2024. Nelson Street (6)

This is quite an unusual hoarding in the centre of Bristol for a couple of reasons. First, I’m not sure what it is protecting, it certainly doesn’t look like anything is being redeveloped. Second, it seems that graffiti writers from ASK are tolerated. Perhaps it is a curated wall, I don’t know.

Voyder, Nelson Street, Bristol, February 2019
Voyder, Nelson Street, Bristol, February 2019

The middle piece of this ASK collaboration is by the brilliant Voyder, and is one that incorporates his clever brush stroke effect. He really is the master of playing with his audience and introducing stunning ideas and effects. Quite an old piece, but I’ve not had my camera when walking past it before.

1890. Shoreditch, London (8)

One of the things I love most about seeing street art in other cities is when I see a piece by an I am familiar with – it gives me that warm glow of conceit, and so it was when I saw this lovely burner by Bristol’s Voyder.

Voyder, Shoreditch, London, November 2018
Voyder, Shoreditch, London, November 2018

The last piece I saw by Voyder was at Upfest back in July, so to find this one in Shoreditch was definitely a special moment. This is such a clever piece, I cannot really do it justice in any explanation, but I will try. Everything you see is utterly deliberate – the blurring of the letters and the drips and splashes, what makes this extra special is how Voyder has created this with extreme skill in blending the colours through the piece and making the whole thing look a bit amateurish. To the trained eye, this is utterly brilliant, to others it might just look a bit rubbish.

1784. Waterloo Place (3)

Adjacent to the Sofa Project back yard is another yard that is a bit of a street art goldmine. First up from this little backwater is this gorgeous piece by Voyder, characteristically sharp and of very high quality.

Voyder, Waterloo Place, Bristol, October 2018
Voyder, Waterloo Place, Bristol, October 2018

With a vanishing point somewhere behind the lettering this piece stands out from the wall and the flash across the middle gives the impression of a reflective band of sunlight as if the piece is being tilted side to side. Now sunlight…that would make a refreshing change. Beautiful piece of writing as always.

1738. Upfest 2018 (49)

There is one artist in Bristol whose work manages to attain higher levels each and every time I see it. It is of course Voyder who I have raved about many times in this blog before. At Upfest 2018 he really pulled out all the stops and painted this outstanding piece. Is there no end to his talent?

Voyder, Upfest, Bristol, July 2018
Voyder, Upfest, Bristol, July 2018

This new wall for Upfest was in my view an unquestionable success and gave some bigger ‘permanent’ space for artists who can go big. The cars in the picture above give you a feeling for how big these pieces are.

Voyder, Upfest, Bristol, July 2018
Voyder, Upfest, Bristol, July 2018

Voyder is probably best known for writing his name in a variety of styles, but always utterly recognisable as his work, which reminds me I must do a gallery of his work when I have a bit of spare time.

Voyder, Upfest, Bristol, July 2018
Voyder, Upfest, Bristol, July 2018

It is difficult to get across how good this piece is, both technically and in its clever subject material. I would take a long shot and guess that this is a self-portrait composed of three main elements: his faceless upper torso; a brown brush stroke of paint across his face; his familiar signature. This makes for at least three very different textures to the piece, each of which would be able to exist alone.

Voyder, Upfest, Bristol, July 2018
Voyder, Upfest, Bristol, July 2018

The hands are beautifully worked and full of expression – I have not seen much of this kind of work from Voyder before although I know he has painted portraits before. The brown brush stroke is something he has been playing with for the last couple of years and appears in many of his pieces these days. I am told that the fill in the Voyder signature is a backdrop to a design screen. To cap the whole thing off nicely we have one of his trademark neon lines running through his name. A heavenly piece from this master of Bristol street art.

1576. M32 roundabout J3 (89)

I haven’t seen a new Voyder piece for ages, so was very excited when I knew this one had been painted at the M32 roundabout. Unfortunately this is one of the spots that is obscured by the sun and shade effect from the adjacent trees. Now I love trees as much as the next man, but not when they do this to sensational graffiti art works like this one.

Voyder, M32 roundabout, Bristol, June 2018
Voyder, M32 roundabout, Bristol, June 2018

Even with the variable light conditions on this piece it is possible to see the sheer excellence of this top writers talent. Once again we see a return of his neon squiggle that he draws so perfectly and balances off the whole piece of writing. I have run out of superlatives to describe just how good this guy is – perhaps it is just better to look and marvel.

1115. Raleigh Road, Vector (16)

It is all too easy to become a bit blasé about Voyder’s incredible writing as everything he does is of such a high standard and in a class of its own. One expects perfection and usually that is what he gives. This piece, in one of his favourite haunts is so crisp and clean and beautifully set off by the neon green flash.

