Yet another outstanding piece from Inkie in this purple patch we are lucky enough to be witnessing in Bristol at the moment. I am guessing that Inkie has a bit of time on his hands at the moment… maybe it is a pandemic thing and if it is then it is an upside as far as I am concerned.
Alongside some of his friends (posts to follow soon) this appeared about a week or so ago at the top end of Stapleton Road. It is an absolute classic and painted in colours that he has used before, from memory he painted a van in similar shades. Those of you who follow Thursday Doors, might well see this piece again sometime in the future (door hidden under the I and E). I will never tire of his work and am really enjoying this current spate.
As part of a recent paint jam, the walls of the Dare To nightclub were given something of a stupendous makeover and would be the envy of many a building in Bristol. This piece was one of four on this elevation and is by Inkie.
It would seem that Inkie is spending a lot of time in the Bristol area at the moment and is hitting a lot of walls. I can’t think of a time when I have seen so many new pieces from him in such a short space of time. We are being spoilt. This is a particularly nice one in pink, featuring the one and only Pink Panther. A real beauty and so typically Inkie if you know what I mean.
It is always a treat to find an Inkie piece, and to come across two new ones in the space of about month is a great excuse for celebration. This one appeared a week or two back on the long wall at Dean Lane alongside Soker and Zooki (an artist I am unfamilar with).
The shapes of the letters and the style of 3D fills are so recognisable in his work and it only takes a second to identify his pieces. The colour transitions in the fills are expert an the overall colour selections with the blue 3D shading and red clouds are brave, but work fantasticlly well. A fine piece from a top artist, and a nice tribute to Desire.
Inkie’s work is consistently outstanding. What a privilege it was to happen upon a paint jam a short while ago at which some of the great and the good of the Bristol and London graffiti writing scene converged on the walls of the M32 roundabout on two consecutive days. A highlight of the year so far.
This piece needs no introduction. Rather I suggest that you simply admire the burning tones and typical ‘fairground’ lettering style that has become representative of the Bristol street art scene. A huge surprise and a red hot piece – happy days.
From the feature image it is difficult to gauge the significance of this collaborative wall from little more than a week ago in Dean Lane skate park. I gave you a little hint earlier this week with a piece by Rusk which is on the left hand side of this wall behind the fence and which can’t be viewed from this vantage point.
I had decided to take the dog for a walk to Dean Lane and talk about being in the right place at the right time… this was it, and so utterly random that I had chosen to go down there. Not only were Soker, Inkie and Hemper busy doing their thing, but Rusk was also there and watching on were The Agent, Angus, DJ Perks and Tes (Slim Pickings).
It was a little bit like I had died and gone to graffiti heaven. To see these established writers all at work simultaneously was a rare treat indeed, and that other artists who had been tipped-off were watching on made the whole thing feel extra special.
I had met all the artists before with the exception of Hemper who seems to have had something of a renaissance of late, but this wasn’t really the right time to introduce myself, more an opportunity to watch how these guys go about their businness.
Soker’s chrome piece on the left is near perfect and spells out Sokem (the R and M are interchangeable in his name). The photographs of the finished pieces were taken a day or two later.
Inkie’s central panel is classic Inkie and whilst also in chrome stands out due to the deep 3D shading in a striking scarlet colour. This is the third Inkie I have seen so far this year which is not bad going especially as there haven’t been any festivals in that time.
I am less well acquainted with Hemper’s work simply because he hasn’t painted as much as the others until relatively recently. Again in chrome, this third panel of the triptych mirrors the colours of Soker’s piece on the left to give some symmetry to the collaborative work. A landmark wall and a red letter day.
Woah, what happened here? Thank you Paul H for pointing out that the commentary about this piece was missing. A WordPress glitch I think, and most annoying as I had spent quite some time putting together some words to accompany this advert piece in the tunnel by Inkie. I find that I am always caught in two minds with advert pieces, because they take away the edge from street art and swerve into commercialism. There is nothing wrong with that per se and almost always they are promoting local music, so I suppose I should just get with the programme.
The piece itself is written in classic Inkie font and promotes the album Ease and Squeeze by Kaotik Kartel, a reggae/dancehall/dub band from Bristol/Jamaica. I don’t actually mind too much what Inkie is painting about, it is always great to see his work and this one in the tunnel was a great surprise.
When Inkie comes back to Bristol, he usually marks his return with a little gift or two, and this one from a recent visit home is an absolute corker. Deliciously clean and sharp, this vibrant INKIE is a classy piece.
It is incredible how the colours leap out and slap you in the face, an effect probably exaggerated by the gray day and flat light. It is great to see a little shout out to The Agent, who is one of the longer established street artists in Bristol. Altogether a superb piece. Thank you Inkie.
What an absolute beauty and unmistakably the work of Inkie (he really doesn’t need to sign his works, nobody does it like him). I managed to snap this one up when I visited Cheltenham Paint Festival for the very first time in September this year. The joy of the Cheltenham festival is that most of the walls are preserved from previous years, and this magnificent piece was painted for the 2018 festival.
Situated right in the centre of the shopping district, this piece gets a phenominal footfall – I wonder how many of the shoppers realise how lucky they are to have such a great artwork in their town centre, and it isn’t the only one, the place is blessed with dozens of them. A seriously classy piece from the Bristol maestro.
Taking the dog for a walk does have its plus points… just occasionally you walk down a different street – often the dog’s choice – and discover something new. Finding vans with street art is such a sweet pleasure because being mobile, the perception is that seeing them is something of a rarity. Finding a van as beautifully painted as this one by Inkie is a real treat.
Looking a little bit like the Scooby van, the artwork here by Inkie is simply exceptional and features two of his stylized beauties, one on each site of the van, and the hair curls swirling around all over. Great colour combinations and the skill of a brilliant artist make this van highly desirable, I mean who wouldn’t want it, even if only for a day?
We all love a little sunshine, or at least when it is the right kind of sunshine. In this set of photographs we have the wrong kind of sunshine, the kind that casts shadows in tunnels, the kind that people like me don’t like very much, especially when you don’t get regular opportunities to visit particular places.
This is one of two pieces that Inkie painted for the Cheltenham Paint Festival, the other larger one being a little bit further out of town and rather more celebrated. Inkie has painted a truly Inkie piece here with his characteristic writing supported by one of his iconic profile portraits and lots of swirling hair. The letters spelling out ChelSpa, a confated version of Cheltenham Spa (for which he would have needed a much longer wall).
It always great to see Inkie pieces especially when on travels outside his native Bristol/London bases, and Cheltenham certainly has some to be proud of, if you include his contributions to the 2018 Paint Festival.