Just when you thought the Rezwonk/Decay partnership couldn’t possibly get any better, they pull this one out of the hat (see what I did there?). This is a remarkable and thoroughly enjoyable collaboration painted brilliantly in the style of Dr Seuss’ Cat in the Hat.
The left hand side of the collaboration is by Rezwonk where the writing almost takes second place to The Cat, Thing 1, the kite and flower pot and the general setting of the piece. I believe this piece to be utterly outstanding and is right up there with my favourite pieces of the year.
The Cat in particular is so well painted, like he has stepped straight off the page of a book, Thing 1 also is incredibly faithful to the book. Surely this can’t have been painted with spray cans alone?
The right hand side of the collaboration is by Decay who has introduced the character Sam I am from the book Green Eggs and Ham. He also included the goldfish in his bowl from Cat in the Hat.
Decay has gone for a simple piece of writing in his usual (2019) style which acts as a fabulous backdrop to everything else that is going on with the piece. Fortunately the colour schemes used are not polluted by the horrible light conditions in the tunnel, and the photographs of the piece have come out OK.
Thoroughly brilliant by this pairing – Bravo! Bravo!
Another one from a month or two back from Decay which was painted for this year’s St Paul’s carnival. What is interesting about this piece is that it is a reversion to his older style of work with ‘Chuck’ in the centre of rays of concentric ovals eminating from the middle. I guess this design probably fit the space better than his more recent writing designs which are better on a ‘landscape’ wall.
Of course the colour selection is entirely appropriate to the carnival and many other pieces by other artists carried the same base colours. I can’t think how many pieces Decay has painted this year, and I haven’t captured them all by any means. I think that together with Rezwonk he bears the crown of most productive Bristol artist 2019, unless things change for the remainder of the year.
Oh I really hate the light in this bridge/tunnel it is almost impossible to get decent pictures of anything, especially near the edge of the wall. Even though the picture doesn’t do it justice, I still felt it was worth sharing this recent collabortation between Decay and Ryder with you.
Decay as you know already is simply smashing it out of the park with every piece he does at the moment, and although the general shape of his writing is reasonably consistent from piece to piece, the colour palette and shadings and backgrounds continue to amaze.
I haven’t posted anything from Ryder for a while now, even though he has painted quite a lot recently, no reason, it just hasn’t happened… I’ll have to raid my archive and unlock a few I think. This small part of the collaboration hosts a couple of Ryder’s trademark character ‘Rs’ one of which is shooting laser beams across the whole thing.
These pieces are two of a larger collaboration which included Tasha Bee and T-Rex (to follow).
It would seem that Rezwonk and Decay are inseparable at the moment, they are churning out so many exciting and vibrant collaborations this summer. Some of these display a common theme used by both artists or some like this, one present two very different pieces side by side.
On the left is a colourful Rezwonk piece of writing, that is reasonably simple in concept – different coloured letters with melting drips, but complex in its execution. How on earth would you start such a piece? I’m not entirely sure the white ‘dusting’ works though, if anything it looks like someone has tried to obscure the piece… it might have been better without.
Then on the right is the Decay piece which shares only drippiness with Rezwonk’s. In all other aspects the writing and colour selection could hardly be more different. It is rermarkable to think how much Decay’s work has come on over the last twelve months or so. Perhaps a quick squint at his updated gallery will give you some idea of the progress made.
This is the other half of an outstanding collaboration between Rezwonk and Decay from a couple of weeks back, and for both artists was a great success. Here Rezwonk or Rezer as he writes, plays with the same themes that Decay used and with equal success.
There is a lot of movement in this piece, aided by the explosive flames around the lettering. The whole thing is deliberately rather busy, typified by the patches of spots and clouds in the background. It seems that each of the artists have approached this collaboration with their own identities, but in sharing themes and ideas have played off one another to create two great individual pieces and a great shared piece. So good.
Decay is one of the most featured artists in Natural Adventures at the moment on account of his incredible productivity and I dread to think what his monthly paint bill must be. I mentioned in a recent post that his work is getting better with each new piece and that trend is continuing. I think that he is reaching a new level and although my expectations are raised, he is largely exceeding them with each new work.
This beautiful piece is part of a collaboration with Rezwonk (to follow) on one of the long walls of the M32 roundabout. There is so much movement and animation with the explosions and decorations that the whole thing is a feast for the eyes. It is not that long ago that Decay confined his work largely to a palette of red, greys, black and white, what a contrast with the hugely colourful work he is producing now. This is another gem from the man.
Painted for the St Paul’s carnival, this is a wonderful collaboration by Decay and Pekoe. Of course the colour scheme of red, gold and green is wholly commensurate with the colours of the festival, the colours of the Rastafarian movement.
On the left is another stunning Decay piece in his full writing form, see previous post. There is such confidence now in this form which contains some regular features, such as the ‘rays’ in the top half of his letters, and of course his character, Chuck, as the letter ‘e’.
On the right is a joyful collection of faces, representing the local community looking on in wonder. I do think that Pekoe’s naive style captures the expression and mood of people in a way that is uncomplicated and unpretentious. I love her work.
Altogether, this is a fabulous and time -appropriate collaboration. Great to see these two working together.