I can totally see that Morny’s murals might not be to everyone’s taste, they are just not as polished as some of the stuff you see in Bristol, but I absolutely love them. While the characters may have a soft edge, the messages don’t, and Morny is not one for holding back.
We have a great many global crises to contend with at the moment, but the dominance of the coronavirus pandemic may have masked other environmental and political issues such as climate change and migration. The Tories are not known for their compassionate approach to migration, preferring an Australian style hard line. This piece from Morny is calling them out.
I think that this might be the best piece I have seen from Morny, it has a lot of emotion and is a very powerful image. You don’t have to have sharp lines and solid fills with patterns to create a great piece. I love this.
This is the second of a pair of pieces by Dabuten Tronko in Easton which I came across recently. The wall had previously had a rather unattractive throw up on it and the improvement brought about by this work is immeasurable.
I am very fond of these deconstructed rowing boat pieces by Dabuten Tronko, and it is great that he has visited Bristol on a couple of occasions in the last year – I wonder if he has contacts here as it is quite unusual for visitors to paint in Easton, they tend to go to the more common spots at the M32 or Dean Lane. I hope he returns again before too long.
It is always worth taking a look in places that you don’t go to too often, just to check if there is anything new. Well I hadn’t been to this spot for a long time, I know not since before the end of July, because this piece is by Dabuten Tronko, who visited Bristol for Upfest 2017.
It is an interesting piece and picks up the theme of his other boats that he sprayed where the A38 meets The Bearpit roundabout. This is a curious piece of writing set on a red and grey background and picking out a rowing boat within the letters. I am not sure what the word says, if it says anything at all. I like making discoveries like this.
I don’t know how many days these pieces had been up before I noticed them, but they are another gift to the city of Bristol from a visiting artist who was here for Upfest. Dabuten Tronko is from Tarragona in Spain, which I found out from his ‘couchsurfing’ profile. The Interweb is an incredible thing!
These pieces can be found either side of the main road on the vertical walls of the 5102 building overlooking The Bearpit. They are something of a before and after reflection and need to be seen in conjunction to hold any real meaning.
The boats on the left hand side of the road (heading North) are intact and jolly, while in stark contrast, those opposite are smashed up or deconstructed. I’m not sure what it all means, but I like the concept going on here.
The colour scheme is quite subtle and sort of blends in with the background blue. The boats somehow feel like they have always been there or were always meant to be there. I’ll bet I’m not the first person to have missed them first time round.