It somehow always feels special finding an Inkie piece, probably because his work is so well known and sought after, and yet here he is creating something magical in Dean Land skate park.
This beautiful piece features one of Inkie’s trademark profile portraits of a girl with long flowing locks of hair and some block writing INK. When I look at this, I can’t make up my mind which way her body is facing, towards us or away from us, I think the latter.
It is not all that long ago when this wall lost a whole ton of its render and years of paint layers. I thought the wall might be doomed, but somehow looking at it now, you wouldn’t eve know it had happened. Lovely work from Inkie.
Inkie is no stranger to Upfest, nor indeed to the streets of Bristol, and this piece sitting above a burner he turned out in 2017 is a festival classic, and has a strong connection with the piece he did for Upfest 2016 also featuring Isambard Kingdom Brunel.
This piece combines the tools of the trade both for Inkie and for the draftsman and engineer, both local heros in their own field.
I think that Inkie does a great job for Upfest every year, and isn’t at all shy abut shouting out the Upfest brand at every opportunity.
From recollection, I think that Inkie didn’t quite manage to finish this wall during the festival, and I had to return some days later to get some pictures of the completed work. Well worth the wait though.
Other than promotional hoardings outside the Full Moon pub in Stokes Croft, I don’t think I have seen an Inkie piece since Upfest last July, so it was great to see this one on a Construction site deep in St Pauls. As one of the godfathers of Bristol street art, it is a pity that we don’t get to see as much of his work as we would probably like to, but I suppose the old maxim ‘treat em mean to keep em keen’ might apply here.
This piece is a blaze of colour, spelling out INKIE. Interestingly there isn’t any 3D effect on the lettering, which I would usually asssociate with his writing. I don’t think that this is the best piece I have seen from Inkie, but the bar is so very high, and I imagine that this was probably a ‘quick one’. Always great to find anything by this celebrated artist.
Inkie has a good relationship going with the Full Moon in Stokes Croft, and is frequently asked to paint their advertising hoardings on the railings of the pub for future events. I am often caught in two minds about whether this kind of art is street art or something altogether different. It is where commercial interests and street art come together at the commissioning end of the spectrum. In this instance I have posted the piece, because it demonstrates Inkie’s range more than some of his other pieces.
I really like this hoarding with its ‘circus’ font, but the highlight for me is the face on the left hand side of the piece. I am much more used to seeing the Inkie profile portrait of a girl with flowing hair, in this work we see something quite different and in keeping with the spirit of a Day of the Dead themed Halloween party at the pub.
If the piece had not been signed, I might have had difficulty in identifying the artist, so different is it from his usual style. A good piece (even if it is an advertisement).
We used to eat at Jamie’s Italian on Park Street reasonably often as it was a restaurant that the whole family liked. Sadly his business overstretched itself and had to close a whole ton of branches, including this one in Bristol. On the upside though, the hoarding on the outside has been beautifully decorated with a Cheba and Inkie collaboration.
This piece speaks volumes about the independent and individual culture of Bristol – that street art is sanctioned and even encouraged onto one of the most iconic shopping streets in the city and that the piece itself is bright and cheery and a bold statement of pride about the street itself. The work was sponsored by the Bristol Buisness Improvement District (BID) and was painted at the start of July.
Looking at the artwork itself, it is quite difficult to see an Inkie piece and not read the word Inkie in it. I swear I read Inkie whenever I see it. Cheba dose what Cheba does and provides a splendid cosmic backdrop for the letters. A fine collaboration and ‘in your face’ (in a nice way) piece of Bristol street art.
Unmistakable, this piece is from our very own street art mega-star, Inkie. In Bristol, he is pretty much a household name and is recognised not only for his amazing street art work, but also for the stunning designs he produces in his studio. Many of his prints hang on the walls of Bristol homes.
At Upfest, Inkie was supposed to have a different wall, but for some reason he didn’t take it, and Dzia did an extra piece (the robin) instead. This was where Inkie ended up, in a back yard that is fenced off. A few intrepid visitors found it and went round the back of the yard, and saw that the gate was open (probably for the festival only). There have not been many images of this piece, even though it is still there. A beautiful example of his work, so clean and an example of wildstyle writing at its best.
I have known about this spot for a long while, but not managed to get out to it until recently. It is on a concrete wall which supports one of the main road bridges over the River Avon. The wall, on the south bank, is ideal for spraying, but a little less than ideal for photographing, due to poor light and reflections. I tried my best.
This interesting piece by Inkie is a middle section to an ASK crew Halloween collaboration. There is one part about this that I am not sure about. The character in the middle is quite unlike anything I have seen from Inkie before and at first, my suspicion was that it is by somebody else, but the more I look at it, the more I think it is Inkie’s work. The hair in particular is in the style that he uses for his other pieces.
The writing is, as you would expect to see from Inkie, immaculate, and the piece as a whole something slightly out of the ordinary. More from this wall to follow soon.