This is the third recent Kool Hand orangutan piece that I have seen and once again he is branching out into the use of patterned fills rather than the solid ones that have been such a central part of his past work.
The character’s face has been filled with what looks like an army print camouflage effect, but is probably just a random green and white pattern. I am enjoying watching Kool Hand adding a layer of sophistication to his pieces.
Kool Hand is at it again, this time on the M32 cycle path, with his colourful Orangutan. This piece is from a few short weeks ago and was sprayed alongside painting pal Daz Cat. It is a near copy of one he painted in Dean Land and which I posted recently.
As I pointed out with the Dean Lane version, Kool Hand is experimenting with decorated fills, which is interesting to see, because his USP to date has been to adopt clean solid fills for his characters. I am going to try and see another of his recent pieces later on today that he painted recently. Great to see his work developing.
The turnover in Dean Lane is very high at the moment and if you blink, you will miss things and over the last few weeks I have certainly missed quite a bit here and elsewhere. Fortunately I was in the fight place at the right time to find this nice piece from Kool Hand.
Regular readers will probably recognise this orange orangutan(?) character that seems to be a particular favourite of Kool Hand. As part of his development as an artist, he has added some squiggle fills to what would normally be a solid fill. These squiggles give the face more depth and character and it looks like a bit of practise using new techniques to me, which is great to see.
It feels like a pretty long time since I last saw anything by Kool Hand in Bristol, and I figured he might have moved to London because he has posted a few pieces on Instagram from there. But here is a new piece in Dean Lane, and I hope this signals a return.
In this piece we see a return of his monkey/orangutan character, but just the head (looking a bit fierce) this time. I love the use of bold, vivid colours, the simple single-colour fills and clean designs. I think that if I try to do characters I might try something a bit like this, but to be a fraction as good would be success.
I took this picture a little while back, and thught I had published it, because it is quite similar to a couple of other pieces by Kool Hand. But I hadn’t so here it is now. Kool Hand creates distinctive natural world creatures, such as this orangutan with strong black outlines and bold solid colours. The pieces are simple, but effective and he has carved out this neat style.
Most of his work is set on a white background, which probably brings out the pieces in a clearly defined way, uncluttered. He is a tidy artist. I haven’t yet met Kool Hand, but as with all artists in Bristol, it is just a matter of time before we both pitch up at the same place at the same time.
So this is yet another Bristol street artist new to the pages of this blog. I am certain I have seen some of his work in the past, but only recently found out who he is, which is strange, because his signature (as these things go) is reasonably clear – Kool Hand. He seems to have had a little bit of a blitz in Bristol lately, so expect more to come.
I very much like the crispness of the piece, a deliberate backwash of white paint and well proportioned orange ape (an orangutan?) with large teeth all topped off with a baseball cap. Somehow it just works. It feels like logo territory, five colours, clean lines…the whole thing lends itself to being printed.
Sophie Long is an established artist in Bristol whose wildlife pieces with stunning drips are well known to those who look out for such things. I recently posted her fabulous shark piece in Cheltenham road which I walk past pretty much every day.
This upright orangutan is rather beautiful and conveys so well the sombre disposition of these incredible creatures. we are reminded of our evolutionary closeness to them and our utter disregard for their environment. Orangutans have become an emblem of despair, but also of hope for the future. This fine piece would sit comfortably on any naturalists wall.