.
Disproportionate
joy of spotting butterflies
a rare sight these days
.
by Scooj
Comma
6204. Cheltenham 2023 (16)
Everything is catching up with me. The Cheltenham Paint Festival begins next weekend, although I believe some pieces are already well underway. The problem for me is that I still have loads of pieces from last year’s festival that I haven’t posted, so here are a few pieces that I’d like to share by way of a warm-up act for next week. I will do this as a mini gallery, because I don’t have time to write up each individual piece.
Bristol artist Paul Monsters doing what he does best.
superb collaboration from Shade One and Heat One.
An interesting piece from Joe Greenway
Finally an outstanding floral piece from Philth, which was tricky to photograph because of the car parked directly in front of it.
More from the Cheltenham Paint Festival 2023 in tomorrow’s post.
6203. White Street (3)
I have to confess that I really struggle with promotional pieces. In my purist mind I feel that straying into advertising (whether for mates or for commercial outfits) crosses the line between street art and the ‘edge’ that goes with it, and mainstream commercial activity. This is a personal view, and you may wonder why I post promotional pieces… well I suppose I do it for completeness and to showcase the full spectrum of whet we see in Bristol.
Mr Penfold uploaded a video of himself painting this piece, which reveals his techniques for getting his straight lines and curves into his designs. It is a great abstract design from the artist and is perfect for the spot that he chose to paint.
6202. M32 roundabout J3 (601)
I love Conrico’s work. He has the most incredible capacity for telling stories through his art. Rarely is there a static portrait or lettering that does nothing more than look good. The other thing that I admire in his work is his spray style that looks more like brush strokes than spray – clever stuff indeed.
This piece was painted during the paint jam to celebrate Wispa’s birthday (in absentia). I am guessing, but can’t be sure, that Conrico has painted a portrait of Wispa in honour of her birthday, which would make sense. He has included some writing, which I think might be Japanese, which I cannot read. A nice piece that is so typical of his unique style.
Dispersed
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Pigeon pair abroad
opposite ends of the globe
we in the middle
.
by Scooj
6201. M32 roundabout J3 (600)
What a wonderful surprise it was to come across this outstanding collaboration from Hypo and Ulow. Regular readers will be familiar with Hypo, especially as he has been so productive over the last year or so, but Ulow’s appearances are rare these days, so this was a real treat.
This collaboration is out of the top drawer. Hypo’s super-colourful writing is as good as I have seen from him and has a touch of Hemper in its presentation and depth… praise indeed. Ulow has an incredible talent for painting the perfect graffiti characters, and his dancer on the right hand side of the collaboration matches the energy of Hypo’s writing. This is a supremely good piece, and one of my favourite collaborations so far this year. Bravo!
6200. Dean Lane skate park (732)
This is the second piece (the first was by Deamze) I have seen in Bristol featuring Asterix and Obelix from the children’s comic book series written by Goscinny and illustrated by Uderzo, both, regrettably no longer with us, but their legacy lives on through apprentices who have carried on the series of books. I am something of an expert on Asterix, I was brought up on the books, and in my youth they were the only thing I would read (much to my family’s dismay), so I judge this remarkable piece by Fade and Dibz through critical lens.
Starting with Fade, the strong and on-point letters in black with orange drop shadows, are nothing more than I would expect. For me, though the writing is eclipsed with the appearance of Dogmatix, Obelix’s dog, at the bottom left.
Dogmatix, obviously had a non-speaking part in the books, other than the odd growl or woof, and Fade’s rendition of the little character is perfect, picking up on his personality faithfully.
The centrepiece, probably painted by both Fade and Dibz features the heroes of the piece, Asterix and Obelix. The large sidekick, Obelix is 100% spot on, everything about his is brilliant. Getting on to Asterix though, my hypercritical eye isn’t quite happy with the warrior’s face, which feels slightly elongated… there is something not right about the proportions. I’ll let it go though, because they have tapped in to something that is deeply rooted in my childhood.
Dibz rounds off the production piece by mirroring Fade’s style and colours to provide balance to the whole collaboration. Remarkable stuff really and a red-letter day for me on finding it. Below is the Deamze piece from 2018 before he emigrated to Tasmania.
6199. Cumberland Basin
There are basically three kinds of ‘new’ artist in Bristol (or any other city I might suppose); those who are hitting walls for the first time having practiced or expanding beyond their art studios; those who are already established artists who move to Bristol or nearby and start painting; and those established artists who are simply visiting or passing through the city and drop a piece or two, because they can.
It turns out that Dirtygypo has been writing in Bristol for at least a couple of years but has only just appeared on my radar. I guess I will have to rifle through my archives to see if I have earlier photographs of his work. Perhaps he has been hitting some of the more popular spots, or his pieces are lasting longer, whatever the reason, he has become more established recently. His work is exciting, colourful and busy, with irregular letters each filled and decorated differently. I am not sure what the letters spell, but I really rather like the frenetic appearance. Watch this space for more from Dirtygypo.
Late arrival
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Absent butterflies
with warmth emerge from hiding
at last the sun shines
.
by Scooj
6198. Greenbank (125)
There is no doubt about it, I am really enjoying the fresh look of Zeks’ pieces combined with the fact that he is painting in Bristol a little more often these days, and long may that last. This is a straightforward piece of graffiti writing, with clearly defined letters and simple design – incorporating a little symmetry with the ‘Z’ and ‘S’.
I can’t put my finger on it, but there is something quite unique about Zeks’ writing. There is a modesty and uncomplicatedness, an authenticity, which really attracts me. Simple solid fills are accompanied by a striped pattern filling the letter gaps. A couple of arrows and some rings accessorise the letters a little, but none of it would work very well without the cream background. This is a great composition.
