2124. Thomas Street North

I have been writing about and photographing Bristol street art for about four years now, and I suppose I like to think that I know quite a lot about the contemporary scene. Now when you talk to people about Bristol and street art or graffiti, the conversation pretty much always starts like this:

“oh, Banksy, he is from Bristol isn’t he?”

To which I reply

“yes he is, but there are a whole ton of brilliant and talented street artists in Bristol who are not Banksy”

Generally the point I am making when I do this is that Bristol is not a ‘one trick pony’, and that 99.9% of the street art in Bristol is not by Banksy, “come and take a look at the vast array of talent on offer”. Some shrug their shoulders “m’eh” they say and look for some other iconic brand to schmooze with. Others open their eyes and enter into the secret garden that is Bristol street art. Welcome.

A digression.

I didn’t even know about this Banksy piece until about a fortnight ago, and found it while I was fannying about on Google streetview. What this goes to show is that I have so much more to learn, and I am open to that, completely. The piece is called Rose Trap and must be quite old. It is protected by a piece of Perspex and sited outside a residential back gate, such an inauspicious place.

Banksy, Thomas Street North, Bristol, March 2019
Banksy, Thomas Street North, Bristol, March 2019

The piece is so typically mischievous, as you’d expect from Banksy. I know little of the history of this little gem, but I expect there is quite a lot of information about it on the Interweb.

Banksy, Thomas Street North, Bristol, March 2019
Banksy, Thomas Street North, Bristol, March 2019

Finding this treasure is one of the little perks of this hobby (is it a hobby or an obsession? Is there something in between that sounds a little more cerebral?). Banksy.

2098. The Bearpit (179)

Right, there is some stuff going on in this piece by Bristol artist HAKA, but I’m not too sure I can enlighten you too much. Obviously there is a Banksy reference here to his flower thrower piece, but instead of flowers there is a baguette. I am assuming that this peaceful rioter is a member of the French movement Gilet Jaune. It is good to see a piece that plays with contemporary cultural influences.

Haka, The Bearpit, Bristol, March 2019
Haka, The Bearpit, Bristol, March 2019

I got lucky when I took these pictures, because there were some council workers doing something with the drain immediately in front of the piece. The man in the picture looks as if he has just stepped out of the wall. He needs to be careful he doesn’t get bonked on the head with a baguette. Nice work from Haka who has been very busy lately.

2090. Queen Charlotte Street (1)

The rewards for wandering around without a plan can be enormous, and after a long while of knowing about this piece I eventually found it quite by accident when I decided to walk down a street I rarely visit.

Tim Marsh, Queen Charlotte Street, Bristol, March 2019
Tim Marsh, Queen Charlotte Street, Bristol, March 2019

It is by the magnificent Tim Marsh, who I think lives in Barcelona, and who was a visitor to Upfest 2018. As with many artists who come to Bristol for the festival, Tim Marsh gave the city with this little ‘present’, and very kind of him to do so too. This piece looks like it might be the Queen wearing a kind of colourful Banksy mask… it could of course be something else completely. Typical of his work are the colourful geometric patterns that fill the space around his subjects. Thank you Tim.

1735. Upfest 2018 (46)

Tim Marsh is not an artist I know, but I feel I almost know him by proxy as he is a friend of Lewis Duncan, he of the brilliant No Grey Walls website featuring street art in Barcelona – and there’s the link, Tim Marsh who was born in Paris now lives in Barcelona. You can read a great interview between the two here.

Tim Marsh, Upfest, Bristol, July 2018
Tim Marsh, Upfest, Bristol, July 2018

This piece is a cool take on The Simpsons theme for this year’s festival and shows a rather furtive Bart in a hoodie smoking a cigarette. This is the Bart that he might become if ever he gets any older. The title of the piece perhaps gives us more of a clue, and introduces other famous people…Salvador Banksy.

Tim Marsh, Upfest, Bristol, July 2018
Tim Marsh, Upfest, Bristol, July 2018

The piece has been nicely painted and the bits of tape in one of the pictures give you a clue to how he achieves his straight lines. This is a lovely piece on a new wall for Upfest and one that is well worth searching out…It is in Ruby Street, Bedminster.

 

 

Girl with a pierced eardrum

 

Serenely you gaze

across the floating harbour

when you catch my eye.

 

by Scooj

 

Photograph taken with a compact zoom from the other side of the floating harbour. Street art by Banksy.

