It is always good to return to my old favourites from time to time, keeping Natural Adventures grounded and not obsessed with high-end pieces, which could be very tempting but nowhere nearly as representative of the Bristol scene. The beating heart of graffiti and street art lie in the hands of people like Mr Draws and Face 1st – the unsung heroes of our city.
This is a piece from a short while back by Mr draws that has a rather lovely feel to it. The colour fills are rather interesting and unruly, but somehow work really well and the whole thing, spelling out DRAWS, lifts nicely off the wall and the vibrant colours make it nice and lively. A decent piece that many might ignore and walk past.
This is one of two walls, that happen to be opposite each other at the entrance to St Werburghs tunnel, by Billy, while painting together with her buddy Morny. Billy’s pieces (she is called @billycolours on Instagram) are always brightly coloured and have a child-like simplicity to them.
This fabulous mural shows a figure in bed, presumably looking up at a mobile of planets, with a thought bubble and the words Wake Up! The piece tells a really simple story in a clean and clear way – Billy has a gift for this kinnd of story, and it shows tht you don’t need deep sophistication to get a message across. A bright and cheerful addition to the tunnel. Sadly this piece only lasted a few days before being bombed with rather inferior throw ups.
In the last twelve months or so the board at Turbo Island has attracted some fabulous pieces by greatly talented artists and now it is the turn of Tom Miller with his debut piece on this wall. And what an amazing start.
Tom Miller has been turning out so many pieces since lock down and I have struggled to keep up with them. Some are for fun like this one, but he has also worked on a couple of commissions which is really good, because an artist’s life is a tough one and paid work can be hard to come by.
There is an abundance of colour and form in this abstract piece and typical of the artist there is a great deal of energy and activity. So much to look at and so much detail, it can be hard for the brain to decipher exactly what is going on, but this is a great strength that Tom Miller has. It is not to everyone’s taste, but I love it.
Minto is an artist who at one time lived in Bristol but like so many others before him moved to London. From time to time he returns to Bristol and recently he brought Tizer with him for a couple of days.
This was the second of two pieces that Minto painted over two days at the M32 roundabout and I was fortunate enough to be there when he was painting both of them. This is certainly a festival of colour and a beautifully designed piece, but, and I don’t mean to be too picky, I don’t really like the colour combinations. I could do with losing the brown/bronze and the bright green… it all comes over as a bit of a colour hotch potch. Maybe like Hemper he was using up dregs to give us this diverse piece.
Of course it goes without saying, I am perhaps focussing on the wrong thing, because the finished piece is so obviously by an enormously talented artist and actually looks pretty good. Of the two pieces he painted over the two days, I think I prefer his first one (yet to be posted).
Ments has been taking an experimental new direction over the last six months or so with a new kind of organic wildstyle writing. A blending of curved shapes and shades loosely coming together to form cryptic letters.
I would have to say that this piece has utterly won me over and I think it is one of the best pieces I have seen from Ments in a while. If these shapes and shades were worked in chromes, greys and whites, there would be a liquid metal feel to it, but no, he has gone for a full colour version of molten metal and it is fantastic. It has been worth the wait to see this new direction for Ments, and I have another new one to share with you soon.
Colourful is the word that springs to mind when I look at this fine piece of writing from recently discovered (by me) Phour. Many graffiti writers fade their colouring horizontally, but Phour has done this vertically so the colour transitions happen as you read along the piece.
Phour along with graffiti writers like Mr Draws, Oner, Slim Pickings (Tes) and Fiva, to mention but a few, writes his name, clear and simple without too much disguise or wildstyling which makes his work really easy to identify. I find this piece most pleasing. Great colours, neat and tidy and it has a fearless joy about it. Looking forward to seeing a whole load more from Phour.
There aren’t really the words to describe how good this bull piece by The Hass is. The trip down to Cattle Market Road would be worth it for this piece alone. The bull, so the story goes, escaped from the cattle market (we are talking some years ago) and terrorised the locals until it was captured.
The Hass coordinated the gathering of five artists to decorate the hoarding around the development site at the back of Temple Meads station, and I have to say the collection is one of the highlights of the year so far, and this piece is the highlight of the highlights.
The composition and colours are utterly stunning and contrast so amazingly with the blue sky and piles of rubble behind the hoarding. I think that the buildings represent the old Post Office sorting office that was knocked down to create this brownfield development opportunity. The bull looks a little bit more like a Spanish bull rather than a British one, but I’ll forgive The Hass for that.
I don’t want to go overboard on a description, but rather just leave you to enjoy and study the piece for yourself. Magnificent.
At the Farm end of St Werburghs tunnel a little while ago was this beautifully colourful piece by Corupt, in fact I think it is probably my favourite of his ever. The letter shapes are typical of his style, from the sloping ‘C’ to the ornate stem of the ‘T’, but it is the upbeat fills and childish colours that make this piece stand out from the crowd.
The whole piece looks like a child’s colouring-in book (in a good way) and has a lightness and joy about it. A magnificent work from this quiet and often overlooked artist. I have so much more of his work to share with you.
Ah, this is Mr Draws at his happy creative best. His wonderfully recognisable lettering filled with bright and imaginative colours and spme rather nice spotty patterning. Along the bottom of the writing we have some melty drips. All very neat and tidy.
This is unquestionably a feel good piece and with the blue skies behind it reminds us that not every day is dreary and wet, even if it feels like it sometimes. The shadow effect to the bottom and left of the letters is particularly notable. Do you know what, I think Mr Draws is moving up a gear.
It is a great feeling discovering an artist who is relatively new to the Bristol scene and finding their pieces dotted about the place. One such artist is Lobe and I get a little ping of excitement each time I find one of her stylised portraits, a feeling I get each time I find a piece by Laic217 – some artists have this effect on me more than others.
This piece looks like it is a tribute piece to Wayne. Such works often have a little touch of sadness about them, but that is ok, it is a fair reflection of life in general. Once again her bold colours and shadings demonstrate her distinctive style which is just as well as I have yet to see a signed piece by her. All good.