Doors 181 – another instalment of street art doors
When I am super-busy, I tend to share doors that I have posted previously on Natural Adventures, under the street art category, and today’s post is one of those. You might have to look quite hard to find the doors in some of these images, but they are there. It is nice to repurpose these pictures and give them a second life. These doors were originally posted in August and September last year:
So, that’s it for another week. I hope to resume with some doors of Bristol I recently photographed next week.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
Yesterday I posted a gallery of Hemper’s work, and if you’ve not stumbled across it, you can find it here. This is yet another beauty in a disaggregated style, a little bit like Benjimagnetic perhaps, up at the M32 roundabout. I would like to say it is his most recent piece, but I know of at least two more since this one was painted.
At first glance, and to the untrained eye, this might look like a bit of a chaotic mess. It is however a beautifully crafted HEMS in several colours, without a solid fill, but instead a hint at fills and outlines. I think that this is the kind of piece that a novice simply couldn’t create. Appearances can be deceptive.
About a week ago I posted a piece by Mena for the first time on Natural Adventures and it was well overdue. Over the coming weeks and months I intend to free several more Mena pieces from my archives, starting with this one painted in May this year on the M32 cycle path, a favourite haunt of hers.
Mena tends to stick to a regular letter structure, with a central kink and a leaning to the right. The rest is all about the fills, shadows and decorations. It is always great to buff a wall first, it prevents any distractions getting in the way of the piece itself, and in this case sets a neutral background for the dark colours and neon green line running through the piece. Nice tidy work.
An artist that I feel I don’t see nearly enough of is Logoe. I first encountered his work in April 2017 while he was collaborating with Silent Hobo, and it was on that occasion that I was told that Logoe was returning to painting on the streets after a long lay-off, and that he had been a bit of a legend in the past – Silent Hobo’s words.
This piece is typical of his thin hand-written style letters. The letters are beautifully picked out spelling Logoe, but it is the additional decorations that bring the writing to life. The dots through the middle and horizontal thin lines that at first I thought were drips add real interest. It is always really good to stumble across one of these.
Corupt is an artist I have not yet met, although I have seen him up a ladder once or twice. His constant turnover of pieces has been on a long and progressive improvement over the years, and he is moving into the higher echelons of Bristol graffiti writers with his CORUPT or STIK letters.
This is a piece full of confidence and competence with some really interesting letter shapes, the introduction of a little character on the ‘C’ and a deep 3D shadow in white brown and tan colours. There are many things to admire in this clever work.
Although he is nowhere near as prolific as he has been in the past, Mr Draws is still managing to paint from time to time. This is a recent piece from Dean Lane that emphasises his willinngness to try new ideas and constantly push his boundaries.
The piece is in two distinct halves split horizontally, with a wobbly four colour stripe filled top half and a three colour freeform fill on the bottom half. It is an eyecatching piece and I would like to see more from the artist, but appreciate that these are not easy times for anyone.
When DazCat posted this piece on Instagram he accompanied it with the following words ‘Tried something new, perspective is tricky!’. To me though I think he did a fabulous job.
Although Daz Cat does write from time to time he is definitely better known for his cats, dogs and other animals. The perspective works pretty well in this piece, but I am slightly perplexed that I can’t properly read the writing. I’ll let you work it out for yourselves.
The cat is something altogether More Daz Catty. Propped up against the letters the rather bored, sullen or sad looking cat is passing the time drinking from a bottle (of milk perhaps?). Overall this is a nice piece, slightly understated, that should give the artist confidence to try more experimental work in future.
I have waited a long while to photograph this mural from Mr Penfold, mainly because it is not in a place I frequent all that much, there isn’t any other street art to speak of just in this spot, so it requires a special trip or an occasion when I happen to be in the right place at the right time.
That time was about a month ago on one of those rare sunny days in an otherwise very wet (the wettest on record) February. This mural is what Mr Penfold does so well and so distinctively. In his ‘liquorice allsort’ colours and 1980’s designer patterns Mr Penfold presents with a pleasing abstract pece that turns a boring wall into a point of interest. This is most likely a comission from the shop or possibly from the Business Improvement District. A nice piece.
I can’t think how many artists have graced the pages of Natural Adventures for the first time this year, but is must be well in excess of twenty and Dasco is just the latest in that roll of honour (if indeed it is an honour appearing in these pages, I don’t mean to be presumptuous or big headed). Although this is the first time I have featured Dasco’s work I know it won’t be the last.
The colour schemes and overall design are fantastic and the complexity and accuracy of the fills is really impressive. I am not certain, but I think that the mischievous rolling of a joint to the left of the writing is also by Dasco. The whole thing is the work of a very skilled and talented artist. At this moment I know nothing about Dasco so I guess I’ll have to start doing some homework. Great piece.
I took this picture back in June, and when I last visited St Werburghs tunnel, This piece by Dusk was still there. The more I see of Dusk’s work, the more I am warming to it. I caught up with Oner recently, and we were talking about the pieces in the tunnel, and he told me that the name ‘DUSK’ comes from ‘Don’t Use Skinny Kaps’. A skinny cap is a cap that you use on a spray can that gives a slightly narrower arc of spray and so tighter lines. The more skilled at spray painting you are, the less need for skinny caps. For me, as a learner, skinny caps are essential.
What is notable about this piece is that I don’t recall seeing Dusk including a character before – that doesn’t mean he hasn’t, it just means I haven’t seen one. The character is rather fun, and appears to be smoking a reefer, although what would I know?