamze has worked a particularly nice bit of wildstyle writing with an interesting cartoon character who looks a little like Captain Klutz from MAD magazine, but isn’t.
Someone out there probably knows who it is. I love the angular style of this piece and the limited colour range. It is a fine piece.
It is becoming very difficult to describe Voyder’s work these days, as I feel he has hit such a high level, and that veach work pushes boundaries and demonstrates his command of his craft.
This is such a beautifully constructed piece and resembles a paper cut out. It is such a pity the photograph just doesn’t do it justice. That red just sets the piece off perfectly.
There is rarely a Voyder piece that I look at and think…that’s not much good. In fact I can think only of one, and I am not going to share which one here. This is another stunning piece from a little while before Upfest 2017, when Boogie was in town, whose piece can be seen just to the right of this picture (to follow).
This time Voyder has gone for a copper coloured design which carries a really nice 3D quality about it emphasised by the white shading and stars. Appearing to lie behind the writing is a rainbow, interestingly in reverse order from convention, which would normally start with red on the left.
I have several more Voyder pieces in my files – I just need more time to get them all out.
At the very farthest end of East Street above the Barclays Bank is the first piece of Upfest 2017 that will be seen by visitors approaching from that direction. It is a stunning portrait by two of Bristol’s best street artists 3Dom and Voyder.
They have collaborated before to spray a similar piece a few years back and this is easily its equal. It is a busy piece full of meanings – there is the contextualising of Bristol with the Clifton suspension bridge and hot air balloons – and the headdress is full of hidden and overt meaning, including a third eye.
The face, by Voyder is absolutely captivating. The whole bold piece is a fabulous taster for those arriving in Bedminster to discover some sensational street/graffiti art.
There was a recent event held in Bristol, organised by Inkie, entitled ‘Boogie down Bristol’ held at the Full Moon pub. In the days either side of the event, a whole ton of graffiti art and street art went up in the Stokes Croft area.
The PRSC outdoor gallery was one of the walls sprayed. The middle section here is another high-quality piece from one of the best writers around Voyder.
Every piece he produces, and there have been quite a few recently, is a winner. Clean lines, great colour selections and an incredible eye for shading and shadows. Brilliant as always.
There are two artists in Bristol who are performing at the top of their game at the moment, Deamze and Voyder. Deamze consistantly turns out superb wildstyle pieces and absorbs styles and characters into his pieces with ease, but it is Voyder who, in my opinion, is hitting a new level with his work.
This bright collaboration can be found on the wall at the back of the Sofa Project in Old Market. It is so, so good that it really does have to be seen in the flesh. There is a consistent thread of the colour scheme and a diagonal line through both pieces that cuts through the writing, and with which both artists have treated the line as a breaking point in the work – so thought out and skilful.
I would like to focus a little – which is hard to do with two such immense pieces – on Voyder’s half of the collaboration, because I think this is the best piece I have seen from him, ever. The neon line zig-zagging through the Lichtenstein influenced brush strokes is masterful. Look at the shadows and the light that radiates from the neon. Just amazing.
Voyder has mastered his technique, and I don’t quite know where he goes from here. He has just been getting better and better with every piece and I consider him to be the king of writing in Bristol right now. If you don’t agree, just get down and take a close look at this piece. The best collaborative piece of the year so far as far as I am concerned. Love it (just in case you hadn’t figured that yet).
This is a picture from some time ago…another that slipped through the net. It happens all the time. It is a piece by Voyder, who is quite one of the best writers in Bristol. I took this when the gates were shut, and so the angle of the picture is not too clever, and unfortunately there are some rather unattractive bin bags to one side.
The colour gradient is beautifully worked, and the brush stroke effect masterful. The highlight of the piece though surely has to be the neon pink squiggle, which is made to stand out not only by its colour, but also by the feint shadow it casts. Brilliant.