It feels good to post a new piece by Full Time Ghoul, because so many of his pieces end up in my archives without ever seeing the light of day, something I must resolve somehow, because I genuinely like his motif and the way he fills spots all over Bristol.
This trio of green skulls set on a fiery red and orange background is really rather special. I’m not too sure bout this, but the top of the skulls look like they spell OSM, although I have no idea what this stands for. Nice work from FTG.
My last visit to Purdown ended up being rather fruitful, which isn’t always the case. I have been up there to walk the dog of late and there has been absolutely nothing worth photographing, that is until now.
This is a rather nice crocodile piece by Kool Hand that has a little bit of a story going on. It looks like our croc friend is little hungry, tempted by a swimmer’s feet overhead. A but of fun on a small piece of wartime concrete from Kool Hand.
I am guessing that Slakarts is busy these days in his non-street art life, because 2022 has been a very quiet year for him, and this is one of only a handful of pieces I have seen in a long time. This is how it goes for most street/graffiti artists, peaks and troughs of activity for a multitude of different reasons. It was fabulous, therefore, to come across this piece up at Purdown.
Slakarts tends to maintain his central character, pimping it with ever more elaborate ideas. In this piece, the character is on the left, but the whole piece is a bit of a mash-up of randomly distributed elements of the character’s features, a nose, teeth, an ear and a tongue are thrown into the mix. Nicely designed and thought out. Let’s hope Slakarts can get out more in 2023.
I am missing my regular dose of Daz Cat pieces this year… he definitely seems to be on a bit of a go slow as far as work on the streets is concerned. It was a nice surprise, therefore, to find this new piece up at Purdown recently. The battery area has been closed for a period, while the council constructed a tarmac pathway through the site, which I must say is a huge improvement, because it is prone to get extremely muddy in the winter.
This piece, counter-intuitively, is of two dogs, and the portraits are rather sophisticated, taking in different view points of the dog’s faces. This is an absolutely lovely piece and seems a little bit more earnest than some of his comic or satirical work. I like it a lot, especially as the green one could easily be a portrait of my very own canine.
John D’oh delights us with his stencils. Sometimes they are highly political and a commentary on events and happenings of our time and at other times they are packed with fun and humour, and this Captain Caveman falls into the latter category.
I am a little too old to have watched much Captain Caveman, but I was certainly aware of the cartoon series. In this piece, the mischievous character is looking thrilled to be let loose with a spray can. This is a fabulous small piece from John D’oh.
Laic217 has thrown himself into demonstrating his support for Ukraine, which probably feels rather close to home, as a Polish person, in this his third war related piece in recent weeks. Unsigned, this piece is obviously the work of Laic217, and is both hard-hitting and poignant.
To express rage and anger at dictator Putin’s war through art is a very powerful thing, and Laic217 really captures the horrors being experienced in Ukraine every minute of every day. The blue and yellow neck scarf is nicely painted with superb folds in the fabric, and the hat says it all. Another slightly unconventional piece from Laic217, and one that chronicles the major issue of our time.
This is a curious piece up at Purdown by an artist that doesn’t yet seemed to gained any traction with the community of followers of street art in Bristol – Skronius. This is only the second or third piece I have seen by the artist, and I haven’t seen anything beyond this particular spot.
I have to say that I rather like what I see, although it is on the unusual side. This particular piece reminds me a little of Conrico’s work in terms of the rather free style employed. The piece features some kind of wolf-like creature with a double mouth, which is pretty hard to work out. I can’t put my finger on it, but there is something I like about the piece and it certainly adds to the wonderful diversity of art we have in This magnificent city.
There are dozens of these mega-tags all over Bristol and it took me quite a long time before I realised that they were by Sage. This one at the Purdown battery has an outstanding view of North Bristol behind it… such a great location.
Most of these mega-tags are monochrome quick ones, but it seems that Sage has taken a wee bit more time with this one, giving his capped character little bit of extra decoration. Often, the location can be as important as the art, and I think this is a good example of that.
Although Purdown is a beautiful part of Bristol and has some stunning views over the city, the old HAA battery has a rather strange feel to it. It is a historical ruin that has been allowed to decay and in recent times has become a very popular spot for graffiti. Walking around the place though is moving and one’s mind drifts back to the ghosts of the past defending the city against the blitz. Some of the bunkers, like this one with this fine Slakarts piece, feel a bit dingy and creepy and to be honest I don’t like going down there much.
Obviously such matters don’t appear to phase Slakarts too much and this is another fine addition to his series of monochrome pieces that he has been enjoying painting over the last year or so. The simplicity of the parallel lines on the glasses is so effective and a tick he likes to use a fair bit. It is always great pleasure finding pieces by this gentleman.
Consistent with the theme of so many posts on Natural Adventures this year, this piece is by yet another debut artist on this blog, and one I know practically nothing about.
Skronius would appear to be off the radar of most Bristol street art commentators and I wonder if the artist is new to the city or new to painting in the streets altogether. Skronius has an Instagram account, but only 3 posts and six followers (at the time of writing), so it is difficult to provide much background.
From the look of this piece, I would guess that Skronius is no stranger to the art world with some really nice shading and textures in this piece that help to lift the cat-like robot character. I’m not too sure what the relevance of the bees and honeycomb are, but they help to fill the white gaps around the central focus. There is a lot to like about this unusual piece which is technically nicely done and I look forward to seeing more from the artist over the coming months.