3563. Greville Road (11)

I am taking the very unusual step of publishing an extra post today, because I can. I am on leave and should be walking the dog or on the allotment or doing the thousand other things lined up. But sod it, I thought I’d do this instead, besides which, my March 2021 folder is heaving – I have never had so many pieces to select from, ever and I need to share as many as I can.

Angus, Greville Road, Bristol, March 2021
Angus, Greville Road, Bristol, March 2021

This is a superb mosaic piece by an artist I’ve not posted for a very long time indeed. He does create new pieces fairly regularly, but they tend to be in places I very rarely visit, this being an exception.

Entitled (I guess) ‘Wanna Smurf’, this piece features one of the ghastly little creatures (I was never a fan) with a couple of floating hearts. I guess this might be a Valentine’s Day piece, but I am not sure. I like the location and originality/weirdness. I feel I need to hunt down more of these little mosaics from Angus.

2859. Cheltenham 2019 (30)

My Dog Sighs, a hugely popular and talented artist from Portsmouth was extremely busy at the Cheltenham Paint Festival last September. His main project, painting a small lorry (yet to be posted) was accompanied by a number of smaller pieces dotted around town. This ceramic tile was one of those ‘extras’.

My Dog Sighs, Paint Festival 2019, Cheltenham, September 2019
My Dog Sighs, Paint Festival 2019, Cheltenham, September 2019

The little everyman character was hiding near the entrance to a car park. The shattered and fragmented tile has the word ‘broken’ across the top and everyman is looking a bit sad. This is an imaginative piece and characterises the influx of art that festivals bring in addition to the sanctioned and legitimate works.

2453. Cheltenham 2018 (2)

Whether it is a large piece or a small one, Chinagirl Tile never ceases to amaze with her imaginative and often slightly subversive ceramic tiles. I think this must be one of my favourites and I loved it from the first second I saw it. Created for the Cheltenham Paint Festival 2018 this striking dinosaur piece takes centre stage in one of the town’s car parks.

Chinagirl Tile, Paint festival 2018, Cheltenham, September 2019
Chinagirl Tile, Paint festival 2018, Cheltenham, September 2019

The dinosaur is enormous and one of the larger pieces I have seen by Chinagirl Tile. It is genuinely a fabulous work of art and Cheltenham are lucky to have it as a piece of public artwork. I cannot imagine how long this might have taken Chinagirl to design, fashion, glaze and fire, let alone bringing it over here from Austria where she is based, but it was definitely worth it.

Chinagirl Tile, Paint festival 2018, Cheltenham, September 2019
Chinagirl Tile, Paint festival 2018, Cheltenham, September 2019

An additional part of the overall piece is a ceramic listing of ‘rules for girls who want to become street artists’ with the words ‘BRING A DINOSAUR’ written over the top of it. Skill, charm, wit, placement, patience, dedication… this piece has it all. Bravo.

1071. Upfest 2017 (77)

This is what you get when two mischievous artists collaborate, each with their own inimitable style. When Chinagirl Tile and Angus got together at Upfest this year, they produced this rather special piece which arguably was the most controversial of the festival, causing offence to some.

Chinagirl Tile and Angus, Upfest, Bristol, July 2017
Chinagirl Tile and Angus, Upfest, Bristol, July 2017

The raccoons are by Chinagirl Tile and the mosaic hand gesture is by Angus. Unfortunately the piece in its original state didn’t last too long at all before it was ‘redacted’ with some black tape.

Chinagirl Tile and Angus, Upfest, Bristol, August 2017
Chinagirl Tile and Angus, Upfest, Bristol, August 2017

Not long after that, the hand was completely replaced by yellow tiles, and the piece has really lost something. I will leave you to judge which version of this you prefer. For my part, this work challenges the ‘sanitised’ art you tend to get at festivals by being provocative and edgy, which is where most street art and graffiti art has its roots. Some really interesting perspectives being played out here.

Chinagirl Tile and Angus, Upfest, Bristol, August 2017
Chinagirl Tile and Angus, Upfest, Bristol, August 2017

I like the original, but I would wouldn’t I.

938. Upfest 2017 (12)

I love the whole idea of our beautiful wildlife being a little bit subversive, and nobody creates this edginess between cute and dangerous better than Chinagirl Tile. Her last two visits to Bristol for Upfest have seen her decorate the streets, not only in Bedminster but also in Stokes Croft with her anarchic ceramic creatures.

Chinagirl Tile, Upfest, Bristol, July 2017
Chinagirl Tile, Upfest, Bristol, July 2017

This is a rather charming little squirrel claiming to have stolen Banksy. It is nicely located on a wall surrounded with greenery. It rather blends in and will be missed by many passers by. You have to keep your eyes open.

I have several other Chinagirl pieces to post about from this year’s festival.