At the western end of the floating harbour on the north bank is a pub called the Pump House, a place I have walked past a hundred times but never been in, which probably reflects the fact that I am not much of a pub person, not because I don’t like pubs, but because I have got out of the habit, probably since having children.
Inkie painted this fabulous commission around the same time as he painted his ‘I can’t get you out of my head’ piece for Upfest 75×75. You often see this with Inkie, that when he is in town, he will paint several walls over a few days, before returning to London.
This wall is an absolute gift for Inkie who is known for both his ‘signwriting’ skills and his stylised portraits of women with stunning hair. This whole piece is embellished with some beautiful patterns and flowers and is a ‘must see’ wall for anyone walking the Harbourside circuit. Good on the Pump House for tapping into and supporting Bristol’s fine tradition of celebrating street art and street artists.
I feel another ear worm coming on. What is it with these street artists and music anyway…? Inkie has returned to his native Bristol to paint for Upfest, as he does every year and this time he was handed a nice new wall to play with.
I have a feeling that Kylie sand this line followed with ‘na na naa, na na na na na, na na naa’ if my memory serves me well. I suspect that Inkie’s reference might be a different one. The piece itself is rather special, with the words written out in the big hair of the female character, and a lot of mystery in the air. No features on the woman’s face and a question mark medallion around her neck. I’m not sure hat the reference ’84 21′ is, although that might be the dates that Inkie started painting and today.
Although the basic design ideas are there from Inkie, I feel like the piece is a bit of a departure from his normal style, particularly the block letters. Excellent stuff.
Inkie has been back in town, mainly, I think, to paint his contribution to Upfest 75×75, but he has also painted at least one commission and had some fun in the tunnel with this piece during Sunday Funday from mid-July.
Inkie is inextricably linked with everything that is good about the street art scene in Bristol, and here is another wonderful piece to add to his collection. It looks like there is a bit of a birthday celebration going on with this too. I love the contrast in writing style with the inclusion of ‘BIZ in the top left of the piece.
Inkie and his ASK compatriots have been smashing it in recent weeks, and it is a very good thing to see. I can’t remember a time when so many classy pieces have been painted in such a short space of time. 2021 is shaping up to be one hell of a year for street/graffiti art in Bristol.
This lovely piece is in colours favoured by Inkie and seen many times on Natural Adventures before. It is the intricacy of the piece that I find rather special about this one. There is so much interlocking and cross-over of the letters, it becomes impossible to work it all out in your head… goodness only knows how Inkie manages to do it. Yet another very nice piece from that man Inkie.
Anyone over a certain age will probably remember the cartoon series Hong Kong Phooey, I certainly do, but what is incredible is that there were only 16 episodes made. How is that possible, at one point in my life, I would have been about 10 years old, this cartoon seemed to be on all the time? Inkie has breathed new life into this hapless undercover crime solver in this breathtaking new piece in St Paul’s.
Painted on a new hoarding, this piece is in the very good company of Soker and Sepr (to follow). This is a beautifully finished high-quality piece from Inkie set on a blue star background with bright orange and red lettering to match the skin tones and costume worn by our hero. Great to see Spot the cat making an appearance too.
Street art in Bristol seems to have undergone a renaissance over the last few months, something that I suspect will calm down a little as artists return to their day jobs and a form of normality resumes. If not, then I am in big trouble because I simply can’t cope with the amount of new art being produced each and every day.
Unheralded and therefore unexpected, was this sumptuous recent piece from Inkie in Dean Lane. On his own Instagram feed Inkie describes this piece as a ‘Wildstyle painting in Boogie Down Bristol for new @sam_krats & @mc_craig_g NYC track ‘Culture’ coming soon’. So that gives us a little clue to what the writing says – CULTURE.
Inkie paints quite a few of these music-linked pieces, and I am never quite sure if they are commissions or simply promoting music for his friends. In a way I don’t really care what his motivation is, more the high quality of his outstanding artwork – years of hard graft and huge talent make this stuff look quite easy, the sign of a master at work.
Once in a while Inkie creates something special as a kind of ‘commission’ to promote things for friends, usually, but not exclusively, related to the release of music in some form. This magnificent piece was painted to promote DJ Krust’s new album ‘The Edge of Everything’.
Inkie works at an incredible pace and he shared a time-lapse film of him painting this on his Instagram account. It really is remarkable what he can do with a spray can, and this is a highly accomplished work.
I’m not too sure what either of the words say. My guess is that the first word says DJ Krust and the second word in red says Inkie, but I might be far from the mark. Whatever it says it is a beautiful example of wildstyle writing.
It is time for another short series of posts on this year’s Cheltenham Paint Festival back in September, starting with this lovely collaboration from Bristol artists Inkie and Soker. This is one of those collaborations where the artists share a wall and colour scheme, but each piece is otherwise independent.
On the left is a stunner from Inkie full of intricate detail. This is a piece which the artist obviously spent a lot of time on and that time has paid off because in my eyes this is a near-perfect piece of graffiti writing.
On the right of the wall Soker has similarly smashed it. To anyone seeing this and thinking this is just another piece of graffiti, think again… this is world-class writing from two of the very best, and how lucky are we that they both come from Bristol. The more I look at this piece, the more I enjoy it. Bravo!
This wall is an epic wall. There had been an incredible 3Dom piece here for a long time which was replaced by an exceptional Sepr and 3Dom collaboration and now in its most recent makeover we are blessed with this outstanding Sepr and Inkie collaboration.
On the left we have a classic masked thief in a stripy black and white top breaking a safe, stethoscope in hand. Everything about this cartoon character is brilliant – I just don’t know how Sepr can do this with spray paint, it is quite remarkable and I am awe.
On the right is a stunning piece of writing from Inkie with the words ‘Take the money and run’ with the words ‘the’ and ‘and run’ highlighted in different fontd and colours from the main body of writing. The ‘the’ is just so Inkie!
While I am not too sure what the whole piece refers to, I don’t think matters too much because the class of the artistry simply screams out – one of the best collaborations I have seen for quite a while. What is it about this wall?
You know that the world has gone all topsy-turvy when Inkie hits so many walls in Bristol in such a short time. I am not complaining mind, and it is perhaps one of the few upsides of the coronavirus epidemic that Inkie seems to be spending more time in his native Bristol.
This is a recent piece in the tunnel painted alongside Tizer who has made two visits to Bristol in as many months. This is a lovely four-colour filled piece blended horizontally in two contrasting hues. Slightly less elaborate than some of his Oieces, but beautifully decorated with hearts and stars. Always, always great to find an Inkie piece.