At first a gentle
plink plink tapping the windows,
then the crescendo.
by Scooj
At first a gentle
plink plink tapping the windows,
then the crescendo.
by Scooj
This is the second stunning piece that has recently been commissioned (I guess) on the hoardings outside the site where the library used to be. You can read more about my thoughts on this here. The shark here is absolutely amazing and Sophie’s trademark drips are to die for. I honestly think this is one of the best street pieces I have seen in a little while.

Sophie Long has captured the form and slow movement of the shark perfectly and the reflected light ripples across the dorsal surface. Of course, as someone with a marine biology training, I am particularly taken with this piece. Sophie Long is a local artist whose work I have seen before, but not posted yet. Her website gives you a good insight into some of her work.
Door seven

This door belongs to the Hatchet Inn, the oldest pub in Bristol which dates back to 1606. It is said that the pub is haunted and that the door is made of human flesh, beneath the tar. Hmm.
by Scooj.
Well here’s the ton up and it’s still only November…who knows I might actually complete my Upfest 2017 posts before Upfest 2018! This is a beautiful piece by Rory McCann who has used his art to help him overcome his childhood health problems with arthrtis. His passion for drawing in those early years has grown to larger scale murals.

Much of his work is about the environment and wildlife in the hope that it will help people to connect with nature. So far he has painted more than 80 large murals in schools, hospitals and public spaces, some of which you can see on his website. This Upfest lion is a stunner – those eyes! One of the truly memorable pieces this year – it was a pity it was a bit tucked away in the Ashton Gate stadium entrance as his work surely deserves more exposure.
I am rather fond of this fishing collaboration between Shane Ha and Niall O’Lochlainn, neither of whose work I have come across before (I think). Both are artists and illustrators from Dublin although I’m not sure if they have collaborated before.

In doing just a little Instagram research on this piece I have rather fortuitously come across a couple of extra pieces they left behind in Bristol, so I will be popsting those before too long I hope.

I was trying to establish which artist did which character, but I’m not sure I can tell, and this might be one of those examples of a collaboration where they both did bits of both. I’m not sure I will ever know. Nice piece.
.
The workshop
was where we spent time
away from
all others;
my grandpa the carpenter
I the observer.
.
by Scooj
.
Last words to colleagues –
‘armageddon outta here’;
pained groans and laughter.
.
by Scooj
Context is all – the office conversation as I was packing up to leave was about the terrible and declining state of the world, of everything.
Rob Wass took a lot of care and attention in producing this piece, and was out on both days, dodging the showers like everyone else. Some of you may remember his beautiful fox from Upfest 2015 which shares the same distinctive characteristics with this beautiful tree.

Simplicity splashed with carefully selected colours leaves us with a very pleasing piece that generates a sense of calm and connection with our environment…I think I am a fan of his work.

My guess is that this is a cheeky little unofficial piece by Whysayit at Upfest this year. To my reasonably trained eye this looks like an opportunistic ‘quick one’ from an artist beter known for his ‘marginally less than legal’ tags and graffiti art all over the City.

It is a nice piece executed in his square style, which looks like it was put up in a bit of a hurry. I suspect he saw a free board at the festival and took his chance to make his mark, and why not? Festivals run the risk of being too clinical and up their own backsides with ‘corporate’ pieces – it is only when we have some real local street/graffiti artists that we remind ourselves what this is all about. Thank you YSAE.
Those days can happen,
when you don’t know what to do
when you hit the wall.
by Scooj