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Nature or anger
topic choices for haiku
driven by a mood
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by Scooj
5123. New Stadium Road (48)
Another root around in my archive unearthed this old one from February 2018, by Taboo, and if you look carefully to the left you can see the edge of a piece by Deamz. I still miss seeing Deamz’ work on our streets, even though he left for Tasmania several years ago – maybe one day he will return for a visit and decorate a wall or two.
I suspect that I have several more unpublished Taboo pieces lurking in my files, but this one stood out, most probably, because of the colour selections, with a transition from white to copper, with some interesting oranges and reds filling in the holes. This is a really nice piece of anti-style graffiti writing.
5122. Greenbank (76)
Posting abo
ut Claro_que_sssnoh, is always troublesome, because his name is difficult to type at the best of times, but when I am in a rush (which I usually am when writing my posts) it is extra difficult. Perhaps I should have paid better attention at the touch-typing classes my mother made me do in a classroom above a shop in Oxford Street, when I was in my early 20s.
Claro’s work (see what I did there?) is always good to see as it offers a unique take on graffiti writing. The letters HONS laid down in an almost continuous line of joined up writing with equal measure of long straight lines and curvy lines is a unique style here in Bristol, and makes his work easy to identify (most of the time. The dark blue background is a little unusual, but contrasts well with the ‘fruit salad’ colours of the writing. A lovely piece from Claro.
Blargh!
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Extreme frustration
WiFi underperforming
work interrupted
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by Scooj
5121. M32 Cycle path (206)
This is a big bold statement piece from Bogat alongside the M32 motorway, from a week or two back. This is a striking piece and I know that when I post it on Instagram it wil be popular, there is something about his work that is appealing.
The piece spells BOG in large and nicely finished letters with some cool drips going on at the top of the piece. The open-mouthed character making up the ‘O’ is typical of Bogat’s work. There is some nice shading on the face and hat offering texture to the face. I am enjoying Bogat’s work very much and look forward to seeing more.
5120. M32 roundabout J3 (460)
More unusual writing from Kid Krishna, this time on the wall to the right of the tunnel on the northern side of the M32 roundabout. This is a candidate wall for the ‘One Wall’ series of posts I write, showing a time series of pieces on the same wall… when I have time.
Kid Krishna told me that he always writes CRIE in his work, although even though he has assured me this is the case, I struggle a little to see it sometimes. I guess it is not important what it says, instead, the composition being more central. This is a straightforward cream on black piece, with nowhere to hide, so Kid Krishna has really exposed his work here. There is some geometry and method in his writing, which you can see from the circles. Painted with rollers, this is a fine reminder of the versatility of the artist.
5119. M32 Cycle path (205)
The writing says MOTEL, quite why I’m not sure, it always feels a bit random to me. The artist is Dog Bless the Band, whose name is definitely one of the more creative ones, competing strongly with ‘In the Allotment’ and Stupid Stupid Meathole (remember him?). In this piece the M reminds me of a cartoon elephant – that might just be me though.
Dog Bless the Band always uses understated colours – muted is probably the word – almost as if he doesn’t want to draw attention to the piece. Whether this is modesty, or simply a palette preference is hard to know, but it is certainly a feature of his work. There is something rather animated about the writing, perhaps it is the patchwork style in the fills or the flowing curvy lines. The red and yellow border bring vibrancy to this quiet and peaceful piece.
5118. Dean Lane skate park (582)
There was a time last year when Maybe was painting roughly once a week, but he has definitely slowed down of late… perhaps it is the cold weather. This is a rather nice large piece in the skate park which is quite tricky to photograph because of the angle of the slope and the size of the piece.
Featuring his interlocking faces in a variety of contrasting colours, this triangular piece demonstrates how far Maybe has come in developing his early concepts from a couple of years ago. Some great use of blended fills and dark shading show a significant improvement in sophistication of his contemporary work.
5117. Cattle Market Road (14)
Sometimes I am so far behind the curve I actually surprise myself. I think I was aware of this wonderful winter wonderland piece by SPZero76 and Kid Crayon, otherwise known as the EAT crew, from last Christmas, but I simply haven’t visited the hoarding in such a long time.
The whole piece is a continuous story and a great collaboration, with the left-hand side painted by SPZero76 and the right-hand side by Kid Crayon. Inevitably, SPZero76 has included a robot snowball-launcher alongside a woman throwing a snowman’s head.
Kid Crayon has painted a couple of young lads throwing and launching their own snowballs back. Beautifully sprayed by both artists, this is a fun, cartoon-style piece that really captures the spirit of winter, and snow that most Bristolians can only dream of (even though we had a little bit of the white stuff this year). We just don’t get to see enough by the EAT crew these days. Perhaps they will get busy on the streets this year.
Evey
A gallery of bold and beautiful writing from Bristol’s Evey
Instagram: @evenrbf
RBF Crew
All photographs by Scooj
