One of the things to look forward to each year at Upfest is the collaborations from Caro Pepe and AgeAge. There is a chemistry when these two come together, not only in their styles, but in their personalities. It is obvious that they really enjoy working together and this is reflected in the fusion of their work.
Caro Pepe and AgeAge, Upfest, Bristol, July 2018
Caro Pepe paints the faces, usually female and usually with one eye obscured in some way. AgeAge creates the robotic machinery that intertwines with the character. This pairing painted this wall last year too, so it could be considered their wall I think. I’m hoping that they will be returning next year.
Although this extraordinary piece is signed by Caro Pepe, I think she had some support from her frequent painting partner Age Age. This wall was another one themed with Bristol Women’s Voice (along with the Nomad Clan Lisa Simpson). Commemorating one hundred years of the Women’s vote.
Caro Pepe, Upfest, Bristol, July 2018
I really like these rather surreal pieces that Caro Pepe is producing at the moment, with the cut-away pieces of head exposing thoughts, emotions and ideas – very powerful stuff and a further dimension to the covered eye that distinguishes her work.
Caro Pepe, Upfest, Bristol, July 2018
So, another great wall and another great artist at Upfest 2018 – I think this is another one that makes it into my top 10.
Back to some more pieces from Upfest 2017 starting with the third collaboration from Caro Pepe and Age Age. I love the work that these two do together, and their different subject matter and styles complement each other so well and in this piece fuse together perfectly.
Age Age and Caro Pepe, Upfest, Bristol, July 2017
At last year’s Upfest they definitely went for this subtle colour scheme of mauves and browns, which is actually very effective. These are not brash ‘in your face’ works, rather they are gentle comforting studies.
Age Age and Caro Pepe, Upfest, Bristol, July 2017
Age Age’s contribution begins on the left and Caro Pepe’s on the right. The central panel is where they come together creating a robot girl whose right eye is covered over under the face mask. Of their three contributions, this is my favourite. I think they are returning this year and it will be interesting to see if they work together again.
Caro Pepe and Age Age, Upfest, Bristol, July 2017Caro Pepe and Age Age, Upfest, Bristol, July 2017
I first came across these two artists, Caro Pepe and Age Age at Upfest 2016 when they had adjacent pieces on North Street. Since then (and possibly before, I don’t know) they have collaborated quite a lot at festivals around Europe.
Caro Pepe and Age Age, Upfest, Bristol, July 2017
It was so good to see them at Upfest 2017 collaborating not only on their ‘official’ wall, but also on this shutter and another wall (yet to be posted). This particular shutter has been home to some amazing artwork previously, and Caro Pepe and Age Age have continued that tradition.
Caro Pepe and Age Age, Upfest, Bristol, July 2017
The pair have once again used muted shades for their Upfest experience which gives this piece a subtle feel. It is amazing that their work blends so well because their styles and subject matter are quite different – maybe their success comes from blending these. Anyhow, this was a real treat and many visitors would have missed it, as I think it was sprayed in the days following the main festival. Thank you both.
Well, I have clocked up my first 50 Upfest 2017 pieces, and we are only in September – maybe I’ll get everything posted before next year’s festival, although I doubt it – there is just so much street/graffiti art happening in Bristol at the moment.
This was the brilliant official Upfest piece by Caro Pepe and Age Age, which was in the covered section of the Tobacco Factory car park, which given the weather over the three days was probably something of a blessing.
Caro Pepe and Age Age, Upfest, Bristol, July 2017
These two artists have collaborated many times, and really seem to enjoy working together. At last year’s festival they had adjacent spots and created separate works, however it seems that since then they have worked together much more.
Caro Pepe and Age Age, Upfest, Bristol, July 2017
Working in soft mauves and browns, the two artists have combined the distinctive portraits of Caro Pepe with the elements of function and machinery that Age Age specialises in. The blend works well and I can see why they like to combine their styles. I am not sure, but I think the final version below was tampered with over the eye. It is possible that this was part of the original work, but Caro Pepe’s ‘blind’ eyes don’t usually have a patch like this.
Caro Pepe and Age Age, Upfest, Bristol, July 2017
As well as this wonderful piece, the pair worked on another wall and a shutter during their short stay in Bristol, which is a real bonus. Both of these to follow.
An interesting abstractish sort of piece in one of the prime window slots on North Street, currently occupied by a Copyright and Paul Monsters collaboration. This piece is by Age Age, an artist I am struggling to find out much about.
Age Age, Upfest, Bristol, July 2016
His piece here is next to the Upfest work of Caro Pepe, which is interesting, because in my trawl of the Interweb, I have found several collaborations between these two artists. A quick look on his Facebook page confirms this.
Age Age, Upfest, Bristol, July 2016
Age Age, Hannes Höhlig, is an illustrator and graphic designer from Berlin who, it would appear, likes to get out and spray the streets from time to time. His work is a little surreal and attractive – there are stories going on here. This was a nice festival piece which sadly was defaced not too long after the festival, along with several other pieces in the area. My understanding is that some of the Bedminster locals spray the pieces they don’t like or don’t respect. Oh dear.
Natural adventures 