2334. Wilder Street (35)

Painted for the St Paul’s carnival, this is a wonderful collaboration by Decay and Pekoe. Of course the colour scheme of red, gold and green is wholly commensurate with the colours of the festival, the colours of the Rastafarian movement.

Decay, Wilder Street, Bristol, July 2019
Decay, Wilder Street, Bristol, July 2019

On the left is another stunning Decay piece in his full writing form, see previous post. There is such confidence now in this form which contains some regular features, such as the ‘rays’ in the top half of his letters, and of course his character, Chuck, as the letter ‘e’.

Pekoe, Wilder Street, Bristol, July 2019
Pekoe, Wilder Street, Bristol, July 2019

On the right is a joyful collection of faces, representing the local community looking on in wonder. I do think that Pekoe’s naive style captures the expression and mood of people in a way that is uncomplicated and unpretentious. I love her work.

Decay, Wilder Street, Bristol, July 2019
Decay, Wilder Street, Bristol, July 2019

Altogether, this is a fabulous and time -appropriate collaboration. Great to see these two working together.

1855. Brighton Street (1)

I have known about this wonderful piece by Decay for quite some time, but just haven’t had the time to get to this part of St Pauls until very recently. The abstract work was painted to mark the St Pauls carnival and Decay has exchanged his usual greys, blacks and reds for the Rastafarian colours of red, gold and green.

Decay, Brighton Street, Bristol, November 2018
Decay, Brighton Street, Bristol, November 2018

I feel like I have had slight withdrawal symptoms from having seen so little of Decay’s work since Upfest, so finding this was just what the doctor ordered. His abstract formation, or variations of it, are always pleasing to the eye and so distinctive that no signature is required. Nobody else does anything like this.

246. Wilder Street (4)

There was one final gift for Bristolians that Shalak Attack and Bruno Smoky (Clandestinos) left behind on their recent trip to Bristol…this brilliantly colourful masked face. This was another surprise for me in Wilder Street, an area which is now firmly on my routine street art patrols.

Clandestinos, Shalak Attack and Bruno Smoky, Wilder Street, Bristol, May 2016
Clandestinos, Shalak Attack and Bruno Smoky, Wilder Street, Bristol, May 2016

There is something of acarnival feel to this piece, and it has an unmistakably South American touch.

Clandestinos, Shalak Attack and Bruno Smoky, Wilder Street, Bristol, May 2016
Clandestinos, Shalak Attack and Bruno Smoky, Wilder Street, Bristol, May 2016

I still feel privileged that Clandestinos came to Bristol and left these remarkable pieces, however the story is not all good I’m afraid. The piece I wrote about by Shalak Attack in Stokes Croft has been tagged with a rather poor ‘throw up’.

Shalak Attack, Stokes Croft, Bristol, May 2016
Shalak Attack, Stokes Croft, Bristol, May 2016

The great piece next to it by SPZero76 and Mr Wigz has similarly been defaced. For less than a week, all five arches of the Carriageworks had clean untagged pieces in them…a first since I have been writing these posts. No longer. It is the nature of the beast I’m afraid, but disappointing nonetheless.

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SPZero76 and Mr Wigz, Stokes Croft, Bristol, May 2016

92. Little Bishop Street

Since I’m on a bit of a Silent Hobo run at the moment, I thought I’d post one of his works which can be found in the heart of St Pauls, and celebrates the St Pauls Carnival.

Silent Hobo, Little Bishop Street, Bristol, November 2015
Silent Hobo, Little Bishop Street, Bristol, November 2015

Even in a contemporary setting his pieces have an element of mysticism about them.

Silent Hobo, Little Bishop Street, Bristol, November 2015
Silent Hobo, Little Bishop Street, Bristol, November 2015
Silent Hobo, Little Bishop Street, Bristol, November 2015
Silent Hobo, Little Bishop Street, Bristol, November 2015

8/10