595. Upfest 2016 (89)

This is an unusual piece by the artist Codefc. When I first saw the piece from a distance I thought it was something to do with Start Wars, when it is in fact a stencil of film/video cameras stacked together. The black and white stencil is set off beautifully by the gold background, which I think is a technique he uses a bit.

Codefc, Upfest, Bristol, July2016
Codefc, Upfest, Bristol, July2016

Codefc did some really interesting works in Rio for the Olympics, and you can see some of this on his website. Other than that, there is little biographical information out there about him, so I don’t have much more to add.

594. Upfest 2016 (88)

This is a rather fun piece from an Austrian artist, originally from Graz, called SizeTwo. He is largely a self taught artist who is constantly striving to improve his skills. As part of his road to improvement, he has moved to Berlin to ‘broaden his horizon’.

SizeTwo, Upfest, Bristol, July2016
SizeTwo, Upfest, Bristol, July2016

His work, I have just taken a look at some of it on the Interweb, is highly accomplished, and I hope that he will be returning to Upfest next year, so we can get another glimpse of his work. I do like a monkey in a spacesuit – it seems to be a common theme for street artists, and this is at least the third I have posted.

 

593. Upfest 2016 (87)

Jody is no stranger to the streets of Bristol and I have featured works of his before, most recently this Virgin Mary just off North Street. He was one of the established Bristol artists at last year’s Upfest and took over a tricky wall that had previously been occupied by Osch and his tiger.

Jody, Upfest, Bristol, July 2016
Jody, Upfest, Bristol, July 2016

I watched this piece by Jody take shape over the two days of the festival, and visited the scene a few days later to get a decent view of the piece. It is absolutely stunning. Clean, fresh and with a story going on.

Jody, Upfest, Bristol, July 2016
Jody, Upfest, Bristol, July 2016

This wall, however, must be the most difficult to photograph of all the walls used at Upfest. Try as I might, I just don’t seem to be able to get a decent shot. I notice that Jody took one from the top of the building opposite, but not all of us are fortunate enough to get such a privileged view.

Jody, Upfest, Bristol, July 2016
Jody, Upfest, Bristol, July 2016

I do like this piece, and admire it every time I walk up North Street. A great piece by the self-styled ‘aerosol artist’.

Jody, Upfest, Bristol, July 2016
Jody, Upfest, Bristol, July 2016

 

592. Upfest 2016 (86)

I absolutely love this beautiful work by N4T4, and was lucky enough to visit it several times during its creation at Upfest 2016. It is an outstanding piece by an artist who left his mark so memorably at the previous year’s event.

 

N4T4, Upfest, Bristol, July 2016
N4T4, Upfest, Bristol, July 2016

It is always a privilege to see a street artist at work, at least that’s how I feel, and of course, when so many are in one place over two days that privilege is filled to the brim, and some. The eyes in the picture above show the evolution of the work…drafted out on the left and near complete on the right.

N4T4, Upfest, Bristol, July 2016
N4T4, Upfest, Bristol, July 2016

The finished work has something  about it that I really like. It might be as simple as it is really beautiful and easy to look at, it might be the style, with so much going on within the piece itself, I’m not sure, but I know I love it.

N4T4, Upfest, Bristol, July 2016
N4T4, Upfest, Bristol, July 2016

I haven’t seen any of N4T4s work other than the two pieces at Upfest, so it would be great to see him return next year to lighten up the place.

N4T4, Upfest, Bristol, July 2016
N4T4, Upfest, Bristol, July 2016

 

591. Upfest 2016 (85)

One of the first pieces I saw at Upfest 2016 was in the back garden area of The Steam Crane pub at the eastern end of North Street. These remarkable pigs are by brothers who paint under the name Id-Iom.

Id-iom, Upfest, Bristol, July2016
Id-iom, Upfest, Bristol, July2016

Their entry in the Upfest programme reads: “In a nutshell? Determined never again to suffer under the yoke of an oppressive employer, this is the ongoing tale of two brothers who are going to take the world by storm or die trying!”. Well you have to admire their ambition.

Id-iom, Upfest, Bristol, July2016
Id-iom, Upfest, Bristol, July2016

Id-Iom have a great WordPress site, and unlike many artists, they keep it very up to date and post their artworks regularly. Well worth a look. I can work out that they might originally be from the Isla of Man, but now operate out of London.

Id-iom, Upfest, Bristol, July2016
Id-iom, Upfest, Bristol, July2016

The pigs in this piece remind me of Animal Farm, but that is probably because it is a book that is very front of mind for me at the moment. It is a brilliantly stencilled wall and a piece that really set the standard for Upfest.

