Inkie has a good relationship going with the Full Moon in Stokes Croft, and is frequently asked to paint their advertising hoardings on the railings of the pub for future events. I am often caught in two minds about whether this kind of art is street art or something altogether different. It is where commercial interests and street art come together at the commissioning end of the spectrum. In this instance I have posted the piece, because it demonstrates Inkie’s range more than some of his other pieces.
I really like this hoarding with its ‘circus’ font, but the highlight for me is the face on the left hand side of the piece. I am much more used to seeing the Inkie profile portrait of a girl with flowing hair, in this work we see something quite different and in keeping with the spirit of a Day of the Dead themed Halloween party at the pub.
If the piece had not been signed, I might have had difficulty in identifying the artist, so different is it from his usual style. A good piece (even if it is an advertisement).
We used to eat at Jamie’s Italian on Park Street reasonably often as it was a restaurant that the whole family liked. Sadly his business overstretched itself and had to close a whole ton of branches, including this one in Bristol. On the upside though, the hoarding on the outside has been beautifully decorated with a Cheba and Inkie collaboration.
This piece speaks volumes about the independent and individual culture of Bristol – that street art is sanctioned and even encouraged onto one of the most iconic shopping streets in the city and that the piece itself is bright and cheery and a bold statement of pride about the street itself. The work was sponsored by the Bristol Buisness Improvement District (BID) and was painted at the start of July.
Looking at the artwork itself, it is quite difficult to see an Inkie piece and not read the word Inkie in it. I swear I read Inkie whenever I see it. Cheba dose what Cheba does and provides a splendid cosmic backdrop for the letters. A fine collaboration and ‘in your face’ (in a nice way) piece of Bristol street art.
Unmistakable, this piece is from our very own street art mega-star, Inkie. In Bristol, he is pretty much a household name and is recognised not only for his amazing street art work, but also for the stunning designs he produces in his studio. Many of his prints hang on the walls of Bristol homes.
At Upfest, Inkie was supposed to have a different wall, but for some reason he didn’t take it, and Dzia did an extra piece (the robin) instead. This was where Inkie ended up, in a back yard that is fenced off. A few intrepid visitors found it and went round the back of the yard, and saw that the gate was open (probably for the festival only). There have not been many images of this piece, even though it is still there. A beautiful example of his work, so clean and an example of wildstyle writing at its best.
I have known about this spot for a long while, but not managed to get out to it until recently. It is on a concrete wall which supports one of the main road bridges over the River Avon. The wall, on the south bank, is ideal for spraying, but a little less than ideal for photographing, due to poor light and reflections. I tried my best.
This interesting piece by Inkie is a middle section to an ASK crew Halloween collaboration. There is one part about this that I am not sure about. The character in the middle is quite unlike anything I have seen from Inkie before and at first, my suspicion was that it is by somebody else, but the more I look at it, the more I think it is Inkie’s work. The hair in particular is in the style that he uses for his other pieces.
The writing is, as you would expect to see from Inkie, immaculate, and the piece as a whole something slightly out of the ordinary. More from this wall to follow soon.
This is the third piece from the PRSC outdoor gallery that featured Boogie and Voyder, and is by the organiser of the ‘Boogie Down Bristol’ event and all round godfather of bristol graffiti, Inkie.
This is a really wonderful piece from Inkie, and I think he was pulling out all the stops on this one to show Boogie what he was made of. The colour selections are great, and match those used by Boogie on the far left of the three. Voyder was clearly on his own agenda.
Sometimes you get lucky and see pieces by great artists that come and go in the twinkling of an eye. This was a quick one sprayed by Inkie to celebrate the opening of the ‘Graffiti Nation’ exhibition at Upfest back on 28 April 2017.
Inkie told me that he had sprayed it quickly that day and had also worked on his contribution for the exhibition an the day as well. A busy man. This is a wonderful work, simple in its colour selection but with such beautiful writing and lines.
When I look at something like this, it appears to have an effortlessness about it, the work of someone completely in command of his craft. It was painted over fairly swiftly.