1429. Moon Street (43)

I love, love, love this one from NEVERGIVEUP in Moon Street. Regulars will know that I am very fond of his bunnies, but it is as much to do with the location and environment as it is to do with the artwork that attracts me to this piece.

NEVERGIVEUP, Moon Street, Bristol, April 2018
NEVERGIVEUP, Moon Street, Bristol, April 2018

The door in the wall leads to a derelict old building and gets sprayed regularly, but there is something about this rabbit that just seems to be utterly representative of how a little bit of art can bring a ray of sunshine to a grotty area. It stands out even more because of the way it contrasts with the wall and graffiti either side of it. All good.

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1414. Ashley Road (18)

I like collaborations, I think they shed the street art community in a good and friendly light. This particular one is between Mr Draws, the writing, and NEVERGIVEUP whose bunny is unmistakable.

NEVERGIVEUP and Mr Draws, Ashley Road, Bristol, January 2018
NEVERGIVEUP and Mr Draws, Ashley Road, Bristol, January 2018

After his phase of spraying monsters everywhere it seems that NEVREGIVEUP has resumed with his rather friendly rabbits, there are a lot of them about, which is fitting I suppose.

NEVERGIVEUP and Mr Draws, Ashley Road, Bristol, January 2018
NEVERGIVEUP and Mr Draws, Ashley Road, Bristol, January 2018

The Mr Draws writing is playing with an idea he has used before, which is to spell out ‘draw’ in German (Zieht) and replacing the Z with a 3. I think however, that this word draw means to pull like drawing water from a well, but don’t quote me on it…I know no German at all. A fun collaboration.

1368. Upfest 2017 (147)

I am not sure that Annatomix sprayed a wall  or board at last year’s festival, and if she did, I didn’t see it. However, she did leave a couple of nice paste ups for us to enjoy.

Annatomix, Upfest, Bristol, July 2017
Annatomix, Upfest, Bristol, July 2017

This super wheatpaste features a fox and rabbit created in the unique ‘paper-fold’ style that Annatomix likes to use in her painting too.

Annatomix, Upfest, Bristol, July 2017
Annatomix, Upfest, Bristol, July 2017

This is one of the things I love about Upfest…all the ‘unofficial’ offerings from great artists.

1342. Jacob’s Wells Road

I include this piece because it demonstrates that there is ‘graffiti creep’ happening in Bristol and where graffiti goes, so the art tends to follow. This wall is on a stairway up to Brandon Hill park and until relatively recently there was no graffiti here, but as the number of graffiti/street artists grow, and the number of walls/hoardings are lost, so the search for new walls begins. A natural succession, often brought about by gentrification.

NEVERGIVEUP, Jacob's Wells Road, Bristol, February 2018
NEVERGIVEUP, Jacob’s Wells Road, Bristol, February 2018

The bunny is easily recognisable as the handy work of NEVERGIVEUP, who seems to be a bit of a pioneer when it comes to finding new spots to spray. He is unafraid and adventurous which is amazing as he has only been in Bristol a little over a year. The Rabbit is nicely executed, as you would expect, but it is the location that makes this piece stand out.

1310. Dean Lane skate park (109)

Sprayed either at the end of December or beginning of January this is another wonderful rabbit from Hire. This artist consistently churns out good work like this or his wildstyle writing throughout the year, and although I haven’t bumped into him for a while it is great to see his works making an appearance.

Hire, Dean Lane, Bristol, January 2018
Hire, Dean Lane, Bristol, January 2018

When I first became aware of Hire’s work, it was mostly in The Bearpit, however he seems to base himself almost entirely in Dean Lane these days. I am not sure what the writing says, but I would like to think it says something like happy new year. And would’nt you know it, I just typed ‘happy new year Polish’ into Google and it wasn’t this, so I changed Polish to Russian and guess what…I was right. Nice one Hire.

1297. The Bearpit (118).

It is great to see the reappearance of these bunny rabbits in The Bearpit. Having spent a while populating Bristol with monsters, NEVERGIVEUP has returned to his rabbits, which were the first pieces of his that I became aware of last year.

NEVERGIVEUP, The Bearpit, Bristol, January 2018
NEVERGIVEUP, The Bearpit, Bristol, January 2018

These stylised rabbits are clean and characterful and always add a litlle bit of fun to The Bearpit.

It is becoming increasingly clear that The Bearpit is suffering once again from a drug and drink problem, with quite a sizeable community of homeless people gathering here with the cold weather. By no means are all homeless people drug addicts or alcoholics, but The Bearpit is a bit of a honeypot for both, which creates a slightly uneasy atmosphere at times. The long term solution has to be to do something about the housing crisis and providing these homeless people with a roof over their head and some dignity. From there they can try to stitch their lives back together. Sadly they will be persecuted as being the reason places like The Bearpit are ‘no-go’ areas rather than being a symptom of far greater problems created by extreme austerity.

The rabbits bring a little happiness.

1255. Leonard Lane (14)

Leonard Lane is one of my favourite spots. somehow it feels more exclusive than some of the other more popular spots, and it is tucked away in the deepest heart of old Bristol. The Lane has become more popular with ‘established’ artists in recent weeks, with both Decay and John D’oh making themselves at home in this narrow space.

Skor85, Leonard Lane, Bristol, January 2018
Skor85, Leonard Lane, Bristol, January 2018

Now it is the turn of Skor85 and this curious piece. What I like about her work is its dream-like stories that unfold in front of you. This one involves two people rather happy about something and high fiving. Meanwhile, the lady with her bunny ballet outfit brandishes a cutlass and the man is holding a dead rabbit. What on earth… . It doesn’t matter. I love this piece, which is nicely framed too. It would be great to see more of this kind of work in the heavily tagged lane.