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You shuffle the pack
but it’s the game that’s at fault
Tory’s time is done
.
by Scooj
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You shuffle the pack
but it’s the game that’s at fault
Tory’s time is done
.
by Scooj

Character pieces don’t come much better than this remarkable dog, wrapped up in its lead. Sepr is the greatest. What makes this truly outstanding, figuratively and literally is the application of the shadow of the character. It is so sharp and crisp, and completely accurate, mirroring all aspects and details of the dog.

This would have to go down as one of my favourite pieces of the year, and that is saying something as it has been something of a special year. It may be small and ‘simple’ but it is technically and visually a masterpiece. Bravo Sepr!

I checked through previous posts before writing this piece about Solar, and it appears that I have only written about his work twice before on Natural Adventures. This is in spite of having taken plenty of pictures of Solar writing about the place. I will need to rummage around in my archives to post more Solar pieces, as they offer an antidote to more conventional graffiti writing.

In this ethereal piece under the M32, Solar has written out his letters, which have a transparent look to them, over a background pattern of red, purple and black ‘marbelling’ of the wall. A lovely piece in a place where it won’t get as much exposure as it deserves.

This piece from Enn Kay (NAK) demonstrates just how far the artist has come in a relatively short space of time. There are qualities in this piece that are not present in some of his earlier works, which provide texture and depth, rather than a flat solid monster with an outline.

This sophistication advance can be seen in the shading on the ‘dragon’ character, with different tones of green creating more of a 3D effect. The whole piece has more of a pastel feel to it and is less harsh on the eye than a solid fill monster. I love the way the character is spraying a little monster on the edge of the piece. A great work from Enn Kay.

On one of my favourite walls, in one of my favourite streets, by one of my favourite artists. This is a lovely piece by Face 1st, and something of a new idea, with a bit of fragmentation going on in the girl’s smiling face. As is usually the case, the hair spells out FACE.

This is a piece that is not only well painted, but also is full of energy and movement. It is pieces like this one that remind me how much I love photographing and following street art in Bristol, seeing and capturing talent and beauty. Time to update my Face 1st gallery, as he has been on a very productive streak lately.

Bristol has an international reputation for being a graffiti and street art hub. Because of this, we get an awful lot of visitors, who come to paint one time, never to be seen again. I got lucky and managed to catch Cuomo, just as he was finishing off and photographing this piece. Cuomo is an Italian graffiti artist, and whether he was being evasive or whether there was a language barrier, he was reluctant to let on too much about himself. Perhaps he didn’t realise that there was little or no risk painting this board.

Cuomo has an interesting style, often combining characters with his writing. His writing is often black, as in this example, with angular shapes. What is clear is that there is a significant difference in design to the kinds of things we are used to seeing in Bristol. Vive diversity.

I first came across Whysayit (YSAE) a few years ago when he regularly collaborated with Kleiner Shames. Although I have never met him, I have enjoyed his irregular anti-graffiti style over the years, and this one under the M32 is a banger.

The organic writing is simple, spelling out ‘YSAE’ in two tones of pink. Light pink for the letters and dark pink for the drop shadow. Combine these with a black border and white highlights, and you have straightforward, quality writing which lifts nicely off the wall. Sometimes less is more.
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That Johnson might stand
tells me all I need to know
such short memories.
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by Scooj
I feel that the Conservative party, in their desperation to keep their seats, have completely misjudged the mood of the nation.
All but the most ardent Brexiteers have come to the realisation that Brexit was a con, and we have yet to see any tangible benefits and so far only disbenefits (for example, being over a barrel with international trade negotiations and withdrawal of free movement (causing havoc for farmers and hospitality)).
There is still rage that Johnson and his cosy mates partied during lock down, and those who lost loved ones without being able to say goodbye will never forget.
I wonder how many of the 60 Tory MPs who resigned their posts, will again resign if Johnson were to be elected. Any who do not are hypocrites.
I don’t believe that the financial markets will be able to trust this Government. It is still the same people and their reputation for financial management, and the concept of ‘trickle down’ economics, is down the toilet, the damage is done.
Watch this space.

What an absolute beauty from Mote. Tucked away in a little corner of Cumberland Basin is this magnificent example of one of Mote’s monsters, and quite possibly one of his best to date.

I really like Mote’s attention to detail and clean work. All of his fills are always solid and his fine lines clean. These monsters are on the opposite end of the spectrum to throw ups. Mote spends time on painting his characters with real diligence and accuracy. It is worth noting that some of the decorative dots around the bottom of the background incorporate the previous piece that Mote painted over. The finished pieces are imaginative and always bring a smile to my face. I love this piece.

As with so many regular writers in Bristol, Corupt continues to delight us with his STICK or CORUPT writing, and this one on the M32 is a stunner. With deep 3D drop shadows that assist with lifting the piece, the letters are presented in two halves of different colour schemes.

Although the division of the two halves isn’t a straight line, the top and bottom have quite different colours, but similar patterns and details. This is a bold statement piece and carries with it the gravitas of a very talented graffiti writer.