1057. Bristol Museum

For a short while, this incredible piece by Banksy, could be viewed in Bristol Museum. For a shorter time still (hours) it could be viewed in Clement Street, on a door where it was sprayed. The ownership of the work was hotly disputed between Bristol City Council and Broad Plains Boys’ Club and the furore that it caused (see this BBC news story), not uncommon with Banksy pieces, somewhat overshadowed the utter brilliance of the the work, entitled ‘Mobile Lovers’.

Banksy, Bristol Museum, Bristol, May 2014
Banksy, Bristol Museum, Bristol, May 2014

I saw this piece in the museum sometime before I started posting about street art, and sadly I only have this single iPhone image (is there something ironic there?). The title has a double meaning and the piece, not only brilliantly executed, is a fabulous commentary on our modern lifestyle and love-affair with mobile technology. This is absolutely one of my favourite pieces by Banksy, and it is such a pity that it now sits on the wall of somebody who can afford it. I firmly believe street art is for all, but when it carries such a high value as Banksy pieces do, this is what happens.

206. Stokes Croft, Canteen (2)

No self-respecting Bristol street art blogger can ignore what is probably regarded as the most Bristol Banksy of them all. The Mild Mild West still sits proudly on the wall outside the Canteen, and opposite Cosmo Sarson’s Breakdancing Jesus, in spite of attempts to vandalise it (layered irony there).

Banksy, Stokes Croft, Bristol, July 2015
Banksy, Stokes Croft, Bristol, July 2015

This iconic Banksy (and which ones aren’t) tells so many Bristol stories, which are really nicely captured in this 2008 article from the The Telegraph. I see this wall pretty much every day and it is special, really special. The area in which it stands is an area which has played host to several riots, the most recent of which was the ‘boycott Tesco’ riot.

Banksy, Stokes Croft, Bristol, August 2015
Banksy, Stokes Croft, Bristol, August 2015

So established is this piece, that it makes it into the ‘Visit Bristol’ website as a must see attraction. How things have changed from the days of rounding up and arresting Bristol street artists.

This work simply has to be one of my all time favourite pieces in my adopted city.

94. Upper Maudlin Street

I was given a wonderful ‘Banksy’ wall calendar by my mother this Christmas. I noticed that this fabulous image of the Queen has been selected for the month of July. The manufacturers of the calendar are not the only people to have falsely attributed this stencil to Banksy. In July 2012, during the Queen’s Diamond Jubilee, all the newspapers heralded this artwork as a new ‘Banksy’.

Inkwell, Upper Maudlin Street, Bristol, December 2015
Inkwell, Upper Maudlin Street, Bristol, December 2015

The stencil was actually sprayed by IncWel, is called ‘Still Sane’ and is a direct reference to Bowie’s ‘Alladin Sane’ album cover of 1974. I have not been able to find anything else by IncWel, and there is little information on the Interweb about him.

Inkwell, Upper Maudlin Street, Bristol, December 2015
Inkwell, Upper Maudlin Street, Bristol, December 2015

For so many reasons I love this stencil.

9/10

75. Park Row (1)

Mistaken by many for a Banksy, this wonderful stencil is actually by JPS (Jamie Paul Scanlon) and was sprayed in 2013. Clearly it draws on Banksy’s style and subject matter, but that is no surprise as JPS credits his emergence and confidence as a street artist with a visit he made to a Banksy exhibition at Bristol Museum.

JPS, Girl on swing, Park Row, Bristol, November 2015
JPS, Girl on swing, Park Row, Bristol, November 2015

I have written several posts about the work of JPS, and he remains my favourite Bristol-based artist.

JPS, Girl on swing, Park Row, Bristol, November 2015
JPS, Girl on swing, Park Row, Bristol, November 2015

8/10

69. Picton Lane (3)

Rowdy is best known for his pictures of crocodiles with large triangular teeth (see the trousers?). He is a Bristol artist whose work is very well known locally, but he has painted throughout the country and internationally. He has been spraying for a long time and is well established on the Bristol scene. He has a playful mischief in his work.

Rowdy, Picton Lane, Bristol, November 2015
Rowdy, Picton Lane, Bristol, November 2015

This mural is called ‘Boxing Fox’ and is sprayed on a garage door, only a few yards away from his collaboration with Mau Mau, and another of his pictures called ‘Lilo’ which I will post soon. A Rowdy hot-spot.

Rowdy, Picton Lane, Bristol, November 2015
Rowdy, Picton Lane, Bristol, November 2015

As with a great many of the Bristol artists, there is a respectful nod to Mibsy and to Robbo (King Robbo, a street artist and ‘competitor’ of Banksy’s, who died in August 2014 aged 45).

7.5/10