6091. Upfest 2024 (18)

Goin, Spotted Cow, Upfest 24, Bristol, May 2024
Goin, Spotted Cow, Upfest 24, Bristol, May 2024

Goin is a brilliant stencil artist, who has visited Bristol a number of times, usually in association with Upfest. I met him one time when he was doing a little ‘extra’ piece on a non-legal wall, and he was reluctant to give anything away. I knew who he was because I recognised his style, but didn’t let on. This is a wonderful piece painted on the side of the Spotted Cow pub in North Street.

Goin, Spotted Cow, Upfest 24, Bristol, May 2024
Goin, Spotted Cow, Upfest 24, Bristol, May 2024

There is a simplicity to Goin’s work that makes it more meaningful in a way than some of the extraordinary multi-layered stencil pieces crafted by master technicians. The skill here is in telling a story, and the title of the piece ‘stop bullying’ provides enough to see what is going on. A young forlorn schoolgirl with a bag slung over her shoulder, all in greyscale, is equipped with a large red boxing glove, perhaps to protect herself. There is so much to take away from this piece and the imagery sticks in the mind. One of Upfest most consistent visiting artists.

6090. Upfest 2024 (17)

Rainbo, Hen and Chicken, Bristol, Upfest 24, May 2024
Rainbo, Hen and Chicken, Bristol, Upfest 24, May 2024

This vertical rectangular wall outside the Hen and Chicken has played host to a number of wonderful Upfest murals over the years, and this one by Rainbo is yet another super example. The piece I believe is called ‘Etherial Cloud Drakes’ and is a rather cheerful looking dragon painted because 2024 is the Chinese Year of the Dragon.

Rainbo, Hen and Chicken, Bristol, Upfest 24, May 2024
Rainbo, Hen and Chicken, Bristol, Upfest 24, May 2024

Rainbo comes from Hong Kong, and her artistic style reflects her heritage to some extent. To understand what I mean, you can look at more of her work from this gallery on her website. Interestingly her use of the word ‘drake’ in the title of the piece is actually a European name given to a particular type of dragon in legend and heraldry (had to look it up). Overall this piece is nicely thought out to fit the space and beautifully executed with some sumptuous colours and fine detail. 

 

 

6089. Upfest 2024 (16)

Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024
Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024

This is a particularly popular wall, although sometimes a little tricky to photograph. It is outside the North Street Standard and for this year’s Upfest has been stunningly painted by Jacqui Butterworth. After admiring the photorealism of the piece, the first question or thought has to be that there is a rather special story going on here, with plenty of symbolism. Interpretation is another matter though.

Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024
Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024

The mural starts with some steps leading up to a grand piano upon which a black and a white swan have made themselves at home. Two cygnets are in attendance and the one beneath the piano is lying down with some roses scattered on the floor.

Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024
Jacqui Butterworth, North Street Standard, Bristol, Upfest 24, May 2024

The ‘harp’ inside the piano is reflected on the shiny underside of the piano lid, although I note that the black swan isn’t, implying that it is a figment of the viewer’s imagination. There are so many details to enjoy, such as the toppled wine glass above the keyboard, the shiny glint on the lid prop and the patterns on the castors. This is a beauty indeed, and conjures up the music of Tchaikovsky’s Swan Lake. Bravo Jacqui!

6078. Upfest 2024 (15)

Fyonafinn, North Street, Upfest 24, Bristol, May 2024
Fyonafinn, North Street, Upfest 24, Bristol, May 2024

One of the interesting aspects of this year’s Upfest has been the large number of typographic writers/sign writers that have been invited, which is really quite unusual for a street art festival. Because of the format changes, and virtually no temporary hoardings being available, the other major change has been a massive reduction in the number of graffiti writers, so there is a very different ambience to the festival this time round.

This is a wonderful piece of stylised writing from Fyona Finn, a Bristol-based artist who has painted a few walls in the city in the past, but most of whose work is design. She describes herself as a lettering activist, which I think defines her style really well.

Fyonafinn, North Street, Upfest 24, Bristol, May 2024
Fyonafinn, North Street, Upfest 24, Bristol, May 2024

There are two elements to this piece, the design of the letters, and the message. The letters are carefully arranged, and created using masking tape to generate the straight lines, and the fills drift from one letter to another in a considered way. The message “Take care of each other” is a warm and compassionate sentiment delivered at a time when compassion from an outgoing Tory government is at an all time low. This is a nice piece from Fyona Finn, and I hope to see more of her work on Bristol walls.

6077. Upfest 2024 (14)

#DFTE, Dean Lane, Upfest 24, Bristol, May 2024
#DFTE, Dean Lane, Upfest 24, Bristol, May 2024

The philosophical pondering of #DFTE is a constantly refreshing aspect of his work, indeed a central one too. It is only a few years ago when his small framed musings started appearing in spots all around the city, becoming something of a street art hunter’s ‘pot of gold’. More recently he has taken to upscaling his work into large walls, adopting the same font, and managing not to lose the unique proportions and sentiment that typifies his earlier work. You can see the transition of his work in this gallery.

#DFTE, Dean Lane, Upfest 24, Bristol, May 2024
#DFTE, Dean Lane, Upfest 24, Bristol, May 2024

I guess that #DFTE is stating the obvious here with his “if you change, you will be different” statement. I imagine that this prompts the clichéd response “well, it makes you think… doesn’t it?”. Whether it makes you think or not, this is another wonderful piece of stylised writing and words from the Bristol-based artist.