Id-iom, Upfest, Bristol, July2016
Id-iom, Upfest, Bristol, July2016

590. Upfest 2016 (84)

One of the largest pieces of Upfest 2016 is this magnificent mural by Odeith. It is located on the same wall where this Thierry Noir  pair was painted for Upfest 2015 and it shows vividly how different art pieces can change utterly the character of a wall.

Odeith, Upfest, Bristol, July 2016
Odeith, Upfest, Bristol, July 2016

Odeith was one of the festival’s lead artists and one I haven’t written about before, although I think I have seen his work on the Interweb. He is from Damaia in Portugal and has been spraying since the 1980s. Odeith has worked a lot with perspective and shading to create some amazing 3D effect pieces, a style which he called ‘sombre 3D’. This piece, however is something else altogether.

Odeith, Upfest, Bristol, July 2016
Odeith, Upfest, Bristol, July 2016

It is brilliant for so many reasons. Firstly it is an extraordinarily lifelike painting of Benny Hill (anyone not know who he is?) and it is technically excellent. Secondly it is hugely topical and relevant, being a commentary on the Brexit vote in the UK. It openly mocks the vote, implying that UK (Plc) is a clown and viewed as such by the rest of Europe, and probably much of the world. I love this wall and all that it says. It is a constant reminder of our national stupidity. As an aside I ought to say that I always rather liked Benny Hill – especially in the Italian Job and Chitty Chitty Bang Bang.

589. Upfest 2016 (83)

I like 23 Magpie’s work so much that I recently bought a small piece that she was selling through Instagram. It is waiting for a frame, along with several other things that need frames…I really do need to earn a little more money.

23 Magpies, Upfest, Bristol, July 2016
23 Magpies, Upfest, Bristol, July 2016

As well as her official work, 23 Magpies left a treasure trail of paste ups all around North Street, some of which I have posted on this blog, and others that I have yet to post. I think I may have got them all, but I can’t be sure. This is a fox painted with a design onto sheet music, something that she does quite a lot. It is always a pleasure finding one of these.

 

 

588. Upfest 2016 (82)

OK, I know, I just posted a piece by Face the Strange, and here we have another one. I have done this deliberately because I think that each of them deserves a post to themself. Occasionally I will combine pieces by the same artist, but mostly I like to concentrate on each work. It just so happens that there are two by FTS in a row.

Face the Strange, Upfest, Bristol, July2016
Face the Strange, Upfest, Bristol, July2016

I love this small paste up. It could have been easily missed, lurking on a doorway behind a tub of recycling. But take a closer look at this TV set and you will see that there is a still from ‘a Clockwork Orange’ and in the spirit of things, FTS has replaced the heads of the characters with oranges wearing bowler hats. Any artistic reference to this great film has to be a good thing. This wheatpaste is witty and fun, and the style of FTS’s work is always slightly unsettling and anarchic. Great work.

587. Upfest 2016 (81)

Face the Strange seemed to have a great time at Upfest 2016, spreading the love all over North Street with a fine selection of his wheatpastes, each one of them curiouas and humorous.

Face the Strange, Upfest, Bristol, July 2016
Face the Strange, Upfest, Bristol, July 2016

This one seems to show four red-shirted gentlemen with projector or television tubes for heads. Nobody said that peculiar wasn’t allowed at Upfest, so Face the Strange has provided it in bucket-loads. A commentary on techno-geek-physics-heads? Reminds me a little of Kraftwerk, remember them?

 

586. John Street (1)

Some pieces in Bristol are really hard to photograph and this is one of them. It is a large work by 3Dom sprayed on the side of a business unit in a residential area of St Werburghs. There are always cars and vans parked outside the unit, so the pictures are from rather awkward angles and distances to avoid bonnets, wing mirrors interfering with the shot.

3Dom, John Street, Bristol, May 2016
3Dom, John Street, Bristol, May 2016

I spotted this some time ago and have tried, unsuccessfully, to get a single clean shot of the whole piece. It is a 3Dom classic. Dreamlike and fantastical. I am not entirely sure what exactly is going on in the picture, but looking at the detail of the piece brings out more than first meets the eye.

3Dom, John Street, Bristol, May 2016
3Dom, John Street, Bristol, May 2016

For example, the leg is like an X-ray exposing the bones, and the shoes are literally rooted to the ground. The head is like a light attracting moths and insects and the whole figure appears to be paying homage to a little toadstool.

3Dom, John Street, Bristol, May 2016
3Dom, John Street, Bristol, May 2016

Creative and fun, but utterly unintelligible. I love 3Dom’s work.