This is yet another piece that I had to visit more than once to get a half-decent shot of it because the first time it was hiding under dappled shade and was partially obscured – one of the hazards of summer time. If I were even more nerdy than I am, I’d probably make note of the best time of day to visit each graffiti spot, but frankly I can’t be bothered and don’t really have the luxury of choosing when to go out ‘hunting’ in any case.
The piece is a nicely crafted ASK by Sled One, with just a hint of a menacing eye in the middle of the A. I imagine Sled One just rolled up and painted this without a plan or draft, a gift that he posesses and is a rare thing indeed. Nice clean lines, great colours and imaginative and creative fills and shapes. Even a quick piece like this oozes class.
It was this piece by Sled One that finally motivated me to get myself the the L Dub spot in Lawrence Weston, although I wouldn’t have made it withoug the guidance of Paul Harrison and DJPerks.
This piece alone was worth the trek and to me highlights the extraordinary motivations of street/graffiti artists. L Dub is not exactly a place you would paint if you wanted lots of people to see your work, but you can certainly get on with your creation without much risk of interruption.
The piece itself looks like it is a bit of a dig at the police and is a wild and surreal pig, whose face looks like it is made from a leather bag and is sporting a gun holster with a curious looking weapon. I don’t really know too much about what is going on here, but the quality of the artwork is undeniable.
I am guessing that the words ‘No Face – No Case’ refer to the fact that if your face isn’t seen then there is no evidence for a case against you (I’m not too sure how water-tight that is). Great piece from Sled One.
It is unusual to see incomplete pieces, that are unlikely to be completed at any time in the future, if fact they are such a rare thing that I can only think of three or four examples in the four years I have been doing this. Rarer still is an incomplete Sled One piece, but here is one on the side wall of the garage in Wilder Street.
My understanding is that he got asked to move on, although I am not sure whether that was by the garage owner or somebody else. What it gives you though is a little insight into how a sketched wall turns into something quite remarkable. The zebra on the left is almost complete, but the horse on the right seems to be only half done. What a pity he never got to complete it, because from what we see here, it is a real cracker.
A beautiful quick one by Sled One in Wilder Street. He has the incredible ability to animate whatever it is he paints, and in this case he has brought alive the word ASK (from the crew After School Klub, to which he belongs).
Great colours and patterns. At the time of writing this, I am aware of two more new pieces on this wall , curated by Where the Wall, which have appeared subsequently by other ASK crew members Sepr and 3Dom. Expect to see them here soon.
Never really at risk of slipping through the net, but posted much later than I had hoped is this magnificent piece by Sled One at the bottom of Lower Ashley Road where construction work has begun. It didn’t take long for the construction company to disrupt any street/graffiti art from making it onto this hoarding, but I think this piece survives.
Sled One brings us another creature from his imagination which spells out the word ASK. I think it is a cat – he does a lot of cats – but it is the sketch of a fish on the cat’s shoulder that really makes me smile, so simple but so engaging.
For the last couple of months Sled One has been on a real roll, and it is always an immense pleasure to see his work on the streets. I must get round to updating his gallery.
Yet another remarkable Sled One piece that almost got away. This end of the M32 wall is near a tree, and for most of the day, on sunny days, the wall is dappled with sunlight and Shad, which renders it almost impossible to photograph successfully. I had to return a couple of times to catch it on a rather more overcast day to capture it in all its glory.
Sled One appears to churn out these extraordinary pieces with such ease, although I expect that is not the case at all… perhaps the mark of an artist at the top of his game. In Bristol right now, Sled One is probably the greatest story teller through his art, every piece containing a strong visual narrative (is that a thing?). I’m not too sure what the story is here, but the man in the ‘D’ of SLED appears to be running away from something. Always great to find pieces by this gifted artist.
My oh my! A couple of weeks ago this utterly remarkable collaboration by Smak and Sled One appeared on the hoardings in Nelson Street which have in recent times been a bit of an ASK playground. It is quite one of the best collaborations I have seen for a long while, and I don’t think that Bristolians, in the main, realise just how privileged we are to have art this good decorating our streets.
On the left of the wall is a magnifcent oriental style leopard in rampant attitude rather menacingly advancing towards a poor unsuspecting child.
This is one of the finest character pieces I have seen by Smak, and it seems that he is planing on doing more, which is great news.
The whole collaboration is set on a grey background and shares a general colour palette of greys, reds and yellows.
To the right of the wall we are spoiled by a magnificent story from Sled One, where a crane is delivering a little baby suspended in a cloth from its beak. It looks like the baby is prepared to take on the leopard as it is armed with a samurai sword and is wearing a mask. Even the red decorations on the grey patches of the piece ooze class.
This is not the first time that Sled One has incorporated a samurai into his work and is would appear to be a theme he enjoys. This is a world-class collaboration that we in Bristol are lucky to have and I thoroughly recommend that anyone living in Bristol makes a detour to Nelson Street to see it if planning a shopping trip to the centre.