Tim Marsh is not an artist I know, but I feel I almost know him by proxy as he is a friend of Lewis Duncan, he of the brilliant No Grey Walls website featuring street art in Barcelona – and there’s the link, Tim Marsh who was born in Paris now lives in Barcelona. You can read a great interview between the two here.
This piece is a cool take on The Simpsons theme for this year’s festival and shows a rather furtive Bart in a hoodie smoking a cigarette. This is the Bart that he might become if ever he gets any older. The title of the piece perhaps gives us more of a clue, and introduces other famous people…Salvador Banksy.
The piece has been nicely painted and the bits of tape in one of the pictures give you a clue to how he achieves his straight lines. This is a lovely piece on a new wall for Upfest and one that is well worth searching out…It is in Ruby Street, Bedminster.
For a short while, this incredible piece by Banksy, could be viewed in Bristol Museum. For a shorter time still (hours) it could be viewed in Clement Street, on a door where it was sprayed. The ownership of the work was hotly disputed between Bristol City Council and Broad Plains Boys’ Club and the furore that it caused (see this BBC news story), not uncommon with Banksy pieces, somewhat overshadowed the utter brilliance of the the work, entitled ‘Mobile Lovers’.
I saw this piece in the museum sometime before I started posting about street art, and sadly I only have this single iPhone image (is there something ironic there?). The title has a double meaning and the piece, not only brilliantly executed, is a fabulous commentary on our modern lifestyle and love-affair with mobile technology. This is absolutely one of my favourite pieces by Banksy, and it is such a pity that it now sits on the wall of somebody who can afford it. I firmly believe street art is for all, but when it carries such a high value as Banksy pieces do, this is what happens.
No self-respecting Bristol street art blogger can ignore what is probably regarded as the most Bristol Banksy of them all. The Mild Mild West still sits proudly on the wall outside the Canteen, and opposite Cosmo Sarson’s Breakdancing Jesus, in spite of attempts to vandalise it (layered irony there).
This iconic Banksy (and which ones aren’t) tells so many Bristol stories, which are really nicely captured in this 2008 article from the The Telegraph. I see this wall pretty much every day and it is special, really special. The area in which it stands is an area which has played host to several riots, the most recent of which was the ‘boycott Tesco’ riot.
So established is this piece, that it makes it into the ‘Visit Bristol’ website as a must see attraction. How things have changed from the days of rounding up and arresting Bristol street artists.
This work simply has to be one of my all time favourite pieces in my adopted city.
I was given a wonderful ‘Banksy’ wall calendar by my mother this Christmas. I noticed that this fabulous image of the Queen has been selected for the month of July. The manufacturers of the calendar are not the only people to have falsely attributed this stencil to Banksy. In July 2012, during the Queen’s Diamond Jubilee, all the newspapers heralded this artwork as a new ‘Banksy’.
The stencil was actually sprayed by IncWel, is called ‘Still Sane’ and is a direct reference to Bowie’s ‘Alladin Sane’ album cover of 1974. I have not been able to find anything else by IncWel, and there is little information on the Interweb about him.
Mistaken by many for a Banksy, this wonderful stencil is actually by JPS (Jamie Paul Scanlon) and was sprayed in 2013. Clearly it draws on Banksy’s style and subject matter, but that is no surprise as JPS credits his emergence and confidence as a street artist with a visit he made to a Banksy exhibition at Bristol Museum.
I have written several posts about the work of JPS, and he remains my favourite Bristol-based artist.
Rowdy is best known for his pictures of crocodiles with large triangular teeth (see the trousers?). He is a Bristol artist whose work is very well known locally, but he has painted throughout the country and internationally. He has been spraying for a long time and is well established on the Bristol scene. He has a playful mischief in his work.
This mural is called ‘Boxing Fox’ and is sprayed on a garage door, only a few yards away from his collaboration with Mau Mau, and another of his pictures called ‘Lilo’ which I will post soon. A Rowdy hot-spot.
As with a great many of the Bristol artists, there is a respectful nod to Mibsy and to Robbo (King Robbo, a street artist and ‘competitor’ of Banksy’s, who died in August 2014 aged 45).