6076. Upfest 2024 (13)

Artez, West Street, Upfest 24, Bristol, May 2024
Artez, West Street, Upfest 24, Bristol, May 2024

This extraordinary mural by Serbian artist Artez is one of the most iconic pieces to emerge from the incredible Upfest 2024, which was staged over three weekends in May and June. Although there wasn’t a street ‘festival’ this year in one of the south Bristol Parks, the organisers triumphed with finding a host of new walls to feature some of the best artists in the world.

Artez, West Street, Upfest 24, Bristol, May 2024
Artez, West Street, Upfest 24, Bristol, May 2024

I was not familiar with Artez, as I don’t believe he has visited Bristol before, but after seeing this piece I will most definitely be keeping an eye on him. There is a wonderful connection in this piece with the space it is painted on and the subject, whose tummy aligns with the vertical wall and bent knees reflect the pitch of the roof. Clever stuff.

Artez, West Street, Upfest 24, Bristol, May 2024
Artez, West Street, Upfest 24, Bristol, May 2024

I could spend hours looking at this piece, which gives off an incredible sense of calm and peacefulness. The unusual position that the woman is in adds interest, and the large empty spaces around her draw attention to her face, her body and the folds of material in her clothes. A masterpiece from Artez.

6075. Upfest 2024 (12)

Cock Dicks, Greville Smyth Park, Upfest 24, Bristol, May 2024
Cock Dicks, Greville Smyth Park, Upfest 24, Bristol, May 2024

Cock Dicks is a Bristol-Based artist who occasionally transfers her skills to the walls in Bristol alongside the Bristol Mural Collective. In this piece for Upfest 2024, up at the Greville Smyth Park Bowling Club, she has painted a mural containing the most iconic emblem of Bristol, some hot air balloons.

Cock Dicks, Greville Smyth Park, Upfest 24, Bristol, May 2024
Cock Dicks, Greville Smyth Park, Upfest 24, Bristol, May 2024

I was lucky enough to meet Cock Dicks, whose mischievous name is derived from her surname (Dicks) combined with her mother’s maiden name (Cock), while she was painting this piece and told her that I had written about her art on Natural Adventures before, and she seemed to be surprised that I knew that she had painted with the Bristol Mural Collective occasionally.

Cock Dicks, Greville Smyth Park, Upfest 24, Bristol, May 2024
Cock Dicks, Greville Smyth Park, Upfest 24, Bristol, May 2024

Using brushes rather than spray cans, Cock Dicks has created a rather loveable collection of balloons, each with big eyes and differing expressions cleverly portrayed by the shape of the eyebrows and mouth and angle of the eyes. This is a piece for all the family, and captures the spirit of Bristol and Upfest perfectly.

6074. Upfest 2024 (11)

Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024
Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024

Liam Bononi is right up there with some of the best street artists in the country and beyond, and it is a great privilege that he has returned to Bristol and Upfest with this outstanding portrait piece in Lime Road. I got a little lucky with these pictures, because there is usually a car parked in the bay, partially obscuring this wall.

Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024
Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024

The portrait piece is different from work I have seen before by the artist, in that usually he distorts the image in some way through ‘cracks’ or obscured features and so on, but here he appears to have gone with a straightforward portrait. His photorealistic work is outstanding and manages to convey more than simply an accurate portrayal by capturing both emotion and movement in the subject.

Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024
Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024

There is one nod to obscurity in this piece in the form of the golden violin bow, which is lacking in any detail. I am not too sure what to read into this deliberate mechanism, and may have to do a little research. One of the highlights of Upfest this year.

6061. Upfest 2024 (10)

Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024

It has been a while since I last saw Ments painting, so it was great to see him working on this piece for Upfest. The nature of this year’s Upfest has meant that there is far less graffiti writing than in previous years, with more of a focus on high-end murals. Knowing that, it was extra-cool to see this abstract writing from Ments.

Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024

There is a beautiful flow through this piece, which has a wonderful natural vibe running through it. The gentle colours are held together in geometric ‘crystalline’ forms and transition markedly from left to right. I am guessing that this Bristol-based artist has been busy over the last couple of years, because I don’t recall seeing any street work for a very long time.

Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024
Ments, Hen and Chicken, Greville Road, Upfest 24, Bristol, May 2024

If you like this you can see more of his incredible ‘organic’ writing in this gallery.

6060. Upfest 2024 (9)

Fesa, Redpoint Climbing Centre, Upfest 24, Bristol, May 2024
Fesa, Redpoint Climbing Centre, Upfest 24, Bristol, May 2024

In the interests of keeping as up to date as I can with Upfest posts on Natural Adventures, I am posting a rare fourth piece in one day. This outstanding mural by Fesa is painted on a board outside the Redpoint Climbing Wall, which has been a well known Upfest spot over the last few years, and although a little off the beaten track, is well worth hunting down.

Fesa, Redpoint Climbing Centre, Upfest 24, Bristol, May 2024
Fesa, Redpoint Climbing Centre, Upfest 24, Bristol, May 2024

Fesa is a self-taught fine artist from Munich, and this rendition of a Dalmatian dog set in a rural landscape is breathtakingly good. Although the whole piece is fairly simple and sparse, it is filled with the atmosphere of a warm day, and the toppled mug is a wonderful observation. The buildings in the background remind me of Paul Cézanne’s style of work, leaving quite a lot to the imagination. I love seeing fine art pieces upscaled in this way for street art, and Fesa has done an amazing job with this one. Lots of animals represented at Upfest this year.