It was a real pleasure to find myself in the company of so many great Bristol artists at the 25 year anniversary celebrations at the Tobacco Factory, and none more so than Pelmo, whose work I have admired for some time. It was nice to meet him for the first time and to find out a little bit about how he likes to work.
In creating this piece, featuring one of his outsized characters, he had decided to abandon his spray cans on environmental grounds and use paint and brushes, which was a first for him on a wall. Set in a skyscraper landscape, the large gentleman is posing with a ballet dancer, and there is an interesting and rather sad synergy between the two of them. I like the piece very much, but I wonder if the large amount of white space works on this scale.
Leonard Lane is one of my favourite spots. somehow it feels more exclusive than some of the other more popular spots, and it is tucked away in the deepest heart of old Bristol. The Lane has become more popular with ‘established’ artists in recent weeks, with both Decay and John D’oh making themselves at home in this narrow space.
Now it is the turn of Skor85 and this curious piece. What I like about her work is its dream-like stories that unfold in front of you. This one involves two people rather happy about something and high fiving. Meanwhile, the lady with her bunny ballet outfit brandishes a cutlass and the man is holding a dead rabbit. What on earth… . It doesn’t matter. I love this piece, which is nicely framed too. It would be great to see more of this kind of work in the heavily tagged lane.