This is one of several Logoe pieces from a short visit to Bristol by the artist recently, and in my view probably the best. On the best wall (IMHO) at Dean Lane skate park, Logoe has taken time and care with this piece, and the proportions work well.
Logoe, Dean Lane, Bristol, May 2022
Following his regular style of slim, white script writing spelling out his name decorated with stripes and elyptical dots, Logoe has produced a beauty here. the colour combinations are excellent, and the whole piece really benefits from a buffed wall, without which it would probably look a bit untidy. I think I still have one or two pieces from this Bristol trip.
While busily searching Bedminster for new Upfest walls, I took a turn down a street I don’t normally visit and at the end saw this lovely stencil from Stewy. The same piece used to be in North Street, but that disappeared some years ago. This brilliant piece portrays the musician Robert Wyatt, who’s version of ‘Ship building’ remains one of my favourite tracks of all time.
Stewy, Mount Pleasant Terrace, Bristol, May 2022
I am so pleased that I found this, because I was a little upset when the North Street one went. It is the joy of stencils, that they can be recreated more than once, extending the lifetime and footprint of a piece of art. Fabulous work by a fabulous artist of a fabulous artist.
I believe that these arches at The Carriageworks are on borrowed time, as the developers of the site have plans to build retail outlets as part of the overall redevelopment of the site, so let’s make hay while the sun shines. Two of Bristol’s most recognised street artists, Sled One and 3Dom, have paired up to give these two arches a bit of a makeover.
Sled One, The Carriageworks, Bristol, May 2022
On the left is yet another spellbinding piece from Sled One, featuring a skull-like character in a red hat next to a pond with a rather arrogant-looking duck swimming about. Sled One has created this surreal scene with such extraordinary detail and clarity. For me there is something of a retro feel about the piece, perhaps it is the colours or the overall way the elements in the water and foliage around the pond are presented, but it looks like it could be a poster from the 1950s with a surreal 2020s twist.
3Dom, The Carriageworks, Bristol, May 2022
On the right hand arch 3Dom has painted an incredible dreamy piece where the main character, unlike anything we know or understand, is curled around the shape of the archway space. There is something most endearing about this smiley faced, reptile-humanoid creature, but look a little closer and there is something a little intriguing too. A love arrow runs through the character, although I’m not entirely sure what it signifies. I get a feeling that much of 3Dom’s work is about cherishing our beautiful Earth and a warning about its decline and losses in the natural world, he tells these stories through his ‘otherworldly’ characters almost as if warning us about the perils ahead. Of course they might simply be beautiful images without any hidden meaning, but I doubt it.
There is no doubting that Farrah is fast becoming the darling of Bristol mural art, and deservedly so. Her work can be seen all over the city now and is predominantly commission work, although she has painted one or two other walls too. Her bright brush strokes and abstract artwork alongside environmental themes makes her work a ‘safe’ option for commissioners and the Council, who are currently waging war against illegal street art.
Farrah, Bristol Royal Infirmary steps, Bristol, May 2022
This piece alongside the Bristol Royal Infirmary is just so right for the space. These fairly utilitarian concrete steps with perfunctory planting in the flowerbeds has been completely transformed with Farrah’s beautiful and calming artwork.
Farrah, Bristol Royal Infirmary steps, Bristol, May 2022
Each of the stages along the steps has a long wall that Farrah has painted, but the work has spilled out onto other surfaces, including the pathway under your feet. The whole thing is an immersive experience and tiny little adventure to take your mind away from the urban jungle surrounding you.
Farrah, Bristol Royal Infirmary steps, Bristol, May 2022
An additional feature are the little details that Farrah has included at different points around the mural such as a damselfly, butterfly, hedgehog and frog. This is a superb piece that demonstrates so clearly how urban art can be uplifting and improve an area immeasurably. Bravo!
Farrah, Bristol Royal Infirmary steps, Bristol, May 2022
I am told you make your own luck, but I am not so sure, sometimes you just get lucky, and my chance encounter with SkyHigh and Roo down at Cumberland Basin while walking the dog a couple of weeks back, was a real lucky bonus.
SkyHigh, Cumberland Basin, Bristol, May 2022
SkyHigh paints with an intensity and concentration that does not lend itself to chit chat, and so while he got on with the job of painting this stunner, I had a nice conversation with Roo, largely about dogs, not something I would have imagined doing four or five years ago. How curious our life pathways are.
SkyHigh, Cumberland Basin, Bristol, May 2022
This piece from SkyHigh is an absolute jewel, with so much detail and interest in every letter. It seems that there is no limit to his talent, and it was amazing to watch him spray the folds in the letter ‘i’, to create a 3D look of paper. Each of the letters is meticulously and lovingly created to leave us with this masterpiece (not a word I use often). SkyHigh and Roo will always be very welcome visitors to Bristol.
There are some artists who never need introducing because their style is so unique, and without doubt Acer is one of those artists. Although he switches up his design concepts from time to time, they are still instantly recognisable as his work.
Acer, Greenbank, Bristol, May 2022
This playful rainbow lettering piece at Greenbank uses his current style and typeface to create the word ACER, with one small twist, literally, the piece is upside down. Clever work, once again perfectly executed.
* So, predictably, Dictator Johnson holds on to power for a little while longer. I have lost faith in him, our government and am horrified by the mess our country is in. Brexit, which Johnson championed, has been the ruination of our nation, as was predicted, but it is rarely mentioned in the media as a primary cause of the chaos in the UK.
I heard an interesting challenge to Brexiteers, the other day which was; “if Brexit were to end tomorrow, what would you most miss?” I only saw one answer which was “independence”. Well it has been a very high price to pay, coming in at twice the cost of the impact of COVID in the UK, so far.
Johnson and his cabinet seem intent on waging war on the decent citizens of this country, in the name of what exactly? I just don’t get it, and I don’t understand why his supporters put up with it. All too depressing.
I bring you a couple of nice pieces from Klashwhensober from underneath the M32, the bit that is over the Bristol Frome (hence Frome Side), and adjacent to the M32 Spot. As with several other prolific artists, I have started to post more than one piece at a time if they are from around the same time in the same location, simply because I have a backlog of unpublished pictures that is swelling immeasurably, thanks to Upfest 2022 and a short trip to Porto, with its emerging street art scene.
Klashwhensober, Frome side, Bristol, May 2022
The first piece is a beautifully colourful and happy SOBA piece that is filled with a natural scene including clouds, some birds and a superb purple flower. There is more going on here, though, with a green line that looks liked barbed wire running across the piece. I’ll need to ask Klashwhensober what it is all about next time I see him. I like the KLASH block letters on the ‘H’ too.
Klashwhensober, Frome side, Bristol, May 2022
His second piece, which might have been his first piece, is another set of SOBA letters, with an icy theme happening. The letters are filled with what looks like cracked ice, and the bottom of the letters are fragmenting in frozen blocks and falling to the ground. A fire in the centre of the piece provides an additional burst of colour. Both pieces are nicely done and very ‘Klashwhensober’ish’ in style.
Natural adventures 