The second piece from the RBF collaboration is by the organiser of the BLM wall Pekoe, and is a superb face and characteristically colourful and decorated hair. Pekoe’s work is so distinctive and somehow feels very ‘Bristol’ if that makes sense.
I don’t think I will ever tire of her work, which is always colourful and vibrant. Her pieces often seem to be tinged with a little sadness, emphasised by the tear, a signature element of her work. This one is a real beauty and even more powerful as part of this Black Lives Matter wall.
This piece, in the heart of Stokes Croft came as a complete surprise to me on one of my Covid-19 dog walks last week. It is by the wonderful Pekoe and painted over one of her previous pieces here, and from that I can guess that this is one of her favoured spots.
There is always a lot of emotion in Pekoe’s pieces, sometimes happy, often sad, but this one look different particularly downcast. Maybe the sadness is reflective of the Coronavirus pandemic and all the baggage that comes with it.
All the trademarks are here, a colourful face, big hair in multi-colours with lots of symbols in it and a tear. Another fine piece from Pekoe.
What a dazzling portrait from Pekoe on Dean Lane. It is so good to see that she is painting a lot already this year and that this is the fourth piece I have posted (I think) from her so far in 2020.
I would say that the facial features on this piece are as good as I have seen on a pekoe face to date, and that maybe having a solid fill rather than shadings has accentuated the features. I would make a further observation, which is a very minor point because I do really like the piece, that the hair on top needs to go a bit higher for the whole head to be in proportion. I am guessing that the height of the wall here was the limiting factor, not the talent of the artist
Modest and understated, Pekoe just goes about her business from time to time. No fanfare, no fuss and she turns out pieces like this beauty behind the railings on the swimming pool wall at Dean Lane.
This is the second piece by Pekoe that I am aware of this year, the other was down by the M32. Typically, Pekoe has painted a portrait, this one in three quarter view, with characteristic big hair decrated with rain drops, stars and an unhappy ‘smiley’. Many of her pieces are tinged with sadness which I hope is not indicative of her own state. It is always a pleasure to find her work.
I absolutely love this stylised portrait by Pekoe. It kind of ticks a lot of boxes for me. It is bright and colourful, thoughtful and emotional, simple and complex, a really great piece which is tucked away at the lower end of ‘crack alley’.
I haven’t yet had the pleasure of meeting Pekoe, but look forward to such an occasion… it is only a matter of time. Pretty much all of her works that I have seen are portraits, and most convey a lot of emotion, for example, in this piece the subject is crying triangular tears, there is a sadness here, common to a few of her other works. I was so pleased to find this, before seeing it on Instagram as is the case with so many pieces these days… nice to make a real discovery.
It is a great time of year for street art because although there is not a huge amount of action (something of a relief for me I can tell you) on the streets it is a time when artists are doing their ‘first piece of the new year/decade’ and it somehow feels a bit like a fresh start.
This new one from Pekoe on the M32 cycle path is a fresh and clean start to the year. Of course the portrait piece wouldn’t be a Pekoe work without the big hair, and what magnificent hair with a crown, hearts and face concealed in it. A wonderful way to kick off January.
It feels like an absolute age (and it probably is) since I last posted anything from Jee See, and here on one of the ramps at Dean Lane he recently painrted this little collaboration piece with Pekoe. I think it might have been at the rescheduled DLH (Dean Lane Hardcore) event a couple of weekends back.
Jee See has written a rather nice 3D rendition of his moniker which adopts a whole load of very nicely done shadings, hatchings, drips, cracks and colour fades. So good to see him back in action.
Just to the right of Jee See’s writing is another one of Pekoe’s beautiful ladies in blue, a colour she often favours, and with a little tear beneath her eye – what does this tear tell us about the srtist? Is there some inherent sadness there? There is a clue in the top right of the piece which indicates that it is a tribute to Janet. Tribute pieces are often painted with a little extra love and have a poignancy to them.
I am so enjoying finding and appreciating Pekoe’s work which just seems to be on a steady improvement.
Wowzer… this is quite the best piece I have seen by Pekoe yet. It is beautiful and I truly believe that in this piece we are witnessing an artist reaching a new level, I see it as a really significant piece. The blue-faced portrait has something very special about it, the expression, the tone, the confidence and of course that amazing hair.
In this piece I feel that Pekoe’s naive style has transformed into something altogether more sophisticated and mature, and I love it. I would like to think that a lot of thought, care and effort went into this piece, it certainly looks really tight.
The patterns in the hair are so typically Pekoe, but the addition of three layers of base colour add an extra dimension. The eyes too work well with several dots in each creating a glassy effect, very clever. There is so much to like about this work. Bravo Pekoe!
This is a favourite spot for small pieces under one of the ramps at Dean Lane skatepark and has recently been painted by Pekoe. I have an awful lot of time for her work and am really enjoying seeing the journey she is on and the improvements she is making.
This piece demonstrates so well her naive art style which is in fact more complex than might first meet the eye. She is known for producing female portraits with ‘big hair’ which is always carefully thought out and beautifully executed. There is obvious emotion in this piece too with the word ‘cry’ written over the top and tears on the girl’s face. All good, although the location merans that its longevity will be very limited. Glad to haver captured it.