Voyder, Raleigh Road, Bristol, October 2017
Voyder, Raleigh Road, Bristol, October 2017

Unfortunately, the true colours of the piece haven’t really come across very well as I took the pictures on a bright day, but the wall was in the shade. Nonetheless the quality of the piece shines through.

Voyder, Raleigh Road, Bristol, October 2017
Voyder, Raleigh Road, Bristol, October 2017

I really like the clever way he seems to be able to lift the neon squiggle from the writing by giving it a shadow that drops below the lettering, giving it a stunning 3D effect. Do I like this piece? Do you need to ask?

951. New Stadium Road (3)

In a little pedestrian tunnel, under the M32 motorway are a couple of really great walls. Great for spraying that is…less great for photographing.  This is yet another wonderful collaboration piece from Deamze and Voyder, who always seem to work with Deamze on the left and Voyder on the right. I don’t know if this is a deliberate or subconscious thing, but it is pretty much always the case.

Deamze, New Stadium Road, Bristol, July 2017
Deamze, New Stadium Road, Bristol, July 2017

What is particularly captivating about these pieces is the white subject on a pillarbox red background. Deamze has worked a particularly nice bit of wildstyle writing with an interesting cartoon character who looks a little like Captain Klutz from MAD magazine, but isn’t.

Deamze, New Stadium Road, Bristol, July 2017
Deamze, New Stadium Road, Bristol, July 2017

Someone out there probably knows who it is. I love the angular style of this piece and the limited colour range. It is a fine piece.

Voyder, New Stadium Road, Bristol, July 2017
Voyder, New Stadium Road, Bristol, July 2017

It is becoming very difficult to describe Voyder’s work these days, as I feel he has hit such a high level, and that veach work pushes boundaries and demonstrates his command of his craft.

Voyder, New Stadium Road, Bristol, July 2017
Voyder, New Stadium Road, Bristol, July 2017

This is such a beautifully constructed piece and resembles a paper cut out. It is such a pity the photograph just doesn’t do it justice. That red just sets the piece off perfectly.

936. Raleigh Road, Vector (14)

There is rarely a Voyder piece that I look at and think…that’s not much good. In fact I can think only of one, and I am not going to share which one here. This is another stunning piece from a little while before Upfest 2017, when Boogie was in town, whose piece can be seen just to the right of this picture (to follow).

Voyder, Raleigh Road, Bristol, July 2017
Voyder, Raleigh Road, Bristol, July 2017

This time Voyder has gone for a copper coloured design which carries a really nice 3D quality about it emphasised by the white shading and stars. Appearing to lie behind the writing is a rainbow, interestingly in reverse order from convention, which would normally start with red on the left.

Voyder, Raleigh Road, Bristol, July 2017
Voyder, Raleigh Road, Bristol, July 2017

I have several more Voyder pieces in my files – I just need more time to get them all out.

920. Upfest 2017 (2)

At the very farthest end of East Street above the Barclays Bank is the first piece of Upfest 2017 that will be seen by visitors approaching from that direction. It is a stunning portrait by two of Bristol’s best street artists 3Dom and Voyder.

3Dom and Voyder, Upfest, Bristol, July 2017
3Dom and Voyder, Upfest, Bristol, July 2017

They have collaborated before to spray a similar piece a few years back and this is easily its equal. It is a busy piece full of meanings – there is the contextualising of Bristol with the Clifton suspension bridge and hot air balloons – and the headdress is full of hidden and overt meaning, including a third eye.

3Dom and Voyder, Upfest, Bristol, July 2017
3Dom and Voyder, Upfest, Bristol, July 2017

The face, by Voyder is absolutely captivating. The whole bold piece is a fabulous taster for those arriving in Bedminster to discover some sensational street/graffiti art.

903. Jamaica Street (8)

There was a recent event held in Bristol, organised by Inkie, entitled ‘Boogie down Bristol’ held at the Full Moon pub. In the days either side of the event, a whole ton of graffiti art and street art went up in the Stokes Croft area.

Voyder, Jamaica Street, Bristol, July 2017
Voyder, Jamaica Street, Bristol, July 2017

The PRSC outdoor gallery was one of the walls sprayed. The middle section here is another high-quality piece from one of the best writers around Voyder.

Voyder, Jamaica Street, Bristol, July 2017
Voyder, Jamaica Street, Bristol, July 2017

Every piece he produces, and there have been quite a few recently, is a winner. Clean lines, great colour selections and an incredible eye for shading and shadows. Brilliant